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All Journal Prologue: Journal on Language and Literature Gudang Jurnal Multidisiplin Ilmu
Margaretha, Sherlly
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THE EMPRISES OF LONGINGNESS ON BILLIE HOLIDAY’S “SOLITUDE” Wijaya, Kusuma; Siadari, Yoshua Veron Handika Putra; Mulyanto , Luke Zefanezra; Margaretha, Sherlly; Pasopati, Rommel Utungga
Prologue: Journal on Language and Literature Vol. 11 No. 1 (2025): Prologue: Journal on Language and Literature
Publisher : Faculty of Letters Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/jurnalprologue.v11i1.113

Abstract

Longing means craving for something, especially about love that has been gone for a long time. Solitude is a song by Billie Holiday released in 1952. The song describes the feelings of a singer who feels lonely because she has been left by her partner and also wants her partner to come back again. Then, this article would like to answer question of how may longingness be accentuated on Billie Holiday’s Solitude? The longing experience of connection and companionship is a key theme in the lyrics of the song. Billie Holiday employs how she artfully conveys the delicate balance between vulnerability and strength, intensifying the emotional impact of the song. In conclusion, the exploration of Solitude song and the emprises of longingness not only illuminates the profound emotional depths of her artistry, but also underscores the enduring power of music to express and to transcend the universal human experience of longing.
The Existential Hope for Love in Sheerwood Anderson's The Dumb Man Mohammed, Khaled Ahmed; Setiadi, Kostavialdus; Pasopati, Rommel Utungga; Firda, Erlis Hersetya; Ramadhani, Riska Dewi; Margaretha, Sherlly
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 10 (2024): GJMI - OKTOBER
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i10.923

Abstract

The research takes an insight look into the complicated representation of love, using the short story of The Dumb Man by Sherwood Anderson within the existentialism framework. The deaf and mute protagonist becomes a metaphor for the universal human condition in his search for love and communication amidst a society that cares less. In his tacit quest for love, Anderson exemplifies an existentialist perspective: Love is not a desire—one feels—but a highly conscious effort to assert one's existence in reality, both freely chosen and constrained by society. This analysis is conducted through qualitative method and explorative approach in unpacking meaning from the narrative, with the contention that hopes for love functions as a central vehicle for self-transformation. It is in this quest for love that this story wrestles through the tension of aloneness with man's need to connect, representative of the complex, intertwined relationship between individual independence and the world outside. Ultimately, through this story, how it unfolds existentialism culminates into the relentless, sometimes painful pursuit of love—thereby bringing out the core role of existentialism in the journey towards self-actualization and insight into the human condition.
Co-Authors Firda, Erlis Hersetya Mohammed, Khaled Ahmed Mulyanto , Luke Zefanezra Pasopati, Rommel Utungga Ramadhani, Riska Dewi Setiadi, Kostavialdus Siadari, Yoshua Veron Handika Putra Wijaya, Kusuma