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All Journal Philology: Journal Of English Language and Literature
Sembiring, Rifky Sultan Nico
Unknown Affiliation
Languange, Linguistic, Communication & Media

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NARRATIVE STRUCTURE ANALYZED IN PANJO PATERSON’S STORY WRITING Karo Sekali, Tria Novita Br; Sembiring, Rifky Sultan Nico; Sopha, Diana
PHILOLOGY Journal of English Language and Literature Vol. 4 No. 1 (2024): PHILOLOGY: Journal Of English Language and Literature
Publisher : Fakultas Sastra UMN AL Washliyah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32696/pjell.v4i1.2827

Abstract

The purpose of this research is to find out what narrative text structures are contained in the short stories by Banjo Paterson entitled The Cat, Victor Second, Sitting in Judgment, Concerning a Dog - Fight, and Thirsty Island. The method used in this research is a qualitative method with a descriptive type. The results of this research show that the five story writing titles each have 5 narrative text structures in the form of abstract, orientation, evaluation, resolution and coda. If taken in total, there are 25 narrative text structures from the 5 story writing titles by Banjo Paterson.
LANGUAGE STYLE IN THE LYRICS OF THE PINK ALBUM SONGS BY LUKAS GRAHAM Sembiring, Rifky Sultan Nico; Tambusai, Azhary
PHILOLOGY Journal of English Language and Literature Vol. 5 No. 2 (2025): PHILOLOGY Journal of English Language and Literature
Publisher : Fakultas Sastra UMN AL Washliyah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32696/pjell.v5i2.5266

Abstract

This research analyzes the language styles in the lyrics of Lukas Graham’s Pink album using Gorys Keraf’s theory, focusing on two classifications language styles based on sentence structure and meaning with the aim of identifying the types used and interpreting their meanings, employing a qualitative descriptive method, the researcher examined 11 song lyrics through domain analysis, revealing that repetition (especially epizeuxis and anaphora) is the most dominant structure-based style, while meaning based styles include symbolism, metaphor, personification, hyperbole, irony, paradox, antithesis, euphemism and rhetorical question, where denotative meaning appears more frequently than connotative meaning, ultimately showing that Lukas Graham’s use of language styles enhances emotional expression, clarity, and artistic quality in the lyrics.
Co-Authors Karo Sekali, Tria Novita Br Sopha, Diana Tambusai, Azhary