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All Journal Protasis: Jurnal Bahasa, Sastra, Budaya, dan Pengajarannya Journal of Humanities and Social Studies
Chika Laras Pramestuti
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Religion Agriculture, Biological Sciences & Forestry Humanities Economics, Econometrics & Finance Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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Analisis Jenis Makna Penamaan Objek Wisata Curug di Tasikmalaya (Kajian Semantik) Aulia Gita Ayuningtyas; Chika Laras Pramestuti; Risqi Sri Mulyati; Aveny Septi Astriani
Protasis: Jurnal Bahasa, Sastra, Budaya, dan Pengajarannya Vol. 2 No. 2 (2023): Desember : Jurnal Bahasa, Sastra, Budaya, dan Pengajarannya
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/protasis.v2i2.95

Abstract

This research aims to (1) describe the types of meaning that exist in naming waterfall tourist objects and (2) describe the factors behind naming waterfall tourist objects. This study used descriptive qualitative method. The data collection technique in this research uses literature study. The data analysis technique used is a qualitative data analysis technique. Semantics is a branch of linguistics that studies meaning. One of the objects of semantic study is names. Humans can give names to animals, objects, food, and even places to use as identity. Each region has local wisdom that characterizes it, one of which is tourism. Tasikmalaya is famous for its many tourist destinations, one of which is the natural waterfall tourist attraction. The results of this research show that the name of the waterfall tourist attraction in Tasikmalaya has several types of meaning, including lexical meaning, referential meaning, denotative meaning and conceptual meaning. Apart from that, there are several factors behind the naming of waterfall tourist attractions in Tasikmalaya, including the similarity factor, the place of origin factor, the distinctive characteristic factor, and the new naming factor.
STYLISTIC ANALYSIS OF CLASSICAL AND MODERN LITERARY WORKS IN A LITERARY WORK Irenne Edelwis Rondonuwu; Chika Laras Pramestuti; Putri Angel Lestari; Ichsan Fauzi Rachman
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 1 No. 03 (2023): NOVEMBER 2023
Publisher : Media Inovasi Pendidikan dan Publikasi

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Abstract

This research examines the differences in language style in two Indonesian literary novels, namely "Ronggeng Dukuh Paruk" by Ahmad Tohari (representative of classical literature) and "Laskar Pelangi" by Andrea Hirata (representative of modern literature). This research uses a qualitative descriptive method, focusing analysis on language styles, such as similes, personification, hyperbole and metaphor. In the classic literature "Ronggeng Dukuh Paruk", one finds the use of personification and metaphor to describe situations and characters. For example, coconut leaves depict suppressed anger. On the other hand, in the modern literature "Laskar Pelangi", the language style tends more towards allegory, such as juxtaposing teachers with the roles of mentor, guardian, friend, teacher and spiritual teacher. This research provides an in-depth understanding of the evolution of language styles in Indonesian literature, considering differences in era and societal context. In conclusion, stylistic analysis can reveal characteristic differences between classical and modern literature, providing broader insight into the development of Indonesian literature.
Co-Authors Astriani, Aveny Septi Aulia Gita Ayuningtyas Ichsan Fauzi Rachman Irenne Edelwis Rondonuwu Putri Angel Lestari Risqi Sri Mulyati