Article Per Year (5 Year)
p-Index From 2020 - 2025
0.61
P-Index
This Author published in this journals
All Journal MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya TACET Jurnal Pendidikan dan Kajian Seni
Slamet, Deni
Unknown Affiliation
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
STRUKTUR GERAK TARI JEPIN LANGKAH GERSIK PANTAI KOTA PONTIANAK KALIMANTAN BARAT Slamet, Deni; Ismunandar, Ismunandar
TACET Jurnal Pendidikan dan Kajian Seni Vol 1, No 1 (2022): April 2022
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/tacet.v1i1.51537

Abstract

The background of this research is because of the researchers' concerns about the authenticity of the various movements of the Jepin Step Gersik Pantai Dance, which in the future does not rule out changes. Therefore the researchers described and documented the Jepin Step Gersik Pantai Dance in the form of writing, pictures and videos. The method in this study is a descriptive method with a qualitative research form and a choreographic approach. Data collection techniques in the form of observation, interviews, and documentation studies. The data validity testing technique used is the extension of observations and triangulation of sources. Based on the data analysis, it was concluded that the movement structure of the Jepin dance step Gersik Pantai Pontianak City, West Kalimantan is as follows: there are 3 variations consisting of coastal steps, Nyusor Arus, Nyusor Waves which are composed of 9 sub-ranges, namely Serimpik Steps with Hooks, Steps with Oblique Feet. , Body Leaning Steps, Bunga Lampai Bunga Serpai Steps, Hanging Pull Steps, Pencak Punch Steps, Steps to Avoid People's Punches, Rope Weaving Steps, and Kembang Rifle Steps. The Jepin Step Gersik Pantai dance consists of 154 motion motifs, 37 motion phrases, 7 motion sentences, and 1 movement cluster which forms a complete movement unit in the Jepin Step Gersik Pantai dance
The Existence of Totokng Dance as the Cultural Identity of the Dayak Salako Tribe Slamet, Deni; Narawati, Tati; Budiman, Agus
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64936

Abstract

This study aims to examine the existence of the Totokng dance in the Nurutni’ Ceremony as a representation of the cultural identity of the Dayak Salako community in West Kalimantan. The dance functions not only as a performative expression but also as a medium of spiritual communication that connects humans, ancestors, nature, and God (Jubato). This research adopts a qualitative descriptive approach, using participatory observation, semi-structured interviews, and field documentation in Pelanjau Hamlet, the central site of the ceremony. The findings show that the Totokng dance is a sacred ritual passed down vertically through the ancestral lineage of the Panglima Kayau. The structure of the performance consists of preparation, main performance, and post-ritual stages, with strong symbolism reflected in the movements, music, costumes, and offerings. The dance embodies cosmological and spiritual values, turning the dancer’s body into a living archive of collective memory. The shift in the function of the dance from a symbol of power to a ritual of gratitude for the harvest illustrates the adaptive capacity of local culture in facing social change. The process of intergenerational transmission through direct ritual experience strengthens the preservation of its meaning. In conclusion, the Totokng dance not only maintains ancestral traditions but also acts as a cultural instrument that reinforces the identity and resistance of the Dayak Salako community in the face of global cultural homogenization.  
The Heroism Value in Totokng Dance at The Nurutni’ Ceremony Dayak Salako Community in West Kalimantan Slamet, Deni; Tati Narawati; Agus Budiman
Mudra Jurnal Seni Budaya Vol 40 No 4 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i4.2950

Abstract

This study aims to explore and analyse the heroism values embodied in the Totokng dance, a traditional ritual performed as part of the Nurutni’ ceremony by the Dayak Salako community in West Kalimantan. These values play a crucial role in shaping collective character and preserving cultural identity amid the pressures of globalisation and the ongoing crisis in character Education. The research is driven by the limited academic attention given to the dimension of heroism within the cultural expressions of the Dayak people, particularly in the context of rice harvest rituals. Adopting a qualitative method with an ethnographic approach, the study collected data through participant observation, semi-structured interviews, documentation, and literature review. Informants were purposively selected based on their direct involvement in the tradition. The findings reveal that the Totokng dance conveys heroism values such as courage, sacrifice, solidarity, responsibility, and loyalty. These values are expressed through symbolic movements, the social roles of the dancers, and the spatial design of the performance, all of which are rooted in spiritual and historical relationships. Rather than functioning solely as an aesthetic performance, the dance serves as a medium for transmitting values and as a tool for character Education grounded in local wisdom. These findings reaffirm the importance of preserving intangible cultural heritage as a key component of sustainable development and multicultural Education in Indonesia.
Co-Authors Agus Budiman Agus Budiman Ismunandar Tati Narawati