Marianus Bahantwelu
Universitas Nusa Cendana

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A KAJIAN PRINSIP DESAIN ECO-CULTURE PADA BANGUNAN EDUCATIONAL CRAFTS CENTER DI KOTA SOLO Raimundus Eo; Marianus Bahantwelu; Imanuel N. Mbake
Jurnal Arsitektur ARCADE Vol 9 No 3 (2025): Jurnal Arsitektur ARCADE September 2025
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v9i3.4268

Abstract

Abstract:The Eco-culture approach is an approach that considers natural conditions and local culture so that it becomes a combination of ecological and cultural approaches. In its application, the Eco-culture approach has 5 main principles that form the basis of design and development. This research aims to examine and explore the application of the 5 main principles in the Educational Crafts Center building. The method used in this research is descriptive qualitative. The results show that the 5 main principles of the Eco-culture approach are Image of Space (applying the shape of the building mass as a representation of the roof shape of a joglo house); Source of Environmental Knowledge (applying sensory experience through light and air conditioning elements); Building Image (using solo batik elements in building design); Technologies (representation and modification of the joglo house construction structure and the use of local materials); and Idealized Concept of Place (applying the concept of joglo house arrangement to the arrangement of building spaces starting from Pendopo as Lobby, Dalem as exhibition space, Senthong Kiwa as management office, Senthong Tengah as craftsman retail, Shentong Tengen as educational studio and library, Gandhok as Food Court). Keywords: Educational Crafts Center, Eco-Culture, Solo City Abstrak:Pendekatan Eco-culture merupakan pendekatan yang mempertimbangkan keadaan alam dan budaya setempat sehingga menjadi perpaduan antara pendekatan ekologi dan budaya. Dalam penerapannya, pendekatan Eco-culture memiliki 5 prinsip utama yang menjadi dasar perancangan dan pengembangan. Penelitian ini bertujuan untuk mengkaji dan mengeksplorasi bagaimana penerapan 5 prinsip utama tersebut pada bangunan Educational Crafts Center. Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif. Hasil penelitian menunjukkan bahwa 5 prinsip utama dari pendekatan Eco-culture yaitu Image of Space (menerapkan bentuk massa bangunan hasil representasi dari bentuk atap rumah joglo); Source of Environmental Knowledge (menerapkan pengalaman sensorik melalui elemen cahaya dan penghawaan); Building Image (menggunakan unsur batik solo dalam desain bangunan); Technologies (representasi dan modifikasi struktur konstruksi rumah joglo dan penggunaan material lokal); serta Idealized Concept of Place (menerapkan konsep penataan rumah joglo pada penataan ruang bangunan berawal dari Pendopo sebagai Lobby, Dalem sebagai ruang pameran, Senthong Kiwa sebagai kantor pengelola, Senthong Tengah sebagai retail pengrajin, Shentong Tengen sebagai studio edukasi dan perpustakaan, Gandhok sebagai Food Court). Kata Kunci: Educational Crafts Center, Eco-Culture, Kota Solo  
SOSIALISASI DAN WORKSHOP MODEL DAN TEKNIK PEMASANGAN BATA MERAH ‘EKSPOS’ PADA KELOMPOK TUKANG ‘LAMALOGA’ Marianus Bahantwelu; Linda W. Fanggidae; Yohanes W.D. Kapilawi
Servirisma Vol. 5 No. 1 (2025): Servirisma : Jurnal Pengabdian kepada Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Universitas Kristen Duta Wacana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21460/servirisma.2025.51.91

Abstract

Red brick is the most commonly used building material in East Flores Regency, not only due to it’s availability but also because it provides aesthetic value, a natural impression, and good durability for buildings. However, many builders still lack understanding of proper and innovative installation techniques, thus the use of red bricks is limited to conventional wall partitions (which is not exposed). Through this socialization and workshop, participants were given an understanding of various models of exposed red brick installation patterns, as well as the techniques and step by step installation methods. This activity emphasizes aspects of design innovation so that builders are able to produce unique and high-value works. The implementation method includes material delivery, direct demonstration, and installation practice by participants. The results of the activity showed an increase in participant’s understanding and skills in applying aesthetic and unique red brick installation techniques. Thus, this activity is expected to improve technical skills, enhance understanding of design innovation, thereby enabling their work to achieve higher quality, refined aesthetics, and greater economic value.