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Jugong as Traditional Fishermen's Formal Aesthetics in Karangtalun Village, Cilacap Rochyat, Indra Gunara; Noor, Firdaus; Yusuf, Adisti Ananda; Wiyono, Erina
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2691

Abstract

Jugong is a traditional fishing boat that holds great significance for the fishing community in Karangtalun Village, Cilacap. It is valued for its aesthetic qualities that are expressed through its unique characteristics. This paper explores the functional value of the jugong, the process of its creation by the fishermen, and the artistic expression involved in its design, with the ultimate goal of revealing the aesthetic value of the jugong in general. In order to approach, understand, and reveal the aesthetic values of the jugong, which comes from the village fishermen as cultural actors, this research uses the ethnoart perspective as a method. In order to reveal the functional values, we use functional aesthetic theory as an approach method. In addition, to understand how fishermen create jugong, we use mimetic style theory and the aesthetic theory of expression to reveal the fishermen's attitude and behavior during the process of jugong creation. The study results show that the aesthetic value of the jugong is reflected in the traditions that impose strict rules on the fishermen. The community also appreciates the sensitive attitude of the fishermen towards their cultural products by respecting their identity and pride, which includes their aesthetics.
Membangun Daya Saing Dengan Visualisasi Motif pada Dinding Perahu Fiber Buatan Galangan Desa Lengkong Rochyat, Indra Gunara; FauzI, Muhammad; Yusuf, Adisti Ananda
Abdi Seni Vol. 14 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i1.4533

Abstract

Lengkong village shipyard in Cilacap was formed to answer the demands of traditional fishermen in Cilacap. Accommodative means of transportation create a sense of pleasure and a sense of love for him. Love is shown on the walls of the hull unit which is a space for fishermen's artistic expression in symbolizing the design of a motif that means speed. The problem of the lack of variations in shapes or motifs produced by fishermen and boat craftsmen shows the monotony of the resulting designs. The lack of variety of designs is suspected of a decline in boat sales at the shipyard. For this reason, insight is needed in the form of counseling to improve the creativity of craftsmen. This shipyard requires various adaptations, especially in direct view to attract the attention of fishermen. This visualization is of course obtained from the meaning of denotation on the wall of the hull unit in the form of a symbol that means speed so that fishermen are more interested in taking boats from this shipyard. The target of the PKM program is a productive fishing community. The purpose of the counseling program is to improve the creative thinking skills needed by craftsmen to encourage the emergence of various designs that are applied to the walls of the hull unit which have an impact on the diversity of motifs and patterns. The visual appeal will certainly increase the shipyard's competitiveness against other shipyards. Through an active psychomotor method with a fast, precise, and correct design pattern, it produces a stimulant in the form of stimulation of the power of imagination. The results of this counseling are expected to be able to help increase the creativity of fishermen and craftsmen under the auspices of shipyards.TRANSLATE with x EnglishArabicHebrewPolishBulgarianHindiPortugueseCatalanHmong DawRomanianChinese SimplifiedHungarianRussianChinese TraditionalIndonesianSlovakCzechItalianSlovenianDanishJapaneseSpanishDutchKlingonSwedishEnglishKoreanThaiEstonianLatvianTurkishFinnishLithuanianUkrainianFrenchMalayUrduGermanMalteseVietnameseGreekNorwegianWelshHaitian CreolePersian //  TRANSLATE with COPY THE URL BELOW Back EMBED THE SNIPPET BELOW IN YOUR SITE Enable collaborative features and customize widget: Bing Webmaster PortalBack//
Penggunaan Rotan Pada Kursi Goyang Harisah, Salsabilla; Felice, Felice; Andini, Annisa Putri; Yusuf, Adisti Ananda; Damayantie, Irma
Innovative: Journal Of Social Science Research Vol. 4 No. 6 (2024): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v4i6.17124

Abstract

Latar belakang penelitian ini adalah bagaimana penggunaan rotan pada kursi goyang. Dalam penelitian ini ingin dikembangkan teknologi baru dengan material ramah lingkungan dalam pembuatan kursi goyang yang dapat digunakan untuk bersantai dan pada saat membaca pada masyarakat lansia. Teknologi yang digunakan pada pembuatan kursi ini penggunaan rotan sintetis sebagai pengganti material rotan alami dan kayu yang sudah mulai berkurang jumlahnya. Pasokan rotan alami berkurang dan menurunnya kegiatan ekspor dari pengrajin industri furnitur ke mancanegara. Inovasi teknologi material ramah lingkungan juga menjadi permasalahan kemitraan karena minimnya pengetahuan tersebut. Penelitian ini mengembangkan kegiatan perencanaan dan perancangan kursi goyang dengan material Fe-Rattan, yakni memiliki arti Fe merupakan unsur senyawa besi yang terdapat dalam kimia. Rattan merupakan rotan dalam bahasa inggris. Oleh karena itu Fe-Rattan merupakan nama yang dapat menggambarkan kursi tersebut terbuat dari material rotan dan besi. Proses kegiatan ini diawali dengan observasi pasar dan kebutuhan di masyarakat, kajian teori, perencanaan, perancangan konsep dan desain. Furniture kursi goyang ini selain bertujuan untuk mendukung kegiatan kemitraan juga memberikan kenyamanan bagi pengguna kelompok lansia.