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PELESTARIAN TENUN GADOD MELALUI TARI TENUN GADOD Djuniwarti, Djuniwarti; Mayang, Annisa Arum; Sundari, Yupi
Jurnal Seni Makalangan Vol 9, No 1 (2022): "Menggali Inspirasi Dari Tradisi"
Publisher : Institut Seni Budaya Indonesia (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/mklng.v9i1.2072

ABSTRAK Salah satu kekayaan budaya yang dimiliki Indonesia adalah warisan wastra nusantara. Wastra sendiri diambil dari bahasa sanskerta yang berarti sehelai kain. Wastra dari tiap daerah memiliki keunikan yang diwariskan turun-temurun dari generasi ke generasi. Contoh dari wastra nusantara adalah kain tenun. Majalengka tepatnya Desa Nunuk Baru merupakan kawasan di Jawa Barat yang masih memiliki tradisi tenun. Tradisi tenun menenun di Desa Nunuk baru telah mengalami pasang surut akibat perubahan situasi dan kondisi masyarakatnya. Agar terhindar dari kepunahan dilakukan beberapa upaya pelestarian, dari melakukan regenerasi penenun, mengikuti pameran di berbagai ajang budaya hingga menciptakan sebuah tarian yang dinamai Tarian Tenun Gadod. Tarian ini merupakan kreasi yang terinspirasi dari tradisi menenun Tenun Gadod di Desa Nunuk Baru. Tarian ini menceritakan tentang kegembiraan dan ketekunan dalam proses menenun tenun Gadod. Penelitian ini merupakan penelitian deskriptif kualitatif dengan metode studi lapangan dan dokumentatif.Kata Kunci: Tradisi Menenun, Tenun Gadod, Tarian. ABSTRACTPRESERVATION OF GADOD WEAVING THROUGH GADOD WEAVING DANCE, June 2022. One of Indonesias cultural treasures is Wastra Nusantara (traditional cloth from Indonesia). Wastra is taken from Sanskrit which means a piece of cloth. Wastra from each region has its own uniqueness that has been passed down from generation to generation. An example of wastra nusantara is woven cloth. Majalengka, precisely Nunuk Baru Village is an area in West Java that still has a weaving tradition. The weaving tradition in Nunuk Baru Village has experienced ups and downs due to changes in the situation and conditions of the people. In order to avoid extinction, several conservation efforts were carried out, from regenerating weavers, participating in exhibitions in various cultural events to creating a dance named the Gadod Weaving Dance (Tari Tenun Gadod). This dance is a creation that was inspired by the Gadod weaving tradition in Nunuk Baru Village. The dance tells about the joy and perseverance in the process of weaving the Gadod weave. This research is qualitative descriptive research with field study and documentary methods.Keywords: Weaving Tradition, Gadod Weaving, Dance.

EKSPLORASI MANIPULATING FABRIC RUFFLE INSPIRASI APHRODITE PISCES PADA READY TO WEAR DELUXE Patimah, Cucu; Marlianti, Mira; Djuniwarti, Djuniwarti
Style : Journal of Fashion Design Vol 4, No 1 (2024): Style : Journal Of Fashion Desain
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v4i1.5076

Manipulating fabric is a technique in engineering textile materials to produce new textile materials which aim to beautify clothing, one of which is through the ruffle technique which can be applied to create a wrinkled effect on the fabric so that it produces a new visualization, namely making it wavy and voluminous. The work highlights the zodiac Pisces, which is symbolized by a pair of fish swimming in opposite directions. Pisces is a zodiac sign born on February 18-March 19. This zodiac sign is considered to be a person who likes adventure and has a great imagination. According to Greek mythology, these two fish are Aphrodite. Aphrodite is the symbol of the most beautiful Greek goddess who is the goddess of love and beauty. Due to the nature of Pisces, which has unlimited imagination, the creator uses a creation method consisting of exploration, experimentation and realization. The results of this work are six RTW Deluxe in the evening gown category which will be presented in the form of a fashion show at the Jogja Fashion Parade 2024 event.

APLIKASI CELUP IKAT DAN BATIK MOTIF BAMBU INSPIRASI MONUMEN PERJUANGAN MARKAS TKR DIVISI III PADA READY TO WEAR DELUXE Gunawan, Alya Salsabila; Suharno, Suharno; Djuniwarti, Djuniwarti
Style : Journal of Fashion Design Vol 4, No 1 (2024): Style : Journal Of Fashion Desain
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v4i1.5077

The creation of this work is based on the empirical fact that, the Struggle Monument of TKR Division III Headquarters has never been used as a batik motif made with batik writing and stamp techniques. Therefore, the purpose of this work is to add batik motifs whose motifs contain historical values of the struggle of the Indonesian nation. Ready to wear deluxe was chosen as an application medium combined with tie dye techniques because the segmentation of this work is the upper middle class who like this type of clothing. To achieve this goal, the creation method used is exploration, design and embodiment with visual reference to the 2024/2025 Resilient fashion trend, namely Heritage sub-theme Reminiscence. The result of the creative process of this work is four deluxe ready to wear looks with casual ethnic styles presented at Indonesia International Modest Fashion 2023.

