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All Journal Widyadari : Jurnal Pendidikan Jurnal Pengabdian Kepada Masyarakat Widya Mahadi Jurnal Pengabdian Kepada Masyarakat SEWAGATI
I Made Indra Sanjaya
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PKM. PENDAMPINGAN ANAK MELINIAL DALAM MELESTARIKAN SENI PEWAYANGAN BALI SEBAGAI WARISAN BUDAYA LELUHUR DI BANJAR PADANG, DESA KEROBOKAN, KECAMATAN KUTA UTARA KABUPATEN BADUNG, BALI I Ketut Muada; I Nyoman Astawan; I Made Indra Sanjaya
Jurnal Pengabdian Kepada Masyarakat Widya Mahadi Vol. 4 No. 1 (2023): Desember 2023
Publisher : LP3M Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/widyamahadi.v4i1.3394

Abstract

In addition to its religious function, the Balinese shadow puppet performance art also functions as an educational medium. In this regard, shadow puppet performances can be seen as an informal educational process that has great significance in understanding attitudes, mental, ethical and logical values. In order to preserve Balinese wayang kulit, the role of millennial youth is very important and complex, namely as heir artists (dalang) who preserve wayang art. In general, shadow puppet shows today are still the favorite of the Balinese people, but in several villages the existence of wayang is almost extinct because millennial young people as heirs do not want to learn wayang for reasons of being busy so that one day the art of wayang could be lost. The case is in Banjar Padang, Kerobokan Village, North Kuta District, three regenerating families of shadow puppet masters do not want to learn wayang so they need assistance. The wayang art companion will provide an understanding of the preservation, function and meaning of Balinese wayang, so that service to the community, especially in the world of wayang art, can be realized.
PENDAPINGAN PARA LANSIA DALAM PELESTARIAN SEKAR MADYA KEKIDUNGAN PENETRALISIR AURA-AURA NEGATIF SEBAGAI TRADISI LELUHUR DI DESA TUMBAKBAYUH, KECAMATAN MENGWI, KABUPATEN BADUNG, PROPINSI BALI (Perspektif, Bentuk, fungsi Kidung Bhuta Yadnya) I Ketut Muada; I Wayan Sugama; I Made Indra Sanjaya
Jurnal Pengabdian Kepada Masyarakat Widya Mahadi Vol. 4 No. 2 (2024): Juni 2024
Publisher : LP3M Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/widyamahadi.v4i2.3802

Abstract

Tembang has an important role in the life of the Hindu community in Bali. Learning tembang will also teach you language, script, meter, cultural concepts and the values ​​contained in this literature. Tembang means nembang which is associated with the word kembang meaning flower. Flowers or sekar have a role and function as a source of beauty where the God Kama (God of beauty) resides. In reality, as a generator of lust, it is in line with the role and function of flowers or Dewa Kama during ceremonies in Bali. The role of elderly fathers and mothers today in pursuing songs in Bali is a huge appreciation for the entire Balinese people. In preserving Balinese songs, these elderly people never stop learning so that they are useful for the lives of today's society, especially since Covid-19 has passed and is a warning for all of us to always be alert. For the elderly in Tumbabakbayuh Village, Mengwi District, Badung Regency, this is motivation to learn to find a solution so that these things do not happen again. Preserving the vocals of the song kekidungan bhuta yadnya is a method of learning ancestral heritage that is effective in warding off the negative auras that exist on this earth
PkM. PENDAMPINGAN ANAK MELENIAL DALAM MELESTARIKAN SENI DRAMATARI ARJA SEBAGAI WARISAN BUDAYA LELUHUR DI BANJAR TEGAL, DESA DARMA SABA, ABIANSEMAL BADUNG I Ketut Muada; I Made Indra Sanjaya
Jurnal Pengabdian Kepada Masyarakat Widya Mahadi Vol. 5 No. 1 (2024): Desember 2024
Publisher : LP3M Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/widyamahadi.v5i1.4312

