Article Per Year (5 Year)
p-Index From 2020 - 2025
1.642
P-Index
This Author published in this journals
All Journal Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Jodog, I Made
Unknown Affiliation
Arts Humanities

Published : 9 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 9 Documents
Search

 1 
Ekspresi Gerak Ikan Dengan Media Sampah Plastik Dalam Penciptaan Karya Seni Patung Arsana Putra, I Made Deny; Jodog, I Made; Rinu, Ni Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1836

Abstract

Research on the creation of this work of art with this paper is intended to turn plastic waste, which is currently a serious problem, increasingly polluting the environment of rivers and waterways. This environmental problem prompted the author to process plastic waste into sculptures. This work raises the theme of waste to increase public awareness so as not to litter, especially in the river environment which not only disturbs the habitat of aquatic creatures but also the environment that is essential for all creatures including humans. The river environment in the writer's area has begun to be filled with plastic waste which makes the water polluted and cannot be utilized optimally. The making of this sculpture is based on the theories of sculpture including art theory, aesthetic theory, and semiotic theory. This creation uses a method of creating, knowledge transfer, technology, skills that are adapted to the needs of the author in processing plastic waste to be made into environmentally friendly sculptures and expressing fish movements.
Susu Ibu Sebagai Inspirasi Dalam Penciptaan Karya Seni Patung Kresna Yoga, I Gede Deva; Jodog, I Made; Setem , I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1845

Abstract

Breastfeeding is the process of giving milk to a baby or child with breast milk form the mother’s breast. Through the breastfeeding process, there is a personal relationship between mother and child in loving energy. Various perspective on breastfeeding occur in the community, including knowledge about the importance of breastfeeding. The concept of breastfeeding, breastfeeding attitudes, visuals of the breastfeeding process are interesting thing to research and the serve as the basis for creating ideas. This creation aims to remind the importance of breastfeeding and increase knowledge and the creation of sculptures. The analysis is carried out based on aesthetic, semiotic and deformation theories. The research was conducted by means of observation, interviews, documentation and stages of creation with exploration, experimentation and formation. Utilization of the element and principles of sculpture is the basis of creation. The main media used are cornice and banana trees. As a form of creation are sculpture entitled “Mother’s Milk” and “ Mother’s Happiness”.
Usaha Pemanfaatan Kain Kanvas dan Perca Endek sebagai Tas yang Bernilai Seni Komalayakti, Diah; Gunawan, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1850

Abstract

Endek is a traditional Balinese cloth that has a variety of motifs such as stylization of flora and fauna. Now many endek fabrics are also designed into clothing such as official clothes and so on. So, in the process of making these clothes, of course, there will be a lot of leftover patchwork for making clothes. Therefore, innovation in the form of using patchwork with canvas is an effort to preserve the existence of endek with bag products as a fashion complement. Bags are a fashion item that cannot be separated from the daily style of teenagers. The creation of bag products is done by self-manufacturing. So, of course, has a high artistic value. The selected bag design is a consideration of the uniqueness and tastes of the community, especially teenagers. The process of creating something so that it can add value in the economy is the meaning of entrepreneurship. In that case, the creation of a product with innovation and creativity is very important. The use of endek textiles and patchwork into a product in the form of a bag is an innovation in the creative industry and develops creativity. In addition, efforts to preserve the existence of endek in the midst of modern times that orient modern culture as a fashion trend can be done by collaborating with emerging trends.
Penataan Ruang Pameran Seni Lintas Batas Mahendra, I Komang Aditya; Sujana, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2329

Abstract

The arrangement of an exhibition space is the main focus raised in the writing of this thesis with the title "Spatial Arrangement of Cross-border Art Exhibitions" from an observation of spatial arrangement in the previous exhibition "Makna Murni; Two Sides” in terms of spatial planning, display, lighting and circulation which is carried out without being organized. From these problems the author finally wrote an article which contained procedures for designing exhibition space arrangements, room and work lighting, work display, and circulation of exhibition visitors and also discusses making spatial planning not only display and arrange the room but also manipulate the mood of exhibition visitors so that they get the impression when visiting the exhibition that the author designed, the purpose of this thesis work is to provide an understanding of spatial arrangement, work, light and visitor circulation and also Hopefully it will be useful in the arrangement of exhibition space. The design of this art exhibition was carried out at the Arshika hotel, an exhibition room with a different type and using natural and artificial lighting to illuminate the works on display.
Peran Katalog dalam Pameran Seni Rupa Makna Murni: Lintas Batas 19 Saputri, Deta Anggara Wahyu; Ruta, I Made; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2337

Abstract

Starting from the author's ignorance of exhibition cataloging. However, when I visited art exhibitions, I always found a catalog, so I became curious about the role of catalogs in art exhibitions. This prompted the author to examine more deeply the role of an art catalog and try to . The problem is how the catalog plays an important role in an exhibition. In the process of making it, the writer uses the method obtained from the MBKM process. The purpose and benefits are to show how a catalog plays a role in an art exhibition and to develop the creativity of writers in using digital media. In the process of making a catalog the author uses the creation method which includes several stages, namely observation, data collection, exploration, the process of creating. From this process the author produced an exhibition catalog in which there were 9 layouts of the contents of the fine art exhibition catalog. It can be concluded that the author creates works based on his interest in catalogs, with ideas originating from phenomena captured at the Rudana Museum and reading reference sources from the internet. At the processing stage the author refers to the results of the MBKM. Of all these processes are expected to find identity in the work.
Calonarang Mythology Putra, I Putu Deva Maha; Jodog, I Made; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3383