PELATIHAN MEMBATIK DALAM RANGKA MENINGKATKAN KREATIVITAS ANAK ASUH YAYASAN DAPOER CINTA YATIM DI CIWIDEY KABUPATEN BANDUNG Djuniwarti, Djuniwarti; Marlianti, Mira
ATRAT: Jurnal Seni Rupa Vol 10 No 3 (2022): EKSISTENSI SENI DAN BUDAYA DALAM INTERPRETASI VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v10i3.2316

This training introduces batik as a national identity that must always be known, worn and preserved by the Indonesian people. Creativity with batik can be a medium that helps develop the creativity skills of foster children at the elementary and junior high school levels at the Dapoer Cinta Yatim Foundation (DCY). Therefore, the focus of this Community Service (PKM) is continuous batik training and mentoring activities for orphans, poor people, and their companions who are members of the Foundation. The method of implementing PKM includes the stages of introducing theoretical insights about the ins and outs of batik, which is followed by training in the form of batik practice activities where foster children produce several modules of batik work with various batik techniques and coloring them and the last is the stage of aesthetic packaging of batik products created by children's creativity. packaged into various classy and aesthetic products such as textile products and household products, which were displayed in a simple exhibition at Mister M Cofee and Resto.Keywords: training, batik, creativity, exhibition----------------------------------------------------------------------------------Pelatihan ini memperkenalkan batik sebagai identitas bangsa yang harus selalu dikenal, dipakai dan dilestarikan oleh bangsa Indonesia. Berkreativitas dengan batik dapat menjadi medium yang membantu menumbuhkembangkan skill kreativitas anak asuh tingkat SD dan SMP di Yayasan Dapoer Cinta Yatim (DCY). Oleh sebab itu fokus Pengabdian Kepada Masyarakat (PKM) ini adalah kegiatan pelatihan dan pendampingan membatik secara kontinyu bagi anak yatim, duafa, dan para pendampingnya yang tergabung di Yayasan tersebut. Metode pelaksanaan PKM meliputi tahapan pengenalan wawasan teori tentang seluk beluk batik, yang dilanjutkan dengan pelatihan berupa aktivitas praktik membatik dimana anak asuh menghasilkan beberapa modul karya batik dengan berbag0ai teknik membatik dan mewarnainya dan terakhir adalah tahapan pengemasan estetik dari produk batikan hasil kreativitas anak-anak dapat dikemas menjadi berbagai produk yang berkelas dan estetis seperti sebagai produk tekstil dan produk keperluan rumah tangga, yang ditampilkan dalam sebuah pameran sederhana di Mister M Cofee and Resto.Kata kunci: pelatihan, batik, kreativitas, pameran

PENGEMBANGAN MOTIF SINGOBARONG KERATON CIREBON BERGAYA FLATDESIGN UNTUK GENERASI MILENIAL Djuniwarti, Djuniwarti; Kurniawan, Hadi; Karisa, Silvy
ATRAT: Jurnal Seni Rupa Vol 11 No 3 (2023): KARYA RUPA DALAM BINGKAI TRADISI DAN BUDAYA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v11i3.3185

West Java has many batik motifs that must to be preserved and introduced for the millennial generation. So far, the millennial generation has been considered more interested with Western fashion but many of them are also starting to be interested toward batik fashion actually. This research aims to develop alternatives design of the Singabarong batik motif into flat design style for the millennial target market. This research method uses a qualitative approach and design creation through three stages that are exploration, design and embodiment. This research resulted three developments of the Singabarong batik motif in flat design style that are the Singabarong Raja motif, the Singabarong Resi motif and the Singabarong Rama motif. The results of this study are expected to add insight and increase the interest of public especially millennials about the Singabarong batik motif preservation. Keywords: Singabarong motif, flat design, millenial generation. ------------------------------------------------------------------------------------ Jawa Barat memiliki banyak motif batik yang perlu dilestarikan dan diperkenalkan kepada generasi milenial. Selama ini, generasi milenial dianggap lebih tertarik pada fesyen Barat, nyatanya banyak juga yang mulai tertarik pada fesyen berbahan batik. Penelitian ini bertujuan untuk mengembangkan desain alternatif motif batik Singabarong bergaya flat design untuk target pasar kaum milenial. Metode penelitian ini menggunakan pendekatan kualitatif serta penciptaan desain melalui tahap eksplorasi, perancangan dan perwujudan. Penelitian ini menghasilkan tiga pengembangan desain motif batik singabarong bergaya flat design yaitu motif singabarong Raja, motif singabarong Resi dan motif singabarong Rama. Hasil penelitian ini diharapkan menambah wawasan dan meningkatkan minat masyarakat khususnya kaum milenial terhadap kelestarian batik keraton motif Singabarong. Kata Kunci: motif Singabarong, flat design, generasi millenial.

EKSPLORASI PERJUANGAN TJOET NJA’ DHIEN KE DALAM BATIK GEUMASEH DAN APLIKASINYA PADA READY TO WEAR DELUXE Muhammad, Munaya; Suharno, Suharno; Djuniwarti, Djuniwarti
Style : Journal of Fashion Design Vol 4, No 1 (2024): Style : Journal Of Fashion Desain
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v4i1.5202

The geumaseh batik motif is a narrative batik that tells the story of Tjoet Nja’ Dhien’s struggle against the dutch during the Aceh war (1880-1908). In Acehnese geumaseh means an expression of love which in this case refers to Tjoet Nja’ Dhien’s love for Aceh exspressed throught her fight against the dutch. The purpose of this creation is to enrich batik motifs and ready-to-wear deluxe designs that can be used as a medium for historical education without neglecting the function of the garment itself. Ready-to-wear deluxe is chosen as a medium of expression because this type of clothing has an exclusive and luxurious character, making it appropriate to represent the greatness of Tjoet Nja' Dhien's love for Aceh. The Geumaseh motif is constructed using the hand-drawn batik technique to suit the character of ready-to-wear deluxe, taking inspiration from the 9 phases of Tjoet Nja' Dhien's struggle. The methods used in the creative process are exploration, design, and realization. The physical results of this creation are 9 (nine) ready-to-wear deluxe looks, which will be presented at the National Indonesia Fashion Week 2024 event.

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