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All Journal Jurnal Yoga Dan Kesehatan Sphatika: Jurnal Teologi Pangkaja: Jurnal Agama Hindu
Brahman, I Made Adi
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Prāṇā Dan Persembahan Melalui Prāṇāyàma Brahman, I Made Adi
Jurnal Yoga dan Kesehatan Vol 7 No 1 (2024)
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/jyk.v7i1.3602

Abstract

Pengetahuan tentang prāṇā atau vayu dan praktik ritual dengan media prāṇā (Prāṇāyāma ) dalam kesusastraan Hindu adalah hal yang penting untuk digali dan dipahami. Artikal ini bertujuan untuk menyajikan pengetahuan tentang prāṇā dan persembahaan melalui Prāṇāyāma . Pengumpulan data dilakukan dengan metode kepustakaan, selanjutnya data dianalisis dengan metode hermeneutik. Prāṇā adalah energi vital kehidupan yang menjadi tumpuan bagi semua mahluk hidup. Prāṇā adalah lapisan badan halus manusia yang terbuat dari lapisan energi vital dengan fungsi sebagai penghubung antara badan fisik dengan dengan lapisan badan halus (etherik). Intisari paling mendasar dari prāṇā adalah Tuhan (Brahman) itu sendiri. Prāṇāyāma  merupakan ritual dengan menggunakan sarana prāṇā (vayu) yaitu energi vital kehidupan. Persembahan ini dilakukan untuk ‘membersihkan’ dan ‘membakar’ segala kekotoran batin (dosa) yang menghalangi dan menutupi keberadaan sang diri sebagai Jiwa (Atman) yang tidak lain adalah tunggal dengan keberadaan Tuhan (Brahman) itu sendiri.
KESADARAN DAN IMPLIKASINYA BAGI KEHIDUPAN MANUSIA: Studi Māṇḍūkya Upaniṣad Suprapti, Ketut; Girinata, I Made; Brahman, I Made Adi
Pangkaja: Jurnal Agama Hindu Vol 27 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pjah.v27i2.3610

Abstract

The study of consciousness has been a central focus in various philosophical and spiritual traditions throughout the world. One ancient text that investigates this concept in depth is the Māṇḍūkya Upaniṣad, an ancient Hindu text that focuses on the notion of consciousness in the context of human existence. This abstract explores the implications of the understanding of consciousness as revealed in the Māṇḍūkya Upaniṣad for human life. In this article, key concepts such as Turiya, atman, and the network of relationships between consciousness and reality will be discussed. Additionally, the practical implications of this understanding for everyday life are also debated. Through a textual and philosophical analysis approach, this abstract aims to expand understanding of consciousness and how this understanding can bring significant changes in human life. In conclusion, this study highlights the importance of in-depth reflection on consciousness in the context of Hindu spirituality and philosophy, as well as its relevance to human life today.
METANARASI DALAM TEKS BRAHMA SŪTRA Suryana, Adi; Subagia, I Nyoman; Brahman, I Made Adi
Pangkaja: Jurnal Agama Hindu Vol 27 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pjah.v27i2.3698

Abstract

As a human being who lives in a world full of great secrets of the universe, surely the investigation of metaphysics is interesting. Metaphysical matters can generally be sought through sacred texts as well as academic reasoning. Therefore, metanarratives formed from metaphysical objects are a matter that dancing to be discussed. Moreover, a deep understanding of the nature of these metaphysical objects will help humans discover things that are still hidden in the universe. The events shown in the universe can certainly be accessed through various sources, one of which is scripture. In this context, Brahma Sūtra as one of the sacred texts of Hinduism has a metanarrative in which it contains explanations of metaphysical objects that are interesting to discuss. This discussion includes the concepts of Brahman, atman and spirit, mind, prāņa, and mokșa. Some metanarratives in this study will be elaborated scientifically through the study of Hindu Theology, of course, by including various text sources in the Brahma Sūtra. The method used is Qualitative with a Descriptive approach used to analyze the text of the Brahma Sūtra. From this study it can be seen that Brahman is the One True God who is the supreme entity of the entire universe. The Atma and spirit are the parts of Brahman that must seek to return to Brahman after death. The mind is the means of accessing the universe as well as the access of Brahman consciousness. Prāņa is the energy or vital force of living beings used as a means of accessing Brahman consciousness. Prāņa is the energy or vital force of living beings used as a means of accessing Brahman consciousness. The last is mokșa, the ultimate goal of living beings which is the highest consciousness/freedom.
Pementasan Calonarang Gabos di Desa Bongkasa: (Kajian Estetika Hindu) Sari, Ni Luh Ratna; Perni, Ni Nyoman; Brahman, I Made Adi
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3652

Abstract

Calonarang Gabos is one of the performing arts which is staged at the Piodalan ceremony at Griya Sakti Manuaba Temple, Bongkasa Village as a medium of transcendental communication between worshipers and those who are worshiped, so Calonarang Gabos is called a sacred art that is full of sacred, tenget, religious and magical values to neutralize negative power. The Satyam, Sivam, Sundaram trilogy becomes a harmonious whole in the Calonarang Gabos performance, so that it is able to achieve a balance between sekala and niskala. This research uses Religious theory, Aesthetic theory, and Structural Semiotics theory to discuss the overall problem formulation in this study. The research method used in this study is a qualitative research method that emphasizes extracting information in the field by observation and describing it in narrative form that emphasizes theological, aesthetic values and the implications arising from the staging of Gabos Calonarang on the community in Bongkasa Village. The religiosity of the Calonarang Gabos performance is reflected in the religious emotions that are still very strong in the Bongkasa Village community which is able to become the basic foundation for the staging process to take place. Apart from the religious emotions, the Calonarang Gabos performance is also supported by a strong belief system in the power of Ida Bhatari Dalem, which is supported by the ritual system and the surrounding community, who are still consistent in maintaining the preservation of the arts through staging events. The Hindu aesthetic values contained in the Calonarang Gabos performance are Satyam, Sivam, and Sundaram. As well as the meanings contained in the Calonarang Gabos performance are theological meanings, social meanings, educational meanings, and balance meanings.
Co-Authors Adi Suryana, Adi Girinata, I Made I nyoman Subagia, I nyoman Perni, Ni Nyoman Sari, Ni Luh Ratna Suprapti, Ketut