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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Mozaik: Journal of Art and Architecture
Tan, Arwin Quiñones
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Arts Humanities Other

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MENDEFINISIKAN MAKNA SENI RUPA DAN MASA DEPANNYA Bayu Gilang Ramadhan; Sri Wulandari; Budi Tri Wijaya; Tan, Arwin Quiñones
Mozaik : Journal of Art and Architecture Vol. 1 No. 1 (2023): April 2023
Publisher : Universitas Islam Zainul Hasan Genggong

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55210/29xrh456

Abstract

Seni adalah fenomena kreatif yang terus-menerus berubah, tidak hanya karena diciptakan terus-menerus, tetapi juga dalam arti 'seni' itu sendiri. Menemukan definisi seni yang sesuai bukanlah tugas yang mudah dan telah menjadi subjek banyak pertanyaan di seluruh ekspresi artistik. Makalah ini menyarankan perbedaan penting antara 'bentuk seni' dan 'bentuk seni' diperlukan untuk menyatakan bahwa masa depan seni akan membawa estetika baru di mana sifat-sifat ini diakui sebagai seni dan dengan demikian akan ada estetika seni rupa. kehidupan sehari-hari. 
"Manguni," A Minahasan Cultural Identity: The Application of Practice-Based Research on A Program Music Gosal, Clifford Israel; Listya, Agastya Rama; Komalig, Yudi Novrian; Tan, Arwin Quiñones
Resital: Jurnal Seni Pertunjukan Vol 25, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i1.12059

Abstract

Manguni is a Minahasan term for a carnivorous, nocturnal bird known as an owl. The manguni has the Latin name otus manadensis. Minahasan people believe that the manguni is a bird that brings news from Opo Wailan Wangko or God Almighty. In the modern era, mangunis have become endangered due to hunting and logging of trees that were mangunis' original habitat. The extinction of these birds has impacted the younger generation's understanding of the manguni as the identity of the Minahasan people, as well as the ancestral cultural values found in this bird. This research aims to introduce and preserve the noble values found in manguni to the younger generation through symphonic works that combine Minahasan and Western musical idioms. The use of orchestral instruments in nationalistic works has also been done by Romantic-era composers such as Bedrich Smetana, Antonin Dvorak, Bela Bartok, Zoltan Kodaly, and others. However, Manguni is the first orchestral composition to capture the magical figure of this bird musically. This research applies a qualitative and practice-based approach that positions the researcher as the vital instrument. Several stages of research include conceptualizing the composition, incorporating leitmotifs, adding extramusical ideas, pouring ideas or creations, composing detailed compositions, and evaluating. The research output is a descriptive programmatic musical work that uses manguni as an extramusical idea. Leitmotifs represent the nature and character of the manguni and its meanings to the Minahasan people. The work adopts Minahasan musical idioms, such as the rhythmic patterns of Kabasaran dance and the modes and ornamentation of Maengket singing. The Manguni movement is written in a sonata form consisting of exposition, development, recapitulation, and coda. The techniques used include polytonal, cluster, quartal, artificial harmony, polychord, sequence, augmentation, diminution, and retrograde.
Co-Authors Agastya Rama Listya BAYU GILANG RAMADHAN, BAYU Budi Tri Wijaya Gosal, Clifford Israel Komalig, Yudi Novrian SRI WULANDARI