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TINGGALAN ARKEOLOGI MASA HINDU-BUDDHA DI LASEM: SEBUAH KAJIAN FILOARKEOLOGI Wijaya, Candrika Ilham; Wirasanti, Niken
Handep: Jurnal Sejarah dan Budaya Volume 7, No. 2, June 2024
Publisher : Balai Pelestarian Nilai Budaya Kalimantan Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33652/handep.v7i2.604

Abstract

During the Hindu-Buddhist period, Lasem became a vassal of Majapahit led by a queen named Bhre Lasem. Lasem was historically significant during the Majapahit period. However, complete archaeological data from the Hindu-Buddhist era is unavailable due to the extensive destruction of sacred buildings, particularly temples, caused by the Dutch East India Company (VOC) and the Regent Suroadimenggolo after the Lasem War. This study aims to conduct an inventory of the classical sites in Lasem and to gain insight into the significance of sacred buildings during that period. The study employed philloarchaeological analysis, comparing the textual data from Babad Lasem, Rapporten Oudheidkundigen Diens (ROD), and field surveys. The results indicate that the designation of the sacred building is in line with Nāgarakŗtāgama’s description of the functions of saiwa, sogata, and rsi. Furthermore, its location complies with the principles of caturāśrama and the concept of the triloka—the sacred building of worship, the holy building of hermitage, and the sacred building of dharma (dharmaan). The temple in Lasem represents the harmony of the macrocosm and microcosm, functioning as a relation between sacred buildings serving as examples of applying the concept of the triloka (three realms). This study underscores the interdependence of sacred buildings, representing the manifestations of the three realms
Penggunaan Wahana Digital dalam Promosi dan Pemasaran Batik sebagai Kontekstualisasi Pelestarian Cagar Budaya Putranto, Andi; Revianur, Aditya; Oktavia, Syifa; Wijaya, Candrika Ilham; Zein, Yasmin Shafitri; Puspitasari, Intan; Adilia, Fatin; Sulistyo, Mohammad Yudi; Falah, Jalu Naufal
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 5 No 1 (2022): 2022: Edisi 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/bakti.4074

Abstract

The development of marketing has increasingly taken advantage of digital platforms. The use of digital marketing through social media can effectively and efficiently promote Candi Banyunibo and batik Banyunibo. Batik Banyunibo is a handicraft which is made by the local community. The digital promotion has many advantages because it can attract more tourists to visit Candi Banyunibo to know Batik Banyunibo. This program contributes to producing and promoting Batik Banyunibo using a digital platform based on the preservation of cultural heritage. Promotional activities using Instagram by creating promotional content in the form of videos on the reels feature. The content contains many information, i.e. natural, cultural, and economic products based on cultural heritage. This article discusses promotion and marketing using digital platforms integrated with aspects of cultural heritage preservation. The benefits of using digital platforms can attract tourist interest in Candi Banyunibo, a community of cultural heritage observers, and increase knowledge and understanding of cultural heritage and Batik Banyunibo. ==== Perkembangan pemasaran produk dalam masyarakat pada masa kini semakin banyak memanfaatkan wahana digital. Penggunaan digital marketing melalui media sosial dapat secara efektif dan efisien mempromosikan dan memasarkan Candi Banyunibo serta hasil kerajinan batik yang dibuat oleh masyarakat sekitar. Promosi dan pemasaran digital memiliki banyak keunggulan karena dapat menjaring lebih banyak wisatawan domestik ataupun mancanegara untuk mengunjungi candi serta mengenal Batik Banyunibo. Program pengabdian masyarakat ini berkontribusi dalam usaha produksi dan promosi Batik Banyunibo menggunakan wahana digital berbasis pelestarian cagar budaya. Kegiatan promosi candi dan batik Banyunibo menggunakan media sosial Instagram dengan cara membuat konten promosi. Konten di sini berupa video pada fitur reels yang berisi informasi potensi alam, budaya, hingga potensi ekonomi yang menghasilkan produk berupa Batik Banyunibo. Artikel ini membahas promosi dan pemasaran menggunakan wahana digital diintegrasikan dengan aspek pelestarian cagar budaya. Manfaat dari penggunaan wahana digital adalah membangun minat wisatawan terhadap Candi Banyunibo, membantu menemukan komunitas pemerhati cagar budaya, dan menambah pengetahuan serta pemahaman tentang Candi Banyunibo.
ARSITEKTUR STASIUN LASEM DITINJAU DARI PENDEKATAN ARKEOLOGI KESEJARAHAN Wijaya, Candrika Ilham
AMERTA Vol. 41 No. 1 (2023)
Publisher : Penerbit BRIN (BRIN Publishing)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/amt.2023.685

Abstract

Abstract. Lasem Station Architecture Viewed from Historical Archaeological Approach. At the end of the 19th century, Lasem Station was built by the Semarang-Joana Stoomtram Maatschappij (SJS) as a railway line connecting Semarang and Lasem. Despite existing studies pertaining to Lasem, research on the specific architecture of the Lasem Station remains limited. Through a historical archaeological approach, this investigation seeks to dissect fundamental elements such as the physical form, architectural style, and the social and cultural background of the construction of Lasem Station during the colonial era. Data were procured through field observations, archival document analysis (including historical documents, old maps, and photographs from that era), interviews, and relevant secondary references. The research findings indicate that the Lasem Station played a vital role in connecting the production sector with the trading center, facilitating the conveyance of commodities such as teak wood, tobacco, and sugar from inland regions to the coastal area, thereby establishing the station as a centre of distribution and economic activity within the city of Lasem. This research also sheds light on the relocation of the station’s position westward of Lasem City, which improved the distribution of goods and railway maintenance. The Lasem Station, as a historical legacy of SJS, boasts a grand colonial architectural style, characterized by curved ornamentation above Romanesque-style doors, the use of wide windows and doors, and a gabled roof design. Despite experiencing modifications primarily in the canopy, the original elements, such as floors, walls, and roofs, have been preserved, maintaining their authenticity. Overall, this study unveils the role of the railway route and spatial arrangement of the Lasem Station in reshaping the economic dynamics and urban structure, while the architecture of Lasem Station reflects a rich cultural and historical heritage. These architectural elements can reflects the colonial influence and the socio-economic dynamics of the era. Keyword: Lasem Station, Historical Archaeology, Semarang Joana Stoomtram Maatschappij   Abstrak. Pada akhir abad 19, Stasiun Lasem dibangun oleh Semarang-Joana Stoomtram Maatschappij (SJS) sebagai jalur yang menghubungkan antara Semarang dan Lasem. Kajian tentang Lasem sudah banyak dilakukan, akan tetapi penelitian arsitektur khusus Stasiun Lasem masih terbatas. Melalui pendekatan arkeologi kesejarahan, penelitian ini berupaya mengurai elemen-elemen fundamental, seperti bentuk fisik, gaya arsitektur, serta latar belakang sosial dan budaya dalam pembangunan Stasiun Lasem pada era kolonial. Data diperoleh melalui observasi lapangan, analisis dokumen arsip (termasuk dokumen sejarah, peta lama, dan fotografi era tersebut), wawancara, dan referensi sekunder yang relevan. Hasil penelitian menunjukkan bahwa Stasiun Lasem memainkan peran vital dalam menghubungkan sektor produksi dengan pusat perdagangan, memudahkan komoditas, seperti kayu jati, tembakau, dan gula dipindahkan dari pedalaman menuju pesisir, dan menjadikan stasiun tersebut sebagai pusat distribusi dan aktivitas ekonomi di Kota Lasem. Penelitian ini juga menyoroti perpindahan posisi stasiun ke barat Kota Lasem yang memperlancar distribusi barang dan pemeliharaan rel kereta api. Stasiun Lasem, sebagai peninggalan sejarah SJS memiliki gaya arsitektur kolonial yang megah dengan ornamentasi lengkung di atas pintu berlanggam romawi, penggunaan jendela dan pintu yang lebar, serta gaya atap dengan tipe gables. Meskipun mengalami modifikasi terutama kanopi, elemen-elemen asli seperti lantai, dinding, dan atap tetap terjaga, sehingga masih terlihat keasliannya. Secara keseluruhan, penelitian ini mengungkapkan peran jalur kereta api dan tata letak Stasiun Lasem dalam mengubah dinamika ekonomi dan struktur kota, sementara arsitektur Stasiun Lasem merefleksikan warisan budaya dan sejarah yang kaya. Elemen-elemen arsitektural tersebut dapat mencerminkan pengaruh kolonial dan dinamika sosial ekonomi pada periode tersebut.   Kata kunci: Stasiun Lasem, Arkeologi Kesejarahan, Semarang Joana Stoomtram Maatschappij