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Visual ethnography of the Aneuk Jamee bridal chamber as an effort to preserve cultural products in Tapak Tuan, Aceh Province Lindawati, Lindawati; Bakhir , Norfarizah Mohd; Ismawan, Ismawan; Ramdiana , Ramdiana
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5504

This article investigates the bridal chamber aisle of the Aneuk Jamee tribe in Tapaktuan District which is rarely used by the community. This aisle is one of the visual cultural products that need to be preserved. The research uses a visual ethnography approach. Visual ethnography provides a new way of revealing, describing, and analyzing cultural products and human experiences. Data were obtained through interviews, observation, and documentation. Data analysis was carried out by visual ethnography analysis. The results of the study found that, bridal room aisles are rarely used by the Aneuk Jamee tribe due to the times where many aisle businesses offer more modern bridal room decorations and the lack of government role in maintaining the use of bridal room aisles. The visual form of the bridal room aisle has its own characteristics and meaning. With this article, it is hoped that people can find out the parts and meanings contained in the bridal aisle of the Aneuk Jamee tribe. These meanings become the basis for contemplating actions to maintain the continuity of tradition in the face of growing innovation.

The meaning of the dulang dance movement as a traditional dance in traditional ceremonies in Langkat Regency, North Sumatra, Indonesia Fitri, Aida; Basri, Novysa; Ramdiana , Ramdiana; Aiman, Umul; Saputra , Rudy Juli; Hidayani, Novita; Rahmad , Rizki; Wahyudi , Wahyudi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6581

The purpose of this study is to explore the meaning of the Dulang Dance. In this study, the method chosen is a qualitative descriptive method. The data collection process was carried out through observation, conversation, and document recording, aiming to explore the significance of the implied meaning in the Dulang Dance movements. This qualitative research is able to provide insight into the meaning contained in the Dulang Dance in Langkat. The findings of the study revealed that in the sembah movement when greeting the host of the event, each movement has its own symbolic value. Such as the contour of the sembah movement following the direction of the wind, and the low horse stance position that represents stability. In addition, the sitting position is similar to the tahyad prayer, but with the legs more open and not overlapping, expressing deep respect. The gentle movements in the martial art of silat, still contain strength and spirit, while the steps on the plate and the jumps onto the dulang have deep philosophical meanings. All of this symbolizes an expression of gratitude to the Creator, respect for respected individuals, as well as the values of simplicity, humility, and respect for religion. The implication of the greeting to the steps on the stage, Dulang Dance expresses gratitude to Allah SWT while respecting the King or leader. For the future, the young generation can preserve the meaning of Dulang Dance.

Visual ethnography of the Aneuk Jamee bridal chamber as an effort to preserve cultural products in Tapak Tuan, Aceh Province Lindawati, Lindawati; Bakhir , Norfarizah Mohd; Ismawan, Ismawan; Ramdiana , Ramdiana
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5504

This article investigates the bridal chamber aisle of the Aneuk Jamee tribe in Tapaktuan District which is rarely used by the community. This aisle is one of the visual cultural products that need to be preserved. The research uses a visual ethnography approach. Visual ethnography provides a new way of revealing, describing, and analyzing cultural products and human experiences. Data were obtained through interviews, observation, and documentation. Data analysis was carried out by visual ethnography analysis. The results of the study found that, bridal room aisles are rarely used by the Aneuk Jamee tribe due to the times where many aisle businesses offer more modern bridal room decorations and the lack of government role in maintaining the use of bridal room aisles. The visual form of the bridal room aisle has its own characteristics and meaning. With this article, it is hoped that people can find out the parts and meanings contained in the bridal aisle of the Aneuk Jamee tribe. These meanings become the basis for contemplating actions to maintain the continuity of tradition in the face of growing innovation.

The meaning of the dulang dance movement as a traditional dance in traditional ceremonies in Langkat Regency, North Sumatra, Indonesia Fitri, Aida; Basri, Novysa; Ramdiana , Ramdiana; Aiman, Umul; Saputra , Rudy Juli; Hidayani, Novita; Rahmad , Rizki; Wahyudi , Wahyudi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6581

The purpose of this study is to explore the meaning of the Dulang Dance. In this study, the method chosen is a qualitative descriptive method. The data collection process was carried out through observation, conversation, and document recording, aiming to explore the significance of the implied meaning in the Dulang Dance movements. This qualitative research is able to provide insight into the meaning contained in the Dulang Dance in Langkat. The findings of the study revealed that in the sembah movement when greeting the host of the event, each movement has its own symbolic value. Such as the contour of the sembah movement following the direction of the wind, and the low horse stance position that represents stability. In addition, the sitting position is similar to the tahyad prayer, but with the legs more open and not overlapping, expressing deep respect. The gentle movements in the martial art of silat, still contain strength and spirit, while the steps on the plate and the jumps onto the dulang have deep philosophical meanings. All of this symbolizes an expression of gratitude to the Creator, respect for respected individuals, as well as the values of simplicity, humility, and respect for religion. The implication of the greeting to the steps on the stage, Dulang Dance expresses gratitude to Allah SWT while respecting the King or leader. For the future, the young generation can preserve the meaning of Dulang Dance.

Mythology as the guardian of the authenticity of the angkola tor-tor dance in traditional wedding ceremonies in the modern era Ramdiana , Ramdiana; Basri, Novysa; Hartati , Tengku; Dalimunte, Raihana Salsabila
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 20 No. 2 (2025)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v20i2.7811

This study explores the role of mythology in maintaining the authenticity of the Angkola Tor-Tor Dance in contemporary wedding traditions. By examining the phenomena of cultural commodification, simplification of movements, and the use of digital media that can obscure the meaning of rituals, this study explores how mythological narratives, ancestral symbols, and ceremonial structures serve as normative references and sources of legitimacy for these practices. This study applies a qualitative methodology using cultural mythology and ethnochoreology. The methods used include literature review, participant observation in several Angkola wedding ceremonies, and in-depth interviews with traditional leaders and artists. The research findings reveal that mythology, particularly the story of the origins of the Angkola Tor-Tor, the relationship between humans and ancestral spirits, and the value of respect for the clan, serves as a framework of meaning that maintains consistency between form (movement, costume, formation) and function (prayer, respect, social cohesion). In the context of modernization, innovation is still permitted as long as it does not violate the main mythological principles: the order of presentation, the ethics of family interactions, and the symbolic meaning of attributes. Performance curation provides an understanding of the ritual context, and the use of digital media to document accurate interpretations. The implications of this research emphasize that the power of mythology is not only about the romanticism of the past, but also a flexible cultural capital to negotiate the identity, customary authority, and aesthetic sustainability of Tor-tor Angkola in the current cultural context.

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