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Tata Ruang dan Perkembangan Kompleks Pabrik Gula Tanjung Tirto Tahun 1920-1944, Kabupaten Sleman Putra, Oktavian Ardana; Wirasanti, Niken
PANALUNGTIK Vol 2, No 2 (2019): Vol. 2(2) 2019
Publisher : Kemendikbud

The Tanjung Tirto sugar factory was one of 18 sugar factories that had been established in Yogyakarta during the Dutch East Indies administration. This factory was built in 1874 and was destroyed in the 1940s. The layout and development of the sugar factory from 1920-1940 were discussed in this study. Based on field observations, the emplacement of the factory buildings was not complete and only left a few housing buildings for the former factory employees. In addition, reconstruction through an old map is a way to find out the location and development of this factory. This study is important considering the lack of sugar factories in Yogyakarta which are the object of archeological research studies.

Pengelolaan edu-wisata mangrove berbasis masyarakat : studi kasus di Desa Gedangan, Purwodadi, Purworejo, Jawa Tengah, Indonesia Ika Feni Setiyaningrum; Rika Harini; Niken Wirasanti
Majalah Geografi Indonesia Vol 34, No 1 (2020): Majalah Geografi Indonesia
Publisher : Fakultas Geografi, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/mgi.47341

Ekosistem mangrove memiliki manfaat fisik, biologis, maupun ekonomis. Pengelolaan mangrove menjadi ekowisata adalah model pemanfaatan mangrove yang bernilai ekonomis dan berkelanjutan. Penelitian ini bertujuan untuk mengetahui kondisi mangrove eksisting dan model pengelolaan wisata mangrove yang dilakukan oleh masyarakat Gedangan. Penelitian dilakukan dengan menggunakan metode transect line plot, wawancara key informan, dan membagikan kuisioner kepada masyarakat. Berdasarkan hasil penelitian dapat diketahui bahwa kondisi mangrove eksisting didominasi oleh R.mucronata yang merupakan hasil program tanam mangrove pemerintah setempat sejak tahun 2011. Kondisi vegetasi kategori pancang tergolong rapat, sedangkan pada tingkat pohon tergolong jarang. Mangrove Gedangan dikelola menjadi wisata edukasi atas inisiatif masyarakat setempat dengan modal swadaya. Terdapat dukungan dari komunitas eksternal maupun pemerintah setempat dalam pengelolaannya. Penanaman mangrove masih terus dilakukan oleh pemerintah maupun lembaga pendidikan setempat. Peraturan pelarangan perusakan mangrove telah diterapkan. Dampak ekonomi yang dirasakan masyarakat antara lain menjadi sumber penghasilan pokok maupun tambahan dengan mengambil berbagai sumber daya ekosistem mangrove. Mangrove ecosystems have physical, biological and economic benefits. Mangrove management into ecotourism is a model of the use of mangroves that have economic and sustainable value. This study aims to determine the existing mangrove conditions and mangrove tourism management models carried out by the local community. The study was conducted using the transect line plot method, key informant interviews, and distributing questionnaires to the community. Based on the results of the study, it can be seen that the existing mangrove conditions are dominated by R. mucronata which is the result of the local government's mangrove planting program since 2011. The condition of the sapling category is classified as dense, while at the tree category is classified as rare. Mangrove in Gedangan is managed as an educational tourism at the initiative of the local community with self-help capital. There is support from external communities and the local government in its management. Mangrove planting is still being carried out by the government and local education institutions. Regulations prohibiting mangrove destruction have been implemented. The economic impacts felt by the community include being a source of basic and additional income by taking various mangrove ecosystem resources.

Tata Ruang dan Perkembangan Kompleks Pabrik Gula Tanjung Tirto Tahun 1920-1944, Kabupaten Sleman Oktavian Ardana Putra; Niken Wirasanti
JURNAL PANALUNGTIK Vol. 2 No. 2 (2019): Vol. 2(2) 2019
Publisher : Kemendikbud

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24164/pnk.v2i2.31

The Tanjung Tirto sugar factory was one of 18 sugar factories that had been established in Yogyakarta during the Dutch East Indies administration. This factory was built in 1874 and was destroyed in the 1940s. The layout and development of the sugar factory from 1920-1940 were discussed in this study. Based on field observations, the emplacement of the factory buildings was not complete and only left a few housing buildings for the former factory employees. In addition, reconstruction through an old map is a way to find out the location and development of this factory. This study is important considering the lack of sugar factories in Yogyakarta which are the object of archeological research studies.

