Kurnia, Elvira Dewi
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Penerapan Pembauran Ornamen Islam dan Tionghoa Dalam Arsitektur Masjid Muhammad Cheng Hoo Adininggar, Melati Indira; Kurnia, Elvira Dewi; Alfiah, Alfiah
TIMPALAJA : Architecture Student Journals Vol. 1 No. 2 (2019): December
Publisher : The Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i2a6

Abstract

Abstrak_ Masyarakat Indonesia pada abad ke 7 Masehi melakukan perdagangan dengan negeri Islam. Interaksi tersebut  berpengaruh pada bentuk arsitektur bangunan masjid yang dibangun. Masjid di Indonesia pada umumnya  mengadopsi masjid dari Timur Tengah dan ditambah dengan budaya lokal setempat. Tetapi masyarakat  keturunan Cina yang beragama islam membangun masjid Muhammad Cheng Ho dengan arsitektur khas Cina.  Selain itu, masjid Muhammad Cheng Ho Makassar memiliki bentuk yang unik dan menarik yang berdiri di tengah tengah muslim Makassar yang secara umum memiliki budaya yang berbeda dengan muslim Cina. Sehingga,  keberadaan masjid ini sebagai wujud atau simbol dari toleransi antar etnis dan budaya. Konsep arsitektur pada  masjid ini merupakan perpaduan antara Islam-Tiongkok dan keunikannya berada pada ragam hias dari masjid  yang memiliki makna serta nilai.Kata kunci: Pembauran; Budaya; Masjid. Abstract_Indonesian society in the 7th century AD traded with the Islamic state. These interactions have an effect on the  architectural form of the mosque building that was built. Mosques in Indonesia generally adopt mosques from the  Middle East and are incorporated with local culture. But the Chinese descendants of Islam who built the Muhammad Cheng  Ho mosque with Chinese architecture. In addition, the Muhammad Cheng Ho Mosque in Makassar has a unique and  interesting place that stands in the midst of Makassar Muslims who generally have a different culture with Chinese  Muslims. So, the existence of this mosque as a form or symbol of tolerance between ethnicity and culture. The  architectural concept in this mosque is a blend of Islam-China and its uniqueness is in the decoration of the mosque  which has meaning and value.Keywords : Integration; Culture; Mosque.
Waterfront City dengan Pendekatan Arsitektur Berkelanjutan Di Kota Parepare Kurnia, Elvira Dewi; A’raaf Tauhid, Fahmyddin; Rahayu, Irma
TIMPALAJA : Architecture Student Journals Vol. 5 No. 1 (2023): June
Publisher : The Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v5i1a3

Abstract

Pare-Pare City or commonly referred to as "Pare-Pare Harbor City" is the second-largest city in South Sulawesi Province which is located on the west coast of Sulawesi Island and has 20 percent of its area is a coastal area. Therefore, the coastal area of Pare-Pare City is an area that can be developed so that it can become a productive and efficient area. To minimize damage and create a projected area into the future, in the effort to develop the waterfront city we apply a sustainable architectural approach to the circulation system and use of materials to create a coastal city area with the efficient circulation that is interconnected in achieving from the city center to the waterfront city and between functions in the area and also the use of sustainable materials.