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All Journal Journal of Aesthetics, Creativity and Art Management Jurnal Igel: Journal of Dance
Swarsana, I Putu
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Arts Humanities

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Karya Tari Sky Maps Swarsana, I Putu; Suandewi, Gusti Ayu Ketut; Kasih, Ni Nyoman
Jurnal IGEL : Journal Of Dance Vol 4 No 2 (2024): Jurnal IGEL Vol 4 No 2 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i2.3170

Abstract

Sky Maps is a contemporary dance work inspired by constellations. A constellation is a collection of stars connected into a pattern in the sky. In addition to predicting luck, the uses of constellations include, among others, as a sign for planting time, and also used as navigation or directions for fishermen at sea. Constellations can also be used to determine the cardinal directions in each direction east, south, west, north have their own constellations. The constellations consist of the Scorpio constellation, the Kite constellation, the hunter constellation, and the thunder constellation. This work focuses on the shape of each constellation transformed into dance movements according to the imagination of the stylist with his creativity. The process of creating Sky Maps uses the method of Alma M. Hawkins in her book Creating Through Dance translated by Y. Sumandiyo Hadi into the book Creating Through Dance, which mentions three important stages in the formation of dance works, namely, the exploration stage, the experimental stage (improvisation), and the forming stage. The Sky Maps dance work is danced by eight male dancers who are packaged into a contemporary dance form with a duration of approximately 14 minutes. The Sky Maps dance work uses MIDI (Musical Instrument Digital Interface) music in which there are several electronic music instruments to support the atmosphere in this dance work. This work uses fantasy makeup with clothing that uses a white jumpsuit (strait full body) with a combination of navy blue and uses reflective strips (scothlite) which are arranged in such a way in one dancer's outfit. The effect of the reflector strip (scothlite) itself reflects light when illuminated and will emit light when in the dark. Besides having a uniqueness that lies in the idea and concept, another uniqueness also lies in the movement called Nyiku Lintang.
Karya Tari Sky Maps Swarsana, I Putu; Suandewi, Gusti Ayu Ketut; Kasih, Ni Nyoman
Jurnal IGEL : Journal Of Dance Vol 4 No 2 (2024): Jurnal IGEL Vol 4 No 2 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i2.3170

Abstract

Sky Maps is a contemporary dance work inspired by constellations. A constellation is a collection of stars connected into a pattern in the sky. In addition to predicting luck, the uses of constellations include, among others, as a sign for planting time, and also used as navigation or directions for fishermen at sea. Constellations can also be used to determine the cardinal directions in each direction east, south, west, north have their own constellations. The constellations consist of the Scorpio constellation, the Kite constellation, the hunter constellation, and the thunder constellation. This work focuses on the shape of each constellation transformed into dance movements according to the imagination of the stylist with his creativity. The process of creating Sky Maps uses the method of Alma M. Hawkins in her book Creating Through Dance translated by Y. Sumandiyo Hadi into the book Creating Through Dance, which mentions three important stages in the formation of dance works, namely, the exploration stage, the experimental stage (improvisation), and the forming stage. The Sky Maps dance work is danced by eight male dancers who are packaged into a contemporary dance form with a duration of approximately 14 minutes. The Sky Maps dance work uses MIDI (Musical Instrument Digital Interface) music in which there are several electronic music instruments to support the atmosphere in this dance work. This work uses fantasy makeup with clothing that uses a white jumpsuit (strait full body) with a combination of navy blue and uses reflective strips (scothlite) which are arranged in such a way in one dancer's outfit. The effect of the reflector strip (scothlite) itself reflects light when illuminated and will emit light when in the dark. Besides having a uniqueness that lies in the idea and concept, another uniqueness also lies in the movement called Nyiku Lintang.
The Phenomenon of Baris Pendet Dance at Dalem Tanjung Sari Temple, Tanjung Bungkak Traditional Village, Denpasar City, Bali Sariada, I Ketut; Swarsana, I Putu; Sulistyani, Sulistyani; Yulianti, Ni Ketut Dewi; Santika, Sang Nyoman Gede Adhi
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6086

Abstract

This research aims to obtain a holistic understanding of Baris Pendet Dance in Tanjung Sari Temple, Tanjung Bungkak Traditional Village, Denpasar City, Bali Province. This research was conducted by analyzing aspects of dance form, function, and philosophical meaning of Baris Pendet Dance. This research uses a qualