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Analisis Komponen Makna pada Payung Geulis, Kelom Geulis dan Gamparani Sebagai Kerajinan Khas Tasikmalaya Milla Amellia; Arya Fatahillah; Irenne Edelwis Rondonuwu; Aveny Septi Astriani
Jurnal Bima : Pusat Publikasi Ilmu Pendidikan bahasa dan Sastra Vol. 1 No. 4 (2023): December : Jurnal Bima : Pusat Publikasi Ilmu Pendidikan bahasa dan Sastra
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/bima.v1i4.335

Abstract

This research contains an analysis of the components of meaning in typical Tasikmalaya crafts, namely payung geulis, kelom geulis and gamparani. The method used in this research is a qualitative method, which is carried out by describing or describing the reality of the facts contained in the research object. The aim of this research is to clarify the differentiating components of the equivalent or lexicon of payung geulis, kelom geulis and gamparani in Indonesian. The analysis technique in this research uses qualitative descriptive techniques, with data collection techniques using reading, listening, note-taking techniques, apart from that, this research also uses semantic analysis. The objects of this research are payung geulis, kelom geulis and gamparani. Based on the meaning component analysis that we have carried out, we can conclude that there are five lexicons related to the payung geulis. The difference lies in the raw materials for making it, the function of use, and even the shape of the type of umbrella. Apart from that, there are also eight lexicons related to the kelom geulis and gamparani. The difference lies in who the user is, the material it is made from, and the situation of the user.
STYLISTIC ANALYSIS OF CLASSICAL AND MODERN LITERARY WORKS IN A LITERARY WORK Irenne Edelwis Rondonuwu; Chika Laras Pramestuti; Putri Angel Lestari; Ichsan Fauzi Rachman
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 1 No. 03 (2023): NOVEMBER 2023
Publisher : Media Inovasi Pendidikan dan Publikasi

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Abstract

This research examines the differences in language style in two Indonesian literary novels, namely "Ronggeng Dukuh Paruk" by Ahmad Tohari (representative of classical literature) and "Laskar Pelangi" by Andrea Hirata (representative of modern literature). This research uses a qualitative descriptive method, focusing analysis on language styles, such as similes, personification, hyperbole and metaphor. In the classic literature "Ronggeng Dukuh Paruk", one finds the use of personification and metaphor to describe situations and characters. For example, coconut leaves depict suppressed anger. On the other hand, in the modern literature "Laskar Pelangi", the language style tends more towards allegory, such as juxtaposing teachers with the roles of mentor, guardian, friend, teacher and spiritual teacher. This research provides an in-depth understanding of the evolution of language styles in Indonesian literature, considering differences in era and societal context. In conclusion, stylistic analysis can reveal characteristic differences between classical and modern literature, providing broader insight into the development of Indonesian literature.