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All Journal Journal of Humanities and Social Studies Lektur, Jurnal Ilmu Komunikasi
Dwyangghara, Muhammad Arief
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Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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Situating Human Rights Violation Narratives in the Tragedy of the FPI Militia Shooting Incident in the Film 'Kilometer 50’ Dwyangghara, Muhammad Arief; Maryani, Eni; Mirawati, Ira
JHSS (JOURNAL OF HUMANITIES AND SOCIAL STUDIES) Vol 3, No 1 (2019): Journal of Humanities and Social Studies
Publisher : UNIVERSITAS PAKUAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jhss.v8i1.9657

Abstract

The documentary film "Kilometer 50" directed by Andibachtiar Yusuf tells the tragedy behind the shooting case of the Islamic Defenders Front Laskar on the Jakarta-Cikampek KM 50 Toll Road. This documentary film was raised from the findings obtained by Tempo journalists through several sources and witnesses in the incident. This research discusses the narrative structure of the documentary film "Kilometer 50" to find out in depth how the alleged human rights violations were committed by the police in the tragedy. The method used in this research is qualitative with Tzvetan Todorov's narrative analysis approach. Data collection techniques are done by analyzing documentation, observation, and literature study. The purpose of this research is to find out how the narrative message of human rights violations is contained in the documentary film "Kilometer 50" based on narrative analysis using the Tzvetan Todorov model which considers that the narrative consists of verb aspects.  The verb aspects include mode category, time category, point of view category and narration category. The results showed that the plot in the documentary film "Kilometer 50" there are 17 messages of violation found based on the categories in the verb aspect of the whole story. Among them, in the mode category, there are 5 scenes with 2 direct style scenes and 3 scenes with indirect style. Then in the time category, there is 1 scene in the initial flow and 4 scenes in the final flow. Then in the point of view category there are 2 scenes. In the narrative category, there are 5 scenes.
SIMBOLISME DIGITAL DALAM STRATEGI HUMAS INSTAGRAM PELNI CREWING Dwyangghara, Muhammad Arief; Widyaningrum, Septiana Yustika; Rahman, Azizul; Fariza, Muhammad Rio
Lektur: Jurnal Ilmu Komunikasi Vol 8, No 3 (2025): Lektur: Jurnal Ilmu Komunikasi
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/lektur.v8i3.24423

Abstract

Studi ini bertujuan untuk memahami strategi komunikasi digital yang tertuang dalam content pillar  PT Pelita Bandar Nasional (PELNI Crewing) melalui akun Instagram resminya, dalam konteks praktik digital public relations. Pendekatan ini diposisikan sebagai bagian dari upaya institusi BUMN dalam membangun identitas organisasi, memperkuat legitimasi simbolik, serta menjalin hubungan yang partisipatif dengan publik digital secara strategis. Penelitian menggunakan metode kualitatif interpretatif dengan desain deskriptif-eksploratif, yang menempatkan konten Instagram sebagai artefak simbolik dalam praktik komunikasi organisasi. Data dikumpulkan melalui dokumentasi digital dan observasi non-partisipatif, kemudian dianalisis menggunakan pendekatan interpretative thematic analysis berbasis teori komunikasi: framing, agenda building, identitas korporat, interaksi simbolik, dan komunikasi dialogis. Hasil menunjukkan bahwa empat pilar konten—Brand Knowledge, Information, Engagement, dan Call to Action—tidak hanya menjalankan fungsi informatif dan promosi, tetapi juga berperan sebagai medium relasi simbolik antara organisasi dan publik. Strategi ini mencerminkan praktik public relations modern yang berorientasi pada narasi, kedekatan emosional, dan partisipasi aktif publik dalam ruang digital.
Co-Authors Ira Mirawati Maryani, Eni Muhammad Rio Fariza Rahman, Azizul Septiana Yustika Widyaningrum