Article Per Year (5 Year)
p-Index From 2020 - 2025
1.048
P-Index
This Author published in this journals
All Journal Jurnal Sitakara QISTINA: Jurnal Multidisiplin Indonesia Indonesian Research Journal on Education
NAD, Nugroho
Unknown Affiliation
Religion Arts Humanities Chemistry Economics, Econometrics & Finance Education Energy Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Nursing Physics Social Sciences Other

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 6 Documents
Search

 1 
Structure of the Movement Forms of the Jaranan Art Dance at the Kridho Budoyo Studio, Jaya Bakti Village, Mesuji District, Ogan Komering Regency Saputri, Eka Ani; Wardiah, Dessy; NAD, Nugroho
QISTINA: Jurnal Multidisiplin Indonesia Vol 2, No 2 (2023): December 2023
Publisher : CV. Rayyan Dwi Bharata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57235/qistina.v2i2.935

Abstract

The background of this research is that the researcher wants to know the Structure of the Movement of the Jaranan Arts Dance in the Kridho Budoyo Studio, Jaya Bakti Village, Mesuji District, Ogan Komerin Ilir Regency. Mesuji District, Ogan Komering Ilir District. The purpose of this study was to find out how to describe the structure of the movements of the Jaranan Arts Dance at the Kridho Budoyo Studio, Jaya Bakti Village, Mesuji District, Ogan Komering Ilir Regency. The collection of research data is in the form of observations, interviews, and documentation from the head of the studio, dancers, and musicians. The structure of the movements of the Jaranan Art Dance at the Kridho Budoyo Studio, Jaya Bakti Village, Mesuji District, Ogan Komering Ilir Regency, there are 6 types of movements, namely Budalan Movement, Rete-reto Sabetan, Regular Sabetan, Ngecek, Worship, and Bambangan. Based on the research results that have been obtained that the Jaranan kridho budoyo dance has an initial, middle and final movement structure
Dance Extracurricular Learning Process for Character Building of Students at MTs Negeri 2 Lahat Wilianah, Wilianah; NAD, Nugroho; Putra, Rio Eka
QISTINA: Jurnal Multidisiplin Indonesia Vol 3, No 1 (2024): June 2024
Publisher : CV. Rayyan Dwi Bharata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57235/qistina.v3i1.1453

Abstract

This research aims to find out the character values of students through extracurricular dance activities at MTS Negeri 2 Lahat. The benefits of this research are theoretically, practically, for students and for the school. This research method uses a qualitative method, namely describing the character values of the students themselves. The data source for this research was obtained from trainers and MTS Negeri 2 Lahat students who took part in extracurricular activities, numbering approximately 18 people. The data collection techniques used are observation, interviews and documentation. The results of this research show that the character values of students who take part in dance extracurricular activities are quite good, which can be seen from the results of the evaluation of activities in the dance extracurricular learning process at MTS Negeri 2 Lahat.
Efforts to Maintain the Existence of Tepak Dance at Sang Putri Sriwijaya Studio Anggun, Anggun; Wardiah, Dessy; NAD, Nugroho
QISTINA: Jurnal Multidisiplin Indonesia Vol 2, No 2 (2023): December 2023
Publisher : CV. Rayyan Dwi Bharata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57235/qistina.v2i2.936

Abstract

Tepak dance is one of the traditional arts originating from the South Sumatra region, especially the city of Palembang, which is one of the artistic treasures in the city of Palembang. This dance is a traditional South Sumatran dance created by Mrs. Sukaina Rojak and Mrs. Tina Hajigong in 1945. The origin of the formation of this tepak dance is taken from the Tanggai Dance movement and also the Gending Sriwijaya Dance, in terms of the movement it is the same but in terms of the lyrics of the song it is different, as time goes by the Tepak Dance undergoes changes or reforms, namely in terms of different floor patterns. The Tanggai dance does not stand up, while the Tepak dance has a standing movement, namely when the Stupa and Borobudur are doing the movement, they stand up and form a straight line. The purpose of this study is to find out and describe efforts to preserve the Tepak Dance in the city of Palembang. The method used in this research is Qualitative Description, with the object of this research is Tepak Dance and the informant in this study is Aunt Lina Muchtar, data collection was carried out by researchers through observation, interviews and documentation. Based on the findings of this study, Palembang residents know about Tepak Dance and its business or existence. Because, until now the Tepak Dance is still often performed at various events since today. Artists and studios have participated in the development of the Tepak dance, including the Sang Putri Palembang studio, and have contributed to the continued existence of the Tepak dance.
BENTUK PENYAJIAN TEATER LEGENDA BUKIT PENDAPE DI FESTIVAL SRIWIJAYA Ramadina, Dianita Puteri; NAD, Nugroho; Hasan, Hasan
Jurnal Sitakara Vol. 9 No. 2 (2024): Jurnal Sitakara
Publisher : Universitas PGRI Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31851/sitakara.v9i2.8826

Abstract

Penelitian ini adalah suatu kajian tekstual tentang Teater Legenda Bukit Pendape pada Tim Kesenian Kabupaten Musi Banyuasin. Adapun masalah dalam penelitian ini adalah Bagaimana Bentuk Penyajian Teater Legenda Bukit Pendape Oleh Tim Kesenian Kabupaten Musi Banyuasi di Festival Sriwijaya Palembang 2021, sedangkan tujuan penelitian ini adalah untuk mengetahui dan menjelaskan Bagaimana Bentuk Penyajian Teater Legenda Bukit Pendape Oleh Tim Kesenian Kabupaten Musi Banyuasi di Festival Sriwijaya Palembang 2021. Metode penelitian yang digunakan adalah metode kualitatif dengan teknik pengumpulan data Observasi, Wawancara, dan dokumentasi. Berdasarkan penelitian didapatkan hasil Bentuk Penyajian Teater Legenda Bukit Pendape yaitu meliputi : persiapan, latihan olah tubuh, olah vokal, pernapasan serta pendukung pertunjukan yang terdiri dari Tata Rias, Tata Busana, Tata Suara, Tata Cahaya, Properti, dan Tata Panggung. Kata Kunci: Bentuk Penyajian; Teater Tradisional; Legenda Bukit Pendape.
Bentuk Tari Munai Serapah di Sanggar Seni Sedulang Setudung Kabupaten Banyuasin (Komponen Nonverbal) Sari, Mia Julita; NAD, Nugroho; Adoma, Auzy Madona
Indonesian Research Journal on Education Vol. 3 No. 2 (2023): irje 2023
Publisher : Fakultas Keguruan dan Ilmu Pendidikan, Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/irje.v3i2.115

Abstract

The purpose of this study was to determine and describe the form of Munai Serapah Dance in Sedulang Setudung Art Studio, Banyuasin Regency. The method used in this research is the qualitative method. The data collection techniques in this research are observation, interviews, and documentation. The data analysis technique used is data reduction, data presentation, and conclusion drawing. The results showedthat the body movements in munai serapah dance use basic Malay movements that are developed and created so as to create movements and music that are in harmony without reducing the meaning of the dance conveyed. The floor patterns used in Munai Serapah dance are arrows, circular, angled, straight, "V" shape, "A" shape, and face. the makeup used in Munai Serapah dance is stage makeup. Stage makeup is makeup intended for performance.This makeup is more assertive and bold and emphasizes certain effects such as the eyes, nose, lips, and eyebrows so that special attention is drawn to the face because theface is to be seen from a distance under bright lights. The music that accompanies the Munai Serapah dance was created simultaneously with the creation of the dance. Raden Gunawan is the music director as well as the dance director of Munai Serapah dance, adjusting between dance and music, and vice versa between music and dance. Munai Serapah dance accompaniment music was created using typical Malay musical instruments and modern musical instruments but still maintains the characteristics of thick Malay music. The musical instruments used in Munai Serapah dance include drums, organ, guitar, bass, drums, and vocals.
Pembelajaran Seni Teater Tradisional Menggunakan Metode Role Playing di Kelas X SMA Negeri 1 Rambang Dangku Astari, Maresta; NAD, Nugroho; Adoma, Auzy Madona
Indonesian Research Journal on Education Vol. 3 No. 2 (2023): irje 2023
Publisher : Fakultas Keguruan dan Ilmu Pendidikan, Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/irje.v3i2.225

Abstract

Learning traditional theater arts in class X SMA Negeri 1 Rambang Dangku using the role-playingmethod is carried out with data validity techniques through observation, interviews, and documentation. Here the researcher gets class X to be studied, assisted by Mr. Ade Setiawan. S.Pd. as a cultural arts teacher to complete the research. The role-playing method is a role-playing method which means that the learning method is part of a simulation that is directed to express historical events, and create actual events or events that will appear in the future. In learning traditional theater arts in class X 1 the material learned is reading scripts that are more directed to realist scripts.
Co-Authors Adoma, Auzy Madona Anggun Anggun, Anggun Astari, Maresta Dessy Wardiah, Dessy Hasan Hasan Ramadina, Dianita Puteri Rio Eka Putra Saputri, Eka Ani Sari, Mia Julita Wilianah, Wilianah