Simamora M, Regina
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Aesthetic Morphological Study of Zero Waste Pattern in Men’s Shirt Design Simamora M, Regina; Nursari, Faradillah; Larissa, Tiara; Yuningsih, Sari
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.57483

Abstract

Aesthetic morphology studies can be carried out on men's shirt fashion design using the Zero Waste Pattern technique as one of the more varied men's shirt model design ideas. The study of Aesthetic Morphology by Thomas Munro is a study through the description, comparison, and analysis of the structure of the shape of an art object scientifically and systematically on the elements of art, design principles, and expressions resulting from the elements that form an art object. The purpose of this study is to examine the Aesthetic Morphology of men's shirt design using the Zero Waste Pattern technique, so as to find a shirt design whose product can be visualized and in accordance with aesthetic principles. The method used in this study is qualitative descriptive, the purpose is to understand the study of Aesthetic Morphology with research practices that emphasize exploratory aesthetics to describe the visual form, style, and visual expression of men's shirt design using the Zero Waste Pattern technique. The results of creative exploration resulted in 2 men's shirt designs, one of which is  a Fit To Body design with a Casual Style with  fabric waste of 2.1% and a Regular Fit Men's Shirt  design with a Retro Style with  fabric waste of 1.7%. The results of the study found that the 5 main criteria for designing using the Zero Waste Pattern  technique, namely Aesthetics, Comfort, Cost, Sustainability, and Manufacturability, are known to consider psychological and sociology factors of art. A study using description, comparison, and analysis on the Zero Waste Pattern  technique can find a men's shirt design line that is more varied, practical, supports sustainable trends, and is in accordance with aesthetic principles.
Zero-Waste Kebaya Design: Integrating the ‘FRANGIPANI’ Method to Enhance Sustainability and Utilize Leftover Lace Nursari, Faradillah; Simamora M, Regina; Arumsari, Arini
PANGGUNG Vol 34 No 3 (2024): Kreativitas, Seni Kontemporer, dan Pariwisata Berkelanjutan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i3.3211

Abstract

ABSTRACT The kebaya, a traditional Indonesian garment, has evolved to incorporate lace fabric in its design. However, traditional cutting and sewing methods may result in fabric waste, contributing to environmental degradation. Regarding this, the study seeks to develop a zero-waste model for kebaya that utilizes leftover lace, preserving its cultural significance while reducing environmental impact. Thus, the research proposes the FRANGIPANI method, a structured approach consisting of ten systematic stages of the design process that can minimize textile waste and promote sustainability in Kebaya production. This method aims to enhance organization and implementation in the production of kebaya while respecting Indonesia’s rich cultural heritage. The primary goal of this research is to identify a more efficient pre-production system that minimizes textile waste. By focusing on sustainable practices, the research explores the potential for redesigning kebaya into a zero-waste model that utilizes leftover lace, thereby preserving its artistic value while promoting environmental sustainability. Keywords: FRANGIPANI, Kebaya, Lace, Waste, Zero Waste Patter