Rizqillah, Aprillayalia Aghnia
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Analisis Dalam Film “Kukira Kau Rumah” Sebagai Media Pengenalan Mental Illness Rizqillah, Aprillayalia Aghnia; Endriawan, Didit; Maulana, Teddy Ageng
KalaTanda Vol 4 No 1 (2022): Kalatanda
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/kalatanda.v4i1.6538

Abstract

Penelitian ini bertujuan untuk menganalisis simbol-simbol yang berhubungan dengan mental illness dalam film Kukira Kau Rumah yang disutradarai oleh Umay Shahab sebagai media pengenalan mental illness terutama pada unsur sinematografi, sebuah film tidak hanya dari segi keindahan namun dari pemilihan teknik sinematografi mempunyai maksud dan tujuan masing - masing agar film mudah dipahami oleh penonton. Metode Penelitian yang digunakan adalah teori televisi, melalui teori Semiotika John Fiske menggunakan tiga level yang meliputi level realitas, level representasi dan level ideologi untuk mengkaji film dalam adegan yang memiliki simbol - simbol dan makna visual yang berhubungan dengan mental illness. Penelitian ini menggunakan metode kualitatif dengan teknik pengumpulan data meliputi observasi dan dokumentasi. Hasil penelitian ini berupa pendekatan teori Semiotika John Fiske untuk mengetahui karakteristik dari mental illness bipolar disorder dari tiga pembentukan level, yaitu realitas yang berhubungan dengan aspek sosial peristiwa penampilan dan ekspresi, representasi yang berhubungan dengan teknik penggunaan kamera, suara, komposisi, dan editing, lalu terdapat level ideologi yang berhubungan dengan makna kesatuan penerimaan sosial seperti individualis dan patriarki.
Strategi Pengenalan Candi Muaro Jambi melalui Ornamen Arca Candi pada Kain Tradisional Rizqillah, Aprillayalia Aghnia; Murdowo, Djoko Murdowo
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Vol 11 No 2 (2025): Juni
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/jhm.v11i2.28639

Abstract

Muaro Jambi Temples is the largest cultural heritage site in Southeast Asia, holding immense historical and cultural potential. However, the low number of visitors and limited engagement from the younger generation indicate the need for innovative approaches to promote the site. This research aims to develop a strategy for applying the ornamental sculptures of Muaro Jambi Temples to traditional textiles as a medium to introduce  and  promote Jambi’s cultural heritage. The ornaments selected include sculptures of Prajnaparamita, Dwarapala, Makara, and motifs from the main temples such as Candi Tinggi, Candi Gumpung, and Candi Gedong. The research method employed is research and development (R&D) using a design thinking approach, which involves the stages of empathize, define, ideate, prototype, and test to create motifs that preserve cultural authenticity while being suitable for textile application.  The process includes interviews with artisans, observation of traditional textile production, analysis of key challenges, brainstorming of simplified ornamental designs, prototype development, and phase evaluation with artisan and the local community. The resulting fabric prototype featuring ornamental motifs was tested during a cultural event at Muaro Jambi Temple and received positive feedback from visitors as an effective medium for introducing the history and cultural heritage of Jambi. This  study demonstrates that the application of sculptural ornaments to traditional textiles not only enhances the aesthetic value of the product but also reinforces cultural identity and increases public interest in Jambi heritage. Government support and stronger collaboration with local artisan communities are crucial to ensure that these ornament inspired textiles become a widely recognized and sustainable cultural symbol.