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All Journal MUDRA Jurnal Seni Budaya Studi Budaya Nusantara
Asmi Nusantari, Okta Viviana
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Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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DIVERSIFIKASI PRODUK KERAMIK HIAS TEKNIK CETAK TEKAN DAN ORNAMEN SGRAFFITO SENTRA SUMBERSEKAR DAU MALANG MELALUI PROGRAM KEMITRAAN MASYARAKAT Ponimin, Ponimin; Irawanto, Rudi; Hariri, Afwan; bin Rani, Muhammad Faizal; Dewayani, Wahyu; Asmi Nusantari, Okta Viviana
Studi Budaya Nusantara Vol. 7 No. 2 (2023)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2022.007.02.01

Abstract

The art of ceramic craftsmanship in the Sumbersekar Dau Malang center requires diversification act in product design. This is intended so that the products produced become innovative products and can be adjusted to the trends of the era and the tastes of consumers. To achieve this, press molding techniques and sgraffito ornaments in ceramic production were developed. The method applied in achieving the research purposes is the participatory creative method. The method contains the stages of the participatory creative process, including: a) the implementation team coordinates with program partners for activity implementation plans; b) preparation of tools and materials; c) implementation of participatory creative activities: making print models; reproduction process; making ornaments; smoothing; d) firing and finishing works; e) analysis of participatory creative processes and results in the development of decorative ceramic products. This creative and participatory work produces souvenir ornamental ceramic art products, which include: ornamental ceramic vase products, table accessories, and others. The process and results of this activity are expected to trigger the growth of creativity of local craftsmen, and further improve the creative economic aspects of the craftsmen.
Cultural Materialism and Aesthetic Analysis of Ikat-Woven Sarong Production in Parengan Village, Lamongan, East Java Asmi Nusantari, Okta Viviana; Fitriasari, Rr. Paramita Dyah; Gustami, SP.
Mudra Jurnal Seni Budaya Vol 40 No 4 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i4.2998

Abstract

This research investigates the cultural and aesthetic dimensions of ikat-woven sarong production in Parengan Village, Lamongan Regency, East Java, using a material culture biography approach. The research addresses how traditional sarongs—particularly those with legendary patterns such as tempean, botolan, and putihan—function as cultural commodities shaped by communal production, religious practice, and regional identity. Drawing on Raymond Williams’ theory of cultural materialism and Edmund Burke Feldman’s aesthetic theory, the research analyzes the visual structure, motif repetition, and socio-cultural functions of the sarong as both a physical object and a symbolic medium. Data were collected through ethnographic fieldwork, including interviews, visual documentation, and observations in representative weaving centers. The findings reveal that sarong production in Parengan is not only a site of artisanal heritage but also a dynamic cultural practice influenced by commodification, Islamic traditions, and intergenerational knowledge transmission. The research contributes to the discourse on material culture by demonstrating how textile production reflects broader social transformations and cultural negotiations. It highlights the importance of integrating visual analysis and cultural theory to understand the evolving meaning and function of traditional craft in contemporary society.
Co-Authors Afwan Hariri bin Rani, Muhammad Faizal Dewayani, Wahyu Fitriasari, Rr. Paramita Dyah Ponimin Rudi Irawanto SP. Gustami