The Reconstruction of a Javanese Civilization Cultural Landscape in 8 AD based on Canggal Inscription in Gendol Hill Complex, Magelang, Central Java Niken Wirasanti; Helmi Murwanto
Indonesian Journal of Geography Vol 52, No 1 (2020): Indonesian Journal of Geography
Publisher : Faculty of Geography, Universitas Gadjah Mada

The research took place in the Gendol Hill complex, Magelang, Central Java. One of the peaks in the hills complex is Mount Wukir, where a Canggal Inscription was found. The Canggal Inscription mentions an area named Java, rich in agricultural products with many sacred buildings. The term Javanese refers to an area of Gendol Hill complex, which is part of the Kedu–Central Java region. This paper aims to 1) interpret the cultural landscape of the Gendol Hill complex, 2) reconstruct the spatial structure (layout), and its utilization as a settlement area for Javanese society in the 8th century. This paper interprets the Canggal Inscription and collates information about the potential of both biotic and non-biotic resources. Data processing is conducted through inductive–explanatory analysis. The results suggest that the Cultural Landscape of Gunung Wukir Temple was in a place protecting it from disaster. The complex was protected by Gendol Hills, acting as a barrier against volcanic eruptions from Mount Merapi. Gendol Hill complex was located in an environment that flourished with both biotic and non-biotic resources. The community cultivated its alluvial plains and established settlements in this area. The denuded structural hills were also perceived as sacred spaces to erect temples with natural resources close by such as andesite rocks available from rivers around the hills.

Patung Tau-Tau: Bentuk Manifestasi Kebudayaan Megalitik di Tana Toraja Niken Wirasanti
Humaniora No 2 (1995)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Berbicara mengenai peninggalan tradisi kebudayaan megalitik, pikiran kita akan tertuju pada suatu monumen batu hasil kebudayaan megalitik yang menggambarkan konsepsi religius masyarakat pendUkungnya, misalnya peninggalan menhir, dolmen, sarkofegus. Berdasarkan data yang ada tampak bahwa tradiasi megalitik yang muncul setelah tradisi bercocok tanam ini menunJukkan daerah persebaran yang meluas dan pada beberapa tempat tradisi megalitik ini masih berlangsung sampai sekarang, misalnya di Sulawesi Selatan (Tana Toraja). Obyek pengamatan ini terpusat pada Tana Toraja (Sulawesi Selatan) yang pada beberapa tahun terakhir ini masih menunjukkan adat-istiadat serta kepercayaan yang mengandungaspek-aspek megalitik. Dalam tulisan ini diambil contoh bentuk patung Tau-Tau yang dapat mewakili tokoh leluhurnya.

Community Participation on Tourism Development in Parangtritis Tourism Area, Bantul Regency Meitolo Hulu; M. Baiquni; Chafid Fandeli; Niken Wirasanti
E-Journal of Tourism Volume 6 Number 2 (September 2019)
Publisher : Centre of Excellence in Tourism Udayana University

Parangtritis tourist area is a famous tourist destination in the south of Yogyakarta. The tourist area which consists of a variety of tourist objects such as beaches, sanddune, culinary, religious and cultural tourism has a positive impact on the growth of tourist visits in ??Parangtritis tourist area. This study aims to examine the participation of local people in their contribution to the development of sustainable tourism areas. The method used in this study is descriptive qualitative by conducting primary and secondary data collection. Primary data was collected through interviews with local communities which involved in to the service industry, cultural arts groups and local government of Bantul Regency. The results of the study are (1) the local community has contributed to the development of the Parangtritis tourist area through local cultural activities, tourist attractions and providing of facilities regarding the needs of visitors. (2) the local government of Bantul Regency has several programs related to the empowerment in each of government institution that are addres service industry, tourism local groups and build facilities and infrastructure. But the contribution of local communities has not become a tourist attraction and sustainable. Empowerment programs from local governments have not been specific to training related to services and business activities that are suitable for tourism activities in ??Parangtritis tourist area. Keywords: Community participation, tourist area, sustainable tourism.

