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All Journal JURNAL PENDIDIKAN TAMBUSAI Matra
Septian, Dadang Dwi
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Arts Education Social Sciences

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Marhabanan Structure Study in Cikatapis Village, Keong Village, Rangkasbitung District, Lebak, Banten Aditya, Dimas; Hadiyatno, Hadiyatno; Septian, Dadang Dwi; Rizal, Syamsul
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 2 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v2i2.20587

Abstract

Banten is a province that has arts in the same family as West Java. Bsnten people have one type of Islamic art that focuses more on sound. The Islamic art found in Banten is Marhabanan art, an Islamic art that will show the characteristics and identity of art among communities in other regions. This research uses qualitative research methods with a Case Study approach which is used to investigate and understand an event or problem that occurs by collecting various kinds of information which are then processed to get a solution so that the problem that occurs can be resolved. This research will also describe the results of the research in a narrative manner, and the data collection uses 3 stages, namely: (1) observation, (2) interview and (3) documentation. From the results of the study it can be concluded that Marhabanan has important structures contained in it, namely: (1) Outer Structure and (2) Inner Structure, as well as knowing the functions in reading Marhabanan. in this case, the Marhabanan art in Banten can be categorized as one type of Islamic art and performing arts owned by the people of Banten and makes it a distinctive Islamic art owned by the people of Banten.
Proses Kreativitas dan Interaksi Sosial Musik Metal pada Band Suropati di Kabupaten Serang Herdiana, Herdiana; Rizal, Syamsul; Septian, Dadang Dwi
Jurnal Pendidikan Tambusai Vol. 9 No. 3 (2025): Desember
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Penelitian ini menganalisis tentang bagaimana proses kreativitas dan interaksi sosial band suropati dalam karya musik dan interaksi social internal maupun eksternalnya. Metode yang digunakan adalah kualitatif dengan pendekatan etik emik. Data dikumpulkan melalui observasi, wawancara, serta dokumentasi dengan personil band suropati. Analisis menggunakan teori proses kreatif Graham Wallas dalam metode 4 tahap yaitu persiapan, inkubasi, illuminasi, dan verifikasi untuk memahami proses kreatif dalam menciptakan karya dan teori interaksi sosial sarwono dan meinarno dalam kerangkak bentuk interaksi social yaitu kerjasama, persaingan, konflik dan akomodasi untuk memahami interaksi social di internal maupun eksternal. Hasil peneltian menunjukan bahwa proses kreatif dan interaksi social band suropati terbentuk melalui perpaduan antara pemikiran intelektual, eksplorasi artistik, pengalaman pribadi, serta interaksi sosial yang saling mendukung.
Co-Authors Aditya, Dimas Hadiyatno Hadiyatno, Hadiyatno Herdiana, Herdiana Syamsul Rizal