Abstract

Calonarang mythology depicts the story of Queen Nata Ing Girah (ruler in the village of Girah) which is considered scary because it has magical powers and supernatural. Various mythical stories and magical rituals always color the trail Airlangga in Kahuripan, East Java during the 11th century Javanese Hindu period. Research This aims to create and analyze Calonarang's mythological themes in the work art painting. Therefore, the author raised this story into the form of a work of art painting in this Final Project in partnership with Sanggar Wasundari Kamasan Klungkung Bali. Calonarang Mythology research problems in creation. This is the concept of painting that depicts the Calonarang Mythology, what is the process of creating a work of painting depicting mythology Calonarang, and how Calonarang Mythology paintings look like. Method The research used in this writing is text analysis and study literature. The results of this research are works of art with a mythology theme Calonarang with an explanation of the concept, origins of Calonarang mythology, characteristics main characters, and important events in the story are realized in paintings.
“Gelungan” Characters of Kamasan Puppet in the Magala-Gala Tradition Game Putra, I Made Pande Agus Cahyadi; Budiarta, I Dewa Putu Gede; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3641

Abstract

Feudalism, which is a social or political system that gives great power to the nobility, in Indonesia, especially in Bali, still adheres to this system, where in literature and in traces of discourse it is stated that this system was already in effect at that time. However, apart from the Feudal system, Indonesia, especially Bali, has many existing traditions, such as the art of wayang kamasan painting and also Ma-gala-galaan or Gala-gala. The techniques used in the process of creating works of painting are the Dussel and Sigar techniques and how to visualize them on plywood media. The method used in the creation process is Hawkins, which consists of three stages, namely idea exploration, improvisation, and realization or forming.The result of this method is to search for ideas and how to visualize the concept of the Gelungan Wayang Kamasan character on plywood media. Improvise to find harmonious proportions and colors. The manifestation (forming) of all visual results found related to the title adopted is undergoing development. With the creation of this work, it is hoped that it will be useful for the community related to this state system and also about traditional painting and traditional games in Bali.
Bwah Loka in Sarad Pulagembal as an Idea for Creating Sculpture Tenaya, I Made Suwardana; Mustika, I Ketut; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3644

Abstract

The yadnya ceremony in Bali cannot be separated from an upakara or offering. One of the upakara or offerings that contains a touch of artistic elements is Sarad Pulagembal. Sarad Pulagembal is made from rice flour dough given various colors, symbolizing the positive powers of Bhuwana Agung. In Sarad Pulagembal there are components that are distributed according to the position in the Tri Loka, namely from bottom, to middle, to top (Bhur, Bwah, Swah). Bhur Loka is the layers of negative natural dimensions, Bwah Loka is the layers of the cycle of life and death, Swah Loka is the layers of positive natural dimensions. In the middle part (Bwah Loka) depicts elements of the living world such as humans and animals, the sarad pulagembal will of course contain these elements. The aim to be achieved in the creation of this work is to find out the contents of Sarad Pulagembal, especially in the middle part (Bwah Loka) and it will be developed with creativity and imagination into the form of a sculptural work of art using elements of fine art, such as color, media and techniques. . In the process of realizing this work, the author used interview, observation and experiment methods. From the theme above, 5 (five) sculpture works will be created entitled Purusa, two works entitled Pradana, three works entitled Tunjung, four works entitled Angsa, and five works entitled Boma.
KAKI GAMBELAN JEGOG DALAM EKSPRESI KARYA SENI LUKIS Putra, I Made Agus Darma; Jodog, I Made; Sujana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4466

Abstract

This journal describes the creation of a painting that takes the theme “Gambelan Jegog Feet in the Expression of Painting”, which is inspired by the uniqueness of the jegog feet found in gambelan jegog in Jembrana. In general, this discusses the meaning contained in the jegog foot which is associated with the jegog tone element and the jegog gambelan player. The problem encountered is how to visualize the jegog foot, which is a sterilization of deer and buffalo feet, to represent ideas, notions, meanings and techniques used in realizing artworks. The method of creation is the process of realizing the work systematically. In this realization process, there are several methods that the author uses during the process of creating paintings, namely I Nyoman Wijaya's method: object observation, photo taking, object photo selection, drawing studies on paper media, sketches on canvas, background coloring, object coloring, and finally finishing. The author's goal in the creation of this work is to find out more about the jegog foot, which behind the simplicity of its shape, has its own philosophical meaning in it, as a medium for creativity and imagination into the form of paintings. The author applies the principles of fine art, thus creating 6 (six) works on this occasion in semester VI.
Co-Authors Arsana Putra, I Made Deny Budiarta, I Dewa Putu Gede Drs. I Wayan Mudana,M.Si. . I Wayan Gunawan, I Wayan I Wayan Sujana Komalayakti, Diah Kresna Yoga, I Gede Deva Mahendra, I Komang Aditya Mustika, I Ketut Putra, I Made Agus Darma Putra, I Made Pande Agus Cahyadi Putra, I Putu Deva Maha Rinu, Ni Made Ruta, I Made Saputri, Deta Anggara Wahyu Setem , I Wayan Tenaya, I Made Suwardana