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All Journal Amarasi : Jurnal Desain Komunikasi Visual
Reviana Susanto, Natasha
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Arts Humanities

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Desain Karakter untuk Animasi 2D "Tarian dalam Hening" di Pixli Studio Reviana Susanto, Natasha; Trinawindu, Ida Bagus Ketut; Astuti, Ni Ketut Rini
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 02 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

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Abstract

"Tarian dalam Hening," (Dance in Silence) which tells the story of a deaf girl and her passion for performing Balinese dance, is one of the 2D animation projects produced by Pixli Studio. This research aims to explore the character design process in the animation. The method used is data analysis with a project-based learning approach. The stages identified in this research start with brainstorming and discussions to understand the vision and characteristics of each character, gathering references and creating mood boards, making several rough sketches, revising based on feedback, and finishing with lineart and coloring. The results show that good character design can enhance visual appeal and story quality in an animation or story, making it more engaging for the audience.
Desain Karakter untuk Animasi 2D "Tarian dalam Hening" di Pixli Studio Reviana Susanto, Natasha; Trinawindu, Ida Bagus Ketut; Astuti, Ni Ketut Rini
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 02 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

"Tarian dalam Hening," (Dance in Silence) which tells the story of a deaf girl and her passion for performing Balinese dance, is one of the 2D animation projects produced by Pixli Studio. This research aims to explore the character design process in the animation. The method used is data analysis with a project-based learning approach. The stages identified in this research start with brainstorming and discussions to understand the vision and characteristics of each character, gathering references and creating mood boards, making several rough sketches, revising based on feedback, and finishing with lineart and coloring. The results show that good character design can enhance visual appeal and story quality in an animation or story, making it more engaging for the audience.
Co-Authors Astuti, Ni Ketut Rini Ida Bagus Ketut Trinawindu