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All Journal International Journal of Performing Arts (IJPA) Jurnal Pendidikan Tari
Sudiasa, Ida Bagus Ketut
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Arts Humanities Education

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Tari Topeng Nindak-Nandak Sebagai Tari Pertunjukan Di Sanggar Margasari Kacrit Putra Sipayung, Desisca Thalia Rut Debora; Sudiasa, Ida Bagus Ketut; Haerudin, Deden
Jurnal Pendidikan Tari Vol 4 No 2 (2024): Pendidikan Tari untuk Mengembangkan Keterampilan Abad 21
Publisher : Program Studi Pendidikan Tari FBS UNJ

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Abstract

Topeng Nindak-Nandak Dance is a creation of Betawi Mask Dance which was produced by Sanggar Margasari with dance director Selvie Ervieliani in 2009. This research is focused on: How is the form and meaning of Topeng Nindak-Nandak Dance as a performance dance at Studio Margasari Kacrit Putra. The theory used in this study is the theory of semiotics by Charles Shanders Peirce. Triadic theory is divided into several levels, firstness, secondness and thirdness. This study uses a descriptive qualitative approach. The data collection strategy was carried out by observation, literature study and interviews which were then processed according to the research objectives. Based on the results of the analysis conducted on the Nindak-Nandak Mask Dance at the Margasari Kacrit Putra Studio, the form and meaning of the dance are interrelated in one unified whole. The Nindak-Nandak Mask Dance is a performance dance that is suitable and worthy of being performed as a work that can be enjoyed in terms of the workmanship, value and meaning contained therein. There are the main elements of dance performances: Gestures, music, costumes, make-up, lighting and decorations, choreography, expressions and emotions that have been designed to the maximum extent possible. Keywords: Form, Symbolic Meaning, Nindak-Nandak Mask Dance, Performing Dance, Semiotics
THE CONSTRUCTION OF NANDAK ZABET TAK-TUNG DANCE: ADAPTATION OF ZAPIN AND SAMRAH MOVEMENTS WITHIN THE ARABMALAY PERANAKAN CULTURAL CONTEXT : THE CONSTRUCTION OF NANDAK ZABET TAK-TUNG DANCE: ADAPTATION OF ZAPIN AND SAMRAH MOVEMENTS WITHIN THE ARABMALAY PERANAKAN CULTURAL CONTEXT Soewardjo, B Kristiono; Andriyanto, Raden Mas Aditya; Oktarini , Selly; Sudiasa, Ida Bagus Ketut
International Journal of Performing Arts (IJPA) Vol. 4 No. 1 (2025): June
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v4i1.252

Abstract

This study analyzes dance as a medium of cultural acculturation through the creation of NandakZabet Tak-Tung, rooted in the Betawi cultural framework. It focuses on adapting Zapin and Samrahmovements to represent Arab-Malay Peranakan heritage, while exploring interdisciplinaryconnections with music, scenography, and other artistic elements. The research employs a qualitativemethod with systematic stages: defining focus, collecting data via direct observation, in-depthinterviews, and document analysis. Data are organized into a structured matrix to supportinterpretation.The theoretical foundation draws from Alma M. Hawkins’ creative concept in Moving from Within,translated by I Wayan Dibia, encompassing six aspects: experiencing, seeing, feeling, imagining,transforming, and forming. These guide the choreographic process, resulting in a work thatreconfigures Zapin and Samrah into a dynamic structure emphasizing movement exploration andembodiment.Through imaginative choreography inspired by local traditions, the study proposes the use of ArabMalay Peranakan-based movement to enrich Betawi dance. It contributes to the preservation andinnovation of Indonesian performing arts by integrating cultural heritage with contemporaryexpression. Ultimately, this research supports the advancement of knowledge, technology, and sociocultural development within a humanistic and locally grounded artistic landscape.
Co-Authors DEDEN HAERUDIN Oktarini , Selly Raden Mas Aditya Andriyanto Sipayung, Desisca Thalia Rut Debora Soewardjo, B Kristiono