Khalimatu Nisa
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Challenging the Mainstream Portrayal of Islam in Indonesian Screen Culture: Religious Representation in Hati Suhita Film Khalimatu Nisa; Muhammad Nikmal Anas Alhadi
DINIKA : Academic Journal of Islamic Studies Vol. 9 No. 1 (2024)
Publisher : Universitas Islam Negeri Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/dinika.v9i1.8557

Abstract

This article examines the representation of Islam in Indonesian screen culture, focusing on the genre of film Islami. It discusses the dominant portrayal of muslims piety and modernity in these films and explores the smaller number of films that depict pesantren culture, a manifestation of traditional Islam. The article analyzes the Hati Suhita film as a significant shift in representing a solid traditional Islam rooted in history, culture, and the modern values to shape religiosity. It highlights the film's exploration of a love triangle within an arranged marriage in a non-cliché manner through strength and resilience, grounded on Javanese philosophy and sufism, while promoting a gender justice perspective. It also discusses the film's impact on the pesantren community, and its role in becoming a convergence point between pesantren and screen culture, two domains that have been considered distant from each other. This article also observes that the success of this film is the result of a long endeavor to negotiate pesantren with popular culture. Overall, the article contributes to the ongoing discourse on the representation of Islam in Indonesian screen culture, and the intersection of tradition, modernity, and religion.
Religious Science and Scientific Religion: Reimagining Religion-Science Relations in Contemporary Indonesian Muslim Thought Lutfi, Muhammad; Mukhammad Zamzami; Abd A’la; Khalimatu Nisa
Teosofi: Jurnal Tasawuf dan Pemikiran Islam Vol. 15 No. 1 (2025): June
Publisher : Department of Aqidah and Islamic Philosophy, Faculty of Ushuluddin and Philosophy, Sunan Ampel State Islamic University Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/teosofi.2025.15.1.172-204

Abstract

The COVID-19 pandemic has revealed the persistent tension between religion and science in Indonesia, as different perspectives have emerged on issues such as vaccination, restrictions on worship, and public health protocols. This moment of crisis underscores the broader epistemological gulf between religious belief and scientific reasoning, reigniting the debate about their respective roles in addressing existential and social challenges. Responding to this complex landscape, Haidar Bagir and Ulil Abshar Abdalla have articulated two conceptual frameworks of religious science and scientific religion that aim to redefine the relationship between religion and science. This article critically analyzes the arguments using John Haught’s taxonomy of conflict, contrast, contact, and confirmation. Haidar Bagir’s views emphasize respectful differentiation and dialogical engagement in the form of contrast and contact, while Ulil Abshar Abdalla envisions a more harmonious interaction that affirms mutual legitimacy in the form of confirmation. Both thinkers reject the absolutism of modern scientism and call for religious thought to be more responsive to scientific developments. This study highlights the urgency of fostering epistemological synergy so that religion and science can face the ethical and intellectual challenges of our time together.