THE SIGNIFICANCE OF SACRED PLACES FROM “THE TRIAD” OF MENDUT TEMPLE – PAWON TEMPLE – BOROBUDUR TEMPLE : PERSPECTIVE OF ENVIRONMENTAL SEMIOTIC Niken Wirasanti; Timbul Haryono; Sutikno Sutikno
Bumi Lestari Journal of Environment Vol 15 No 1 (2015)
Publisher : Environmental Research Center (PPLH) of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Letak Candi Mendut - Candi Pawon -Candi Borobudur berada dalam satu garis (imajiner)yang dikenal dengan tiga serangkai. Rangkaian tersebut merupakan sistem tanda yangoleh masyarakat Mataram Kuna abad IX Masehi diberi makna sesuai dengan konvensiyang berlaku pada waktu itu.Membuktikan ketiga candi yang merupakan sistem tanda dengan sebuah makna dapatdijelaskan dengan pendekatan semiotika struktural (Ferdinan de Saussure) yangmendasarkan pada elemen- elemen semiotika yaitu tanda (penanda-petanda), dan porostanda (sintagmatik dan paradigmatik). Elemen tanda dari lingkungan yang dapat dirunutyaitu penanda ruang, elevasi, jenis tanah, dan sumber air, sedangkan elemen tanda daricandi yaitu arsitektur, arca, dan relief cerita. Tanda tersebut tidak dapat dilihat secaraterpisah-pisah tetapi dilihat dalam relasi dengan tanda yang lain dalam poros sintagmatikdan paradigmatik. Untuk itu urutan tanda dimulai dari Candi Mendut-Candi PawonCandiBorobudur yang tersusun dalam susunan tertentu (jukstaposisi) dengan masingmasingmakna simbolisnya.Tanda-tandapada Candi Mendut – Candi Pawon – Candi Borobuduryaitu lokasi, tanahbatuan,sumber air,elevasi, arca,dan reliefcerita, tersusun dalam rangkaian yangmemperlihatkansebuah struktur yang bermakna. Susunan tersebut bersifat linier yaknimengikutiaturan tertentu. Apabila aturan penataan tersebut berubah maka maknanyapunakanberbeda. Hal inilah yang membuktikan bahwa ketiga candi tersebut membentukkesatuanrangkaian perlambang yang mengacu pada makna simbolis berdasarkan konsepajaran agama Buddha pada masa Mataram Kuna abad IX Masehi.

The Remnants of Ancient Java as a Sign System in Bagelen Central Java Niken Wirasanti
IHiS (Indonesian Historical Studies) Vol 6, No 1 (2022)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v6i1.13425

This research explored the cultural traces of the Ancient Mataram community in South Kedu, Bagelen region, Central Java. There areabundant archaeological data to study these traces – Hindu and Buddhist statues, lingga-yoni, lingga pathok, rings, lamps, and fiveinscriptions, namely the Watukura (902 AD, Kayu Ara Hiwang (911 AD), Sipater (circa 900 AD), Ayam Têas (901 AD), and Pendem (881 AD). In addition, there are more than 26 archaeological sites in Bagelen region. Statues, lingga-yoni, lamps, and rings are correlated with the contents of the inscriptions, all of which show how the system and social structure of the residents worked and functioned in Bagelen region. These artifacts are a system of sign that describes the religious activities during the Rakai Watukura Dyah Balitung period of the Ancient Mataram. The research was aimed to obtain an overview of how material culture as a sign system is interpreted by the community. The research method used was a structural approach by analyzing signs and meanings of artifact data and inscriptions. The findings showed how the manifested culture in Bagelan region reflected a certain spirituality concept with local and cultural identification.

KOMPLEKSITAS PENGELOLAAN KAWASAN BENTENG VREDEBURG YOGYAKARTA Niken Wirasanti
Berkala Arkeologi Vol 29 No 1 (2009)
Publisher : Balai Arkeologi Yogyakarta

The development and modification of a city is an unavoidable process. However, to preserve the identity of a city is a necessity; for instance, city of Indonesian struggle for freedom, and city of culture heritage. All have been characterized with icons available throughout Yogyakarta area. The identities of Yogya as a City of Indonesian struggle for freedom and City of Culture heritage, among others, are reflected at the Benteng Vredeburg Museum and is surrounding. But at the same time various hotels and shopping mall are built nearby the site. Even though Government regulation on environmental management (Environmental Impact Analysis) have been made, however, at that location, the Cultural Heritage sites, one by one, have been destroyed and replaced by modern buildings.

Ornamental Art of Kalasan Temple in The Perspective of Art Philosophy Niken Wirasanti
Mudra Jurnal Seni Budaya Vol 38 No 4 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v38i4.2337

The beauty of Kalasan Temple faÃ§ade can be seen from its variety of decorations known as the pearls of Central Java art in the 8th century AD. The artwork manifests in the aesthetics and artistic value of Kala-Makara, leaf tendrils (purnakalasa), paper paste, apsara-apsari figures. The purpose of this writing is to gain knowledge and insight about the decorative artistic expressions carved on the temples. The method used is qualitative research observing its form, content and meaning. The analysis uses contextual analysis, which is to look at the relationship between ornaments and their context by basing on the motion of lines, the shape of art objects, and rhythmic compositions. The discussion will use aesthetic theory, artistic value and symbol theory to be able to explain the form of beauty in the decorative art of Kalasan Temple. The result shows that the selection of ornamental art ornaments is combined with the right proportions, symmetry in the arrangement and precise processing to produce artistic expression in achieving transcendent ideas.

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