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All Journal Rubikon: Journal of Transnational American Studies ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture
Wardani, Tia Ivanka
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Arts Humanities

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SOCIAL DETACHMENT AND FALSE CONSCIOUSNESS IN THE LOTTERY IN BABYLON BY JORGE LUIS BORGES Cantika, Rita Apriliya; Wardani, Tia Ivanka; Asy-Syaffa, Alifya Rahma; Hariyanto, Alifia Kamila Jasmine Putri; Fiorella, Sonya Ivanda; Saraswati, Rina
ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Vol 7, No 1 (2023)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um006v7i12023p101-108

Abstract

This study analyzes the portrayal of social class between The Company that ran the lottery as the upper class and the citizens who were the lottery participants as the lower class in The Lottery in Babylon by Jorge Luis Borges. This study used the theory from Karl Marx regarding the existence of the false consciousness of the bourgeoisie toward the proletariats. The qualitative approach was employed in this study to collect the essence of the short story. It is found that according to Marxist theory, The Lottery of Babylon portrays the existence alienation from the existence of the Lottery in which defines one's social class and fate.
AUDIENCE RECEPTION ANALYSIS TOWARD WOMEN’S REPRESENTATION IN DAMSEL Wardani, Tia Ivanka; Cahyo, Pujo Sakti Nur; Meyrasyawati, Dewi
Rubikon : Journal of Transnational American Studies Vol 12, No 1 (2025)
Publisher : Pengkajian Amerika, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/rubikon.v12i1.98003

Abstract

Upon its release, Damsel's movie became the spotlight since its director, Juan Carlos, claimed it represented contemporary feminism. Using the encoding-decoding model of communication by Stuart Hall, this study aims to analyze the representation of women's heroes and how the audiences respond to them. The data collection techniques include interviews, newspaper articles, and observations from the movie itself. From the decoded messages obtained, the findings show that the hegemonic dominant audience agreed that there was a concept of feminism explained through the heroine; however, the negotiated audience found it unrealistic due to the overpowering female characterization, and the oppositional audience found that the movie depicted women’s suffering due to the patriarchal system rather than women's empowerment. Furthermore, the majority of audience responses indicate agreement where they acknowledge the feminist values in the film. Therefore, this movie stands out among many hero-centric films by highlighting a fresh portrayal of women in media, challenging the conventional depiction of women as weak and needing rescue by men for happiness or salvation. It also questions how well they align with real-world realities.
Co-Authors Asy-Syaffa, Alifya Rahma Cantika, Rita Apriliya Dewi Meyrasyawati Fiorella, Sonya Ivanda Hariyanto, Alifia Kamila Jasmine Putri Pujo Sakti Nur Cahyo Saraswati, Rina