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DENASIONALISASI EKSIL 1965 DALAM NOVEL PULANG KARYA LEILA S. CHUDORI: PERSPEKTIF GIORGIO AGAMBEN Nabilah, Nisrina Rona
Pujangga : Jurnal Bahasa dan Sastra Vol. 9 No. 2 (2023): Volume 9 Nomor 2 Tahun 2023
Publisher : Universitas Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47313/pujangga.v9i2.2841

Abstract

Eksil 1965 merupakan fenomena migrasi paksa karena mereka dicegah untuk kembali atas dasar aspirasi politik mereka. Sikap politik yang mereka pegang membuat mereka harus. kehilangan kewarganegaraan, mencari suaka, dan perlindungan di Eropa. Identitas mereka tidak lagi jelas setelah mereka diasingkan dari negara dan dipaksa untuk hidup stateless atau tanpa kewarganegaraan. Hal ini terungkap dalam novel Pulang karya Leila S. Chudori. Melalui tokoh Dimas Suryo dan teman-temannya, novel tersebut menarasikan kehidupan para eksil yang dicabut hak-hak kewarganegaraannya hingga menjadi sosok stateless di luar negeri. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Teori yang digunakan adalah teori filsafat politik Giorgio Agamben dalam lokus denasionalisasi dan pelanggaran HAM terhadap warga negara dalam konteks negara berdaulat. Hasil penelitian ini menunjukan bahwa adanya anasir-anasir penelantaran dan pelanggaran HAM dalam novel Pulang. Bentuk penelantaran dan pelanggaran yang terjadi berupa pencabutan paspor, pelarangan kedatangan ke Indonesia, dan pembatasan gerak politis, serta pembatasan komunikasi antara eksil yang berada di luar negeri dengan kerabat yang berada di Indonesia. Akibat dari hal-hal tersebut, lahirlah figur eksil sebagai homo sacer yang dilucuti hak-hak kewarganegaraannya.
Exploring Literary Psychology: Unveiling the Archetypes of Secondary Characters in Tere Liye's Novel 'Hujan' Susanto, Arju; Darwis, Mohammad; Nadia, Lana; Rachmawati, Kurnia; Nabilah, Nisrina Rona
ELS Journal on Interdisciplinary Studies in Humanities Vol. 7 No. 1 (2024): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/elsjish.v7i1.34238

Abstract

In literature, characters often reflect real-life individuals, sometimes resembling people known to the author. Likewise, literary settings may mirror real-world environments, creating a sense of familiarity and authenticity within the narrative. The inclusion of authentic elements, particularly genuine human characters, in literary compositions renders them subjects for psychological examination. Such works serve as psychological reflections of the author while also exerting psychological influence on the reader. For instance, the novel "Hujan" recounts the life journey of a young girl named Lail. In accordance with the title of the novel, every important moment that occurs in Lail always has an atmosphere or connection to rain. Lail as the main character in this novel has a fairly ordinary character with a personality type like that of young girls in general. This research aims to describe the structure of the novel "Hujan" by Tere Liye and describe the archetype of the character Lail based on Jung's analytical psychology theory using qualitative descriptive research methods. The data collection techniques used in this research are reading, listening and note-taking techniques. This research produces the structure of the novel "Hujan" by Tere Liye in the form of intrinsic elements of the novel in the form of; 1) theme; 2) plot; 3) characterization; 4) background; and 5) point of view. Apart from that, this research also produces elements of the archetype of the character Lail in the novel "Hujan" by Tere Liye in the form of persona, shadow, animus, and self.
EPISODE, MITEME, DAN OPOSISI BINER DALAM NOVEL LELAKI HARIMAU KARYA EKA KURNIAWAN Dwi Yulianti Rahayu; Nabilah, Nisrina Rona; Pauji , Dicky Rachmat
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 1 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i1.33158

Abstract

This study aims to examine the narrative structure of Lelaki Harimau by Eka Kurniawan, focusing on the division of episodes, mythemes, and binary oppositions among characters. The main focus of this research is the application of Claude Lévi-Strauss’s structuralism to analyze the supernatural mythological element of the white tiger inhabiting the human body and its relationship to the social and cultural realities depicted in the novel. The study employs a descriptive qualitative approach using library research techniques, including close reading, data documentation, and interpretation based on episodes, mythemes, and binary oppositions. The findings indicate that the novel is structured into several episodes that portray Margio’s journey from the emergence of the white tiger to his process of redemption. Each episode contains interconnected mythemes and patterns of binary opposition, forming a structure of resistance against injustice and the social pressures experienced by the protagonist. The white tiger symbol functions as a mythological figure representing resistance, inner strength, and an inherited moral burden.