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COLOUR MAPPING OF NATURAL DYES IN BATIK PESISIRAN OF BATIK BATANG FROM BATANG REGENCY Kahfiati Kahdar; Chandra Tresnadi; Tyar Ratuannisa
Jurnal Sosioteknologi Vol. 17 No. 1 (2018)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2018.17.1.13

Abstract

Tren dalam desain dipengaruhi oleh berbagai faktor seperti peristiwa dunia, situasi ekonomi, pengaruh sub-kultur, perubahan sosial bahkan dapat muncul sebagai respons terhadap kondisi lingkungan alam secara global. Salah satu bentuk tren sebagai respons atas kondisi lingkungan alam adalah munculnya gerakan sustainable design, dalam tekstil gerakan ini ditemukan pula menjelma dalam bentuk eco-textile yang direalisasikan dengan penggunaan bahan utama dan bahan pendukung teknik pembuatan tekstil yang minim dampak terhadap lingkungan.Batik pesisiran merupakan salah satu tekstil tradisi di Indonesia yang memiliki nilai estetis tinggi, dua di antara aspek pembentuknya adalah ragam hias dan warna. Warna pada batik saat ini sebagian besar dihasilkan dari pewarna sintetis yang dapat memberikan dampak negatif terhadap lingkungan dan manusianya. Penelitian ini bertujuan untuk memetakan dan mengkonversi skema warna sintetis batik ke skema pewarna alami dengan harapan dapat dimanfaatkan bagi kebutuhan pengrajin di Kabupaten Batang yang terletak di pesisir pantai utara Jawa Tengah dalam menghasilkan desain dan kain batik ramah lingkungan. 
Shifting of Batik Clothing Style as Response to Fashion Trends in Indonesia Tyar Ratuannisa; Imam Santosa; Kahfiati Kahdar; Achmad Syarief
Mudra Jurnal Seni Budaya Vol 35 No 2 (2020): Mei
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v35i2.1044

Abstract

Fashion style refers to the way of wearing certain categories of clothing related to the concept of taste that refers to a person’s preferences or tendencies towards a particular style. In Indonesia, clothing does not only function as a body covering but also as a person’s style. One way is to use traditional cloth is by wearing batik.Batik clothing, which initially took the form of non -sewn cloth, such as a long cloth, became a sewn cloth like a sarong that functions as a subordinate, evolved with the changing fashion trends prevailing in Indonesia. At the beginning of the development of batik in Indonesia, in the 18th century, batik as a women’s main clothing was limited to the form of kain panjang and sarong. However, in the following century, the use of batik clothing became increasingly diverse as material for dresses, tunics, and blouses.This research uses a historical approach in observing batik fashion by utilizing documentation of fashion magazines and women’s magazines in Indonesia. The change and diversity of batik clothing in Indonesian women’s clothing styles are influenced by changes and developments in the role of Indonesian women themselves, ranging from those that are only doing domestic activities, but also going to school, and working in the public. However, fashion trend factors are also a parameter of change in batik clothing, which result in adaptive and flexible batik clothing.
Batik Digital dalam Inovasi Desain Animateutik (Animasi Batik Tulis) Bergaya Maduraan Chandra Tresnadi; Tyar Ratuannisa
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol 40, No 1 (2023): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v40i1.7695

Abstract

Ragam hias batik merupakan identitas warisan budaya tak benda di Indonesia yang menjadi kebanggan masing-masing sentra. Sebagian besar penerapan ragam hias dalam praktik desain pada media digital hanya meminjamnya sebagai konten atau elemen visual semata, karya tersebut tidak memenuhi kaidah sebagai karya batik tradisi. Batik Madura (maduraan) memiliki karakter khas yang dikenal dengan penggambaran hewan, tanaman akar-akaran, juga gori (isen-isen) yang menarik untuk dieksplorasi menembus batas dunia kriya tekstil tradisional beralih menjadi karya animasi digital. Penelitian ini bertujuan mengidentifikasi visual ragam hias batik maduraan sebagai aset visual karya Animateutik (animasi batik tulis); mendefinisikan dan merumuskan model “Batik Digital Indonesia”; dan menerapkan model tersebut melalui inovasi desain Animateutik. Penelitian dilakukan menggunakan metodologi kualitatif dengan kajian pustaka untuk merumuskan definisi dan model batik digital Indonesia, serta pendekatan perancangan desain (design action) untuk mewujudkan Animateutik bergaya maduraan. Penelitian menghasilkan rumusan definisi dan model “Batik Digital Indonesia” dan karya inovasi desain berupa Animateutik (animasi batik tulis) bergaya maduraan yang berperan strategis memperluas inovasi, sinergi interdisiplin, dan memberikan alternatif peluang pengembangan antara ranah kriya batik tulis tradisional dengan media digital.
Perancangan Sistem Closure pada Adaptive Clothing untuk Orang dengan Demensia (ODD) Tahap Moderate Putri Rizky Salsabila; Tyar Ratuannisa
Jurnal Sosioteknologi Vol. 22 No. 2 (2023): JULY 2023
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2023.22.2.3

Abstract

Adaptive clothing is one of the media to optimize the living conditions of people with dementia (PwD), which can solve the problem of undressing in social situations, is friendly for caregivers, and is suitable for the physical and psychological conditions of PwD. The method used is qualitative with a comparative approach by researching closure systems for adaptive clothing in the online market. This research produces design recommendations based on the type, development, and comparison of closure systems on adaptive clothing on the market. Adaptive clothing products are expected to stimulate or train memory, reduce anxiety, improve quality of life, and facilitate caregivers in caregiving.
PENGENALAN BENTUK GEOMETRI DASAR PADA ANAK USIA 5-6 TAHUN MELALUI BUSANA SIAP PAKAI: EDUCATION OF BASIC GEOMETRIC SHAPES IN CHILDREN AGED 5-6 YEARS THROUGH READY TO USE CLOTHES Salsabila Zahra Alfarist; Tyar Ratuannisa
Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Vol. 7 No. 1 (2024): Jurnal Seni dan Reka Rancang : Jurnal Ilmiah Magister Desain
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jsrr.v7i1.19086

Abstract

Learning for children aged 5-6 years requires concrete media so that learning can be conveyed well and students can understand learning easily. One of the problems in learning geometric mathematics is the lack of supporting media. This research aims to create design innovation by applying printing and knitting techniques as visual and sensory media in ready-to-wear clothing products for children aged 5-6 years. This research was conducted using the three-stage design process creation theory method. The research results show the potential for basic geometric shapes to be applied and utilized in ready-to-wear children's fashion products. The application of print and knitting techniques can be designed to give clothing a new style or appearance. Clothing designs using new motifs based on trial results can be a new alternative choice and be involved in the progress of sustainable children's fashion, which is followed by current popular trends.  
Generalisasi Pakaian Muslim Menjadi Modest Wear pada Tren Fashion Indonesia Tahun 2010-an: - Ratuannisa, Tyar
Practice of Fashion and Textile Education Journal Vol. 4 No. 2 (2024): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v4i2.47898

Abstract

Indonesia is a country with the largest Muslim population in the world and with a diversity of languages, culture, and religious beliefs. From time to time, fashion trends in Indonesia are associated with the process of how an appropriate idea can be accepted and internalized through the filtration of Indonesian culture. Modest wear derived from Muslim wear does not only serve as a physiological fulfilment but also a need for identity. There are two types of modest wear users. The first ones are those who use it as an identity, they do not care about trends and will continue to use them. Meanwhile, the second ones are those who choose modest wear to keep up with the trend. This phenomenon raises an idea that, for a Muslim woman, the basis of clothing using modest wear is to use the hijab/jilbab/kerudung as part of the basic clothing. However, many also use head coverings temporarily and do not last long. Thus, this commitment to modest choices becomes a mere trend at one time or, in other words, the use of hijab does not represent their identity. This study investigates the change in Indonesia regarding hijab identity diachronically and the reinterpretation of modest wear in the 2010s accompanied by the determinant factors viewed from the synchronic aspects. It was revealed that modest wear was acceptable due to the dominant factors of trend drivers that are interconnected and interdependent, namely world events, economic conditions, social change, entertainment world, technological innovation, and fashion leaders in Indonesia.
Studi Pengolahan Air Limbah Batik pada Skala Industri Rumah Tangga dan Usaha Kecil Menengah di Cirebon, Indonesia Diyah, Nazuwatussya’; Ratuannisa, Tyar; Ekawati, Estiyanti; Yulia, Elfi; Purwasasmita, Bambang Sunendar; Nugraha, Ashari Budi
Dampak Vol 20, No 1 (2023)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/dampak.20.1.8-15.2023

Abstract

Since the admission of batik as a world cultural heritage by the United Nations Educational, Scientific and Cultural Organization, the public interest in batik and the batik industry has been increasing. However, the problem arises when the development of the batik industry is not accompanied by batik wastewater treatment that fits the wastewater quality standard. Hence it causes environmental pollution, especially for the aquatic body. This paper discusses the conditions and awareness for batik wastewater treatment in the batik industry on household and small-to-medium scales in Plered District, Cirebon, Indonesia. It examines the pollutant load of batik wastewater in the area, the respondent's knowledge about wastewater processing systems, wastewater impact on the environment, and the need for education about batik wastewater treatment plants (WWTPs). The examination of wastewater samples showed that batik wastewater did not meet the waste quality standards and potentially harmed the environment. The respondents generally use synthetic dyes, and were unaware of its impact on the surrounding environment. Keyword: batik, WWTPs, batik production process, dye, wastewater impact  ABSTRAK Sejak ditetapkannya batik sebagai warisan budaya dunia oleh United Nations Educational, Scientific and Cultural Organization, minat masyarakat terhadap batik dan industri batik semakin meningkat. Namun permasalahan muncul ketika pengembangan industri batik tidak dibarengi dengan pengolahan air limbah batik yang sesuai dengan baku mutu air limbah. Oleh karena itu menyebabkan pencemaran lingkungan, terutama untuk badan air. Tulisan ini membahas tentang kondisi dan kesadaran pengolahan air limbah batik pada industri batik skala rumah tangga dan kecil-menengah di Kecamatan Plered, Cirebon, Indonesia. Kajian ini mengkaji beban polutan air limbah batik di wilayah tersebut, pengetahuan responden tentang sistem pengolahan air limbah, dampak air limbah terhadap lingkungan, dan perlunya penyuluhan tentang Instalasi Pengolahan Air Limbah (IPAL) batik. Pemeriksaan sampel air limbah menunjukkan bahwa air limbah batik tidak memenuhi baku mutu limbah dan berpotensi merusak lingkungan. Responden umumnya menggunakan pewarna sintetis, dan tidak mengetahui dampaknya terhadap lingkungan sekitar. Kata kunci: COD, elektrokoagulasi, elektroda aluminium, air limbah tahu, monopolar.      
Menghidupkan Kembali Masa Lalu: Sebuah Studi tentang Bagaimana Generasi Z Memahami dan Mengadopsi Tren Fashion Vintage Pradana, Dhanar; Ratuannisa, Tyar
Jurnal Desain Indonesia. Vol 6 No 2 (2024): Design Thinking In The Era Of Artificial Intelligence, Can humanity be replaced?
Publisher : Aliansi Desainer Produk Industri Indonesia (ADPII)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52265/jdi.v6i2.412

Abstract

This research project is primarily dedicated to comprehension of individuals' perspectives on vintage fashion styles. In the contemporary era, vintage fashion has not only emerged as a substantial trend within the fashion industry but has also captured the interest of numerous individuals who are drawn to clothing and accessories reflecting elements from bygone eras. Employing a quantitative research methodology and utilizing the semantic differential approach, the study endeavors to quantify and understand consumers' perceptions of products embodying vintage styles. Furthermore, the investigation seeks to discern the various factors that contribute to shaping individuals' perceptions of vintage fashion, including the influences of prevailing fashion trends and cultural elements.The significance of acquiring an in-depth understanding of the intricate nature of perceptions surrounding vintage fashion within the broader fashion landscape holds considerable potential for elucidating how individuals engage with the historical dimensions of fashion. Despite the scarcity of research focus on this particular phenomenon, this study is prompted by the imperative to scrutinize the factors that impact consumer interest and comprehension of fashion trends in Indonesia, employing constructed perceptions as a framework. Consequently, the research aims to address and bridge existing knowledge gaps, aspiring to provide a more profound and nuanced understanding of the role that vintage fashion plays in the Indonesian fashion industry and its consequential impact on individual perceptions. In conclusion, Generation Z exhibits a well-rounded knowledge of vintagestyle fashion, understanding distinctive characteristics like silhouettes, colors, and era-specific motifs. They possess awareness of specific years, recognize brands, and differentiate vintage fashion from new products.
Introduction of Basic Geometry Shapes for Children Aged 5-6 Years Through Fashion Ready to Wear Alfarist, Salsabila Zahra; Ratuannisa, Tyar
Moda : The Fashion Journal Vol. 6 No. 1 (2024)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v6i1.4450

Abstract

Learning for children aged 5-6 years requires concrete media so that learning can be conveyed well and students can understand learning easily. Based on the results of observations found problems in learning math geometry, namely the lack of media that supports learning geometry in the material so that students mastery of the material is still not optimal. Therefore, the focus of this research is to create design innovations by applying printing and knitting techniques as visual and sensory media on ready-to-wear clothing products for children aged 5-6 years to prevent delays in knowledge of geometric shapes before entering further education. This research was conducted using the creation theory method of “three stage design process”. The design is also meant to promote children’s fashion as part of a trend that is now rare to find. In addition, this design will produce a product that is different from other clothing products, this research produces a design concept and modification of geometric motifs applied to printing and knitting techniques using fabric materials applied to basic products of ready-made children’s clothing that has aesthetic and modern values.
The Vintage Waves: Generation Z Style Perception in Indonesia Pradana, Dhanar; Ratuannisa, Tyar
Moda : The Fashion Journal Vol. 6 No. 1 (2024)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v6i1.4502

Abstract

This research project is primarily dedicated to comprehension of individuals’ perspectives on vintage fashion styles. In the contemporary era, vintage fashion has not only emerged as a substantial trend within the fashion industry but has also captured the interest of numerous individuals who are drawn to clothing and accessories reflecting elements from bygone eras. Employing a quantitative research methodology and utilizing the semantic differential approach, the study endeavors to quantify and understand consumers’ perceptions of products embodying vintage styles. Furthermore, the investigation seeks to discern the various factors that contribute to shaping individuals’ perceptions of vintage fashion, including the influences of prevailing fashion trends and cultural elements. The significance of acquiring an in-depth understanding of the intricate nature of perceptions surrounding vintage fashion within the broader fashion landscape holds considerable potential for elucidating how individuals engage with the historical dimensions of fashion. Despite the scarcity of research focus on this particular phenomenon, this study is prompted by the imperative to scrutinize the factors that impact consumer interest and comprehension of fashion trends in Indonesia, employing constructed perceptions as a framework. Consequently, the research aims to address and bridge existing knowledge gaps, aspiring to provide a more profound and nuanced understanding of the role that vintage fashion plays in the Indonesian fashion industry and its consequential impact on individual perceptions. In conclusion, Generation Z exhibits a well-rounded knowledge of vintage- style fashion, understanding distinctive characteristics like silhouettes, colors, and era-specific motifs. They possess awareness of specific years, recognize brands, and differentiate vintage fashion from new products.