Abstract

A result of human ideals, tastes, and desires that produce works of art, bringing socio-cultural influences to Balinese society in particular. This influence needs to be filtered by developing Balinese cultures and studying the noble values ​​contained therein. In order to develop a national culture that has personality and national awareness, it is necessary to foster the ability of the community to preserve the art of arja drama by upholding noble social values. This description means that as the young generation of Bali, we must preserve regional culture, because regional culture is the root of national culture. One of the regional cultures that needs to be preserved is the performance of arja drama which is always adhiluhung. The art of arja drama has now developed into a complex art system and is full of educational values. The performance of arja drama in Bali harmoniously combines various types of art branches, including: dance, song, karawitan and literature. The plays always reflect cultural values ​​as the basic capital of Indonesian culture in general and Balinese culture in particular. The research problems are (1) strategies for mentoring millennial youth in preserving the Arja dance drama performance (2) The most appropriate story to learn and (3) community response regarding the preservation of Arja dance drama. This research is a descriptive-qualitative research formatted in a special study. The focus of this community service study is Mentoring Millennial Children in Preserving the Art of Arja Dance Drama Performance as an Ancestral Cultural Heritage in Banjar Tegal, Daramasaba Village, Abiansemal District, Badung Regency, Bali. The data were analyzed using a descriptive-qualitative method with steps as stated by Lacey and Luff (2001) in Patilima (2005:91), which include: data transcription, data identification and reduction, data classification, data description and interpretation, data triangulation, presentation of final results of the PKM.
PEMBERDAYAAN PEREMPUAN DAN LANSIA MELALUI WORKSHOP SANGGUL TRADISIONAL DAN SENAM SEHAT DI DESA JAGAPATI, KECAMATAN ABIANSEMAL Made Ari Nohan Tara; I Komang Adi Palgunadi; Ni Luh Gede Epan Sintia Dewi; Ni wayan saba astuti; I Made Indra Sanjaya; I Dewa Gde Sangging Budiartana; Roni Kanata; Egiregius Harjo; I Gede Surya Arta Wiguna; Ni Putu Ayu Trisnayanti; Ni Made Dwi Handayani; Venansius Andrino woi; I Kadek Oke Prawira Wibawa
Sewagati Vol. 4 No. 1 (2025): Sewagati
Publisher : Fakultas Teknik dan Informatika Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59819/sewagati.v4i1.4883

Abstract

The Thematic Community Service Program (KKN) conducted by Group 8 of Universitas PGRI Mahadewa Indonesia in Jagapati Village, Abiansemal District, aimed to empower women and the elderly through culturally based activities. The core initiatives included a traditional Balinese hair bun (sanggul) workshop for local women and wellness exercises for senior citizens, designed to enhance practical skills, physical fitness, and social engagement. The sanggul workshop provided an opportunity for women to learn traditional makeup techniques that could be applied in ceremonial contexts or developed into small-scale entrepreneurial ventures. Meanwhile, the wellness sessions for the elderly served as a platform to maintain physical and mental health while fostering social connection. The program employed a participatory method involving observation, hands-on training, and evaluation. Results showed strong participant engagement and increased motivation for community involvement. This initiative reflects a meaningful collaboration between students and local residents in building a healthy, empowered, and culturally rooted village.
RUATAN WAYANG SAPUH LEGER BAGI ANAK YANG LAHIR WUKU WAYANG SEBAGAI TRADISI LELUHUR MASYARAKAT BALI I Ketut Muada; Nyoman Astawan; I Made Indra Sanjaya
Widyadari Vol. 26 No. 2 (2025): Oktober 2025
Publisher : LP3M Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/widyadari.v26i2.5568

Abstract

Wayang is not only known in Bali but is supported by the majority of Indonesian people with various distinctive and high quality styles so that it is said to be one of the National cultures. A very interesting ancestral tradition, relating to wayang performances that now exist in rural communities. This is a very unique phenomenon, where according to ancestral tradition it is believed by rural communities that people born in wuku wayang should undergo a large wound ritual called Sapuh Leger. Specifically, the Sapuh Leger Wayang performance has characteristics such as; performed for people who were born in wuku wayang, the story is told by Dewa Kala who preys on children born in wuku wayang, the equipment and offerings are quite complicated according to the rules stated in the Wayang Sapuh Leger letter, then this ruatan can only be led by a master puppeteer who knows contents of the lontar dharma Pewayangan and Lontar Sapuh Leger. The problems of this research are (1) the background to the holding of the Sapuh Leger Wayang performance; (2) the function of the Sapuh Leger Wayang performance and (3) the meaning implied in the Sapuh Leger Wayang. This research includes descriptive-qualitative research formatted in a special study. The focus of the research study entitled Sapuh Leger Wayang Ritual as an Ancestral Tradition of Children Born in Wuku Wayang in Rural Communities in Bali. Data were analyzed using descriptive-qualitative methods with steps as stated by Lacey and Luff (2001) in Patilima (2005:91), which include: data transcription, data identification and reduction, data classification, data description and interpretation, data triangulation, presentation of final results
Co-Authors Astawan, Nyoman Egiregius Harjo I Dewa Gde Sangging Budiartana I Gede Surya Arta Wiguna I Kadek Oke Prawira Wibawa I Ketut Muada I Komang Adi Palgunadi Made Ari Nohan Tara Ni Luh Gede Epan Sintia Dewi Ni Made Dwi Handayani Ni Putu Ayu Trisnayanti Ni wayan saba astuti Nyoman Astawan Roni Kanata Venansius Andrino woi