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All Journal Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Yugus, A.A Gede
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Arts Humanities

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Bentuk-Bentuk Pelelintangan Di Sanggar Wasundari Desa Kamasan Sebagai Sumber Inspirasi Seni Lukis Sudana, I Made; Putra, I Gusti Ngurah; Yugus, A.A Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1548

Abstract

The illustration of pelelintangan is traditional astronomical knowledge that contains information about the prediction of a person's character/personality and fate according to the day of birth. The illustration of pelelintangan is usually presented in the classic form of Kamasan wayang painting. This can be seen in the work of I Nyoman Mandra (late) in the Wasundari Studio. Pelelintangan is basically just a picture of human life which is a prediction and is not absolute or uncertain truth. The creation process is carried out using primary data collection methods such as; interviews and observations, and secondary data collection methods such as reading, documentation, and the internet. The dissected uses several theories such as semiotic theory and aesthetic theory. The problems of this creation are (1) How to visualize the shapes and motifs of the painting in the painting? (2) What is the technique of visualizing the cross-sectional theme on canvas media? (3) What meanings are contained in passing? The purpose of this research and creation of art is to find out visual language, illustration of pelelintangan and their relationship with character/personality by birth and to create six types of works inspired by the shape of pelelintangan
Motif Ornamen Bali Sebagai Sumber Inspirasi Dalam Penciptaan Seni Lukis Wayang Kamasan Adiguna, Made Hendra; Budiarta, I Dewa Putu Gede; Yugus, A.A Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1837

Abstract

Wayang Kamasan painting is the main topic of thought in the creation of painting works of art, which were inspired by Balinese ornamental motifs. As for the research problems, namely: What are the Balinese ornamental motifs that are applied to the Wayang Kamasan form?, How to apply Balinese ornaments to the Wayang Kamasan form?, What techniques are used in creating paintings inspired by Balinese ornamental motifs?.The author conducted research on Balinese ornamental motifs as a source of inspiration in the creation of Wayang Kamasan painting through field research methods, with a source data source named Ni Wayan Sri Wedari, S.Sn who is the owner and leader of the Wasundari studio, with data collection techniques by observation, interviews and literature review. Art creation is carried out in stages (exploration, experimentation, and execution). Produce works of art with a tendency to contemporary style. The six works produced include: Arjuna Tapa, Sutasoma, Hanoman, Gugurnya Bisma, Lata Mahosadhi, and Kumbakarna.
Bentuk-Bentuk Pelelintangan Di Sanggar Wasundari Desa Kamasan Sebagai Sumber Inspirasi Seni Lukis Sudana, I Made; Putra, I Gusti Ngurah; Yugus, A.A Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1548

Abstract

The illustration of pelelintangan is traditional astronomical knowledge that contains information about the prediction of a person's character/personality and fate according to the day of birth. The illustration of pelelintangan is usually presented in the classic form of Kamasan wayang painting. This can be seen in the work of I Nyoman Mandra (late) in the Wasundari Studio. Pelelintangan is basically just a picture of human life which is a prediction and is not absolute or uncertain truth. The creation process is carried out using primary data collection methods such as; interviews and observations, and secondary data collection methods such as reading, documentation, and the internet. The dissected uses several theories such as semiotic theory and aesthetic theory. The problems of this creation are (1) How to visualize the shapes and motifs of the painting in the painting? (2) What is the technique of visualizing the cross-sectional theme on canvas media? (3) What meanings are contained in passing? The purpose of this research and creation of art is to find out visual language, illustration of pelelintangan and their relationship with character/personality by birth and to create six types of works inspired by the shape of pelelintangan
Motif Ornamen Bali Sebagai Sumber Inspirasi Dalam Penciptaan Seni Lukis Wayang Kamasan Adiguna, Made Hendra; Budiarta, I Dewa Putu Gede; Yugus, A.A Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1837

Abstract

Wayang Kamasan painting is the main topic of thought in the creation of painting works of art, which were inspired by Balinese ornamental motifs. As for the research problems, namely: What are the Balinese ornamental motifs that are applied to the Wayang Kamasan form?, How to apply Balinese ornaments to the Wayang Kamasan form?, What techniques are used in creating paintings inspired by Balinese ornamental motifs?.The author conducted research on Balinese ornamental motifs as a source of inspiration in the creation of Wayang Kamasan painting through field research methods, with a source data source named Ni Wayan Sri Wedari, S.Sn who is the owner and leader of the Wasundari studio, with data collection techniques by observation, interviews and literature review. Art creation is carried out in stages (exploration, experimentation, and execution). Produce works of art with a tendency to contemporary style. The six works produced include: Arjuna Tapa, Sutasoma, Hanoman, Gugurnya Bisma, Lata Mahosadhi, and Kumbakarna.
Co-Authors Adiguna, Made Hendra Budiarta, I Dewa Putu Gede I Gusti Ngurah Putra I Made Sudana