Article Per Year (5 Year)
p-Index From 2020 - 2025
0.444
P-Index
This Author published in this journals
All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Offscreen: film and television journal
Mulyani, Try
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
REPRESENTASI FEMINISME DALAM FILM PENYALIN CAHAYA Mulyani, Try; Handriyotopo, Handriyotopo; Rustim, Rustim
Offscreen Vol 3, No 1 (2024): Offscreen: Journal Of Film and Television (January-June 2024)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/os.v3i1.4166

Abstract

This research focuses on the representation of feminism in the film Copyist Cahaya. This film is an interesting study to study because the content in the film contains survivors of sexual violence described by Suryani as a real manifestation of women's struggle for justice and gender equality that she is able to provide evidence of the abuse she experienced. The formulation of the problem in this research is how to represent feminism in the film Pengalin Cahya. This study aims to describe the value of feminism in the Syriac character in the film Pengalin Cahaya. This research uses descriptive qualitative research methods, with a Semiotics analysis approach. The data collection technique used purposive sampling, namely three pieces of the film scene of Copying Cahaya as the primary data. This data analysis technique uses Roland Barthes' semiotics technique which divides semiotics into two stages, namely denotation and connotation. The results of the research in the film Pengalin Cahaya, there is liberal feminism because Suryani is told as a woman who seeks justice starting from herself. The figure of a woman who has strength, a woman who has a leadership spirit, and a brave woman
Analisis Wacana Kekerasan Seksual Terhadap Perempuan dalam Film "Demi Nama Baik Kampus" dan Film "Please Be Quiet" Mulyani, Try; Handriyotopo, Handriyotopo; Rustim, Rustim
Rekam Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.8536

Abstract

This study discusses the discourse of sexual violence in the short film Demi Nama Baik Kampus and the short film Please Be Queit to find out the representation of women as victims of sexual violence in the film. This study uses qualitative methods and Sara Mills' critical discourse. Based on its form, critical discourse analysis is divided into 3, namely the position of the subject-object and the position of the reader by selecting scenes that are considered representative. The findings of the analysis show that the position of the subject is carried out by a female character named Sinta who is a victim of sexual violence by her supervisor in the campus environment in the short film For the Good Name of the Campus. Whereas in the short film Please Be Queit played by Sarah who is considered a victim of sexual violence in the work environment. The position of the object is described as an actor that supports the subject's motion. Meanwhile, the writer positions Sarah and Sinta as parties who confirm the incident, so that the text is from the point of view that Sinta and Sarah experienced. The reader's position cannot change the discourse written by the author, because the reader cannot provide arguments to the writer, if there is no discrepancy in the content of the film's discussion.
Co-Authors Handriyotopo Handriyotopo Rustim, Rustim