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All Journal Poetika: Jurnal Ilmu Sastra Jurnal Penelitian Keislaman
Aldrian, Aldrian
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Islamophobia Values in The French Magazine Charlie Hebdo's Cartoons: A Semiotic Perspective of Roman Jakobson Aldrian, Aldrian; Lestari, Septi; M. Anwar Mas'adi
JURNAL PENELITIAN KEISLAMAN Vol. 20 No. 1 (2024): Contemporary Islamic Studies
Publisher : Universitas Islam Negeri (UIN) Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/jpk.v20i1.9801

Abstract

This study analyzes two cartoons from Charlie Hebdo, employing six elements of Roman Jakobson's semiotics. It's a descriptive qualitative study using cartoon. The results of the study show that: 1) the cartoon edition 1011 consists of one addresser, Jean Cabut; two addressees, Prophet Muhammad SAW and Islam; one contact, Charlie Hebdo magazine; two contexts, social and religious-social; three codes with their respective messages, it can be concluded with the caricaturist's satire towards the whipping law found in Islamic Sharia; 2) the cartoon with the subtitle "L'amour, plus fort que la haine" consists of one addresser, Renald Luzier; one addressee, Muslim extremist groups; one contact, Charlie Hebdo magazine as one of the mass media in France; two contexts, social and religious-social; two codes with their respective messages, which can be concluded with the peace signal that the cartoonist wants to convey after the burning incident of the Charlie Hebdo magazine office.
Diasporic Alienation and Empathy in Arab-American Poetry: A Postcolonial Comparative Study of Khalil Gibran and Suheir Hammad Aldrian, Aldrian; Lestari, Septi; Fitriani, Laily
POETIKA Vol 13, No 1 (2025): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v13i1.98134

Abstract

This research explores themes of diasporic alienation and empathy in Khalil Gibran and Suheir Hammad’s poetry from a postcolonial perspective. Khalil Gibran, a Lebanese-American poet, and Suheir Hammad, a Palestinian-American poet, articulate their complex diasporic experiences from distinct historical moments. Both emphasize a persistent longing to reconnect with their homelands, revealing how alienation and empathy shape identity in diaspora. While numerous studies have analyzed Arab-American literary expressions of identity and displacement, there remains a notable scholarly gap concerning how hybridity and subalternity shed light on the poetry of these two prominent poets. Employing postcolonial theories of hybridity and subalternity, this research uses a descriptive qualitative method, analyzing primary data from Gibran’s poem “Dead Are My People” and Hammad’s poems “Break (Rebirth)”, “Break (Sister)”, and “Break (Embargo)”. Secondary sources include literature addressing Arab-American diasporic experiences, the Israel-Gaza conflict, and the Lebanese famine events. Through textual and contextual analyses, the findings reveal Gibran’s depiction of geographical and cultural alienation, emotional alienation, and alienation from collective solidarity, whereas Hammad primarily explores identity alienation. Regarding empathy, Gibran addresses the historical trauma of the Lebanese famine under Ottoman rule, while Hammad reflects on the contemporary violence and suffering in Palestine. This study contributes to Arab-American literary scholarship by showing how diasporic alienation and empathy illuminate ongoing colonial impacts and identity negotiation across generations. 
Co-Authors Laily Fitriani M. Anwar Mas'adi Septi Lestari, Septi