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All Journal Journal of Visual Art and Design Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan
Aprilia Ariesty Wibowo
Telkom University
Arts Humanities Decision Sciences, Operations Research & Management Other

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Sebuah Penelitian Tentang Pan-Sensualisme Sebagai Bentuk Silang Budaya: Karya Seni Oleh Jim Supangkat; Ken Dedes (1975) Aprilia Ariesty Wibowo; Kiki Rizky Soetisna Putri; Irma Damajanti
Journal of Visual Art and Design Vol. 15 No. 2 (2023): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2023.15.2.7

Abstract

This study examined the use of the term ‘Pan-Sensualism’ in the discourse on contemporary Indonesian new art and how this manifested itself in artworks created at the beginning of the Indonesian New Order era (1966-1998). Jim Supangkat was one of the artists and initiators in forming the artist group Gerakan Seni Rupa Baru Indonesia (Indonesian New Art Movement), which then organized the first Seni Rupa Baru 75 exhibition in 1975. Jim Supangkat presented six installation works with different narratives, but Ken Dedes was the only one that presented the dialectic of traditional and modern culture. The Prajnaparamita, or Ken Dedes statue is presented with a drawing of the body of a woman wearing jeans with the buttons open. In looking at the formal, social-historical, cultural, feministic, and other elements in the work of Ken Dedes (1975-1996), we used the iconographic research method. This method helps to see several aspects of Supangkat’s visual works related to the aesthetic paradigm of Pan-Sensualism and the intersection of two cultural elements, i.e., high and low art, which may be distinguished based on social class appreciation.
VISUAL ANALYSIS OF AI-GENERATED IMAGE DIGITAL PORTRAIT WITH GHIBLI STUDIO STYLE Rifa Annisa; Aprilia Ariesty Wibowo; Ariesta Beta Nandya
Desain Komunikasi Visual, Manajemen Desain dan Periklanan (Demandia) Vol 11 No 1 (2026): demandia - Jurnal Desain Komunikasi Visual, Manajemen Desain dan Periklanan
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/demandia.v11i1.9459

Abstract

The rapid development of artificial intelligence technology is capable of interpreting and creating visual artwork based on human input through a platform. Although AI offers efficiency in creating works, the similarity to existing visual styles sparks debate about originality and ethics. This issue gained prominence with the emergence of AI generated Studio Ghibli-style digital portraits on social media. The main issue discussed in this study is how AI-generated images differ visually and technically from Studio Ghibli's original works. Previous studies focused on copyright and data privacy, research comparing visual is still limited. This research aims to fill this gap by conducting a visual comparative analysis between AI-generated works and Studio Ghibli's animation style using Feldman's theory. This comparison clearly shows how AI-generated visuals compare to human-made ones based on visual and technical analysis.The findings show that AI can copy surface features well, but it cannot achieve accurate anatomy, detail, visual consistency, or emotional depth correctly. The study concludes that AI still can't fully copy the emotional and visual depth that human artists can create. The finding emphasizes the uniqueness of original artwork and is expected to provide significant insights for the creative industry, opening up space for ethical discussion and enhancing visual literacy among designers, academics, and the public.
Co-Authors Ariesta Beta Nandya Irma Damajanti Kiki Rizky Soetisna Putri, Kiki Rizky Rifa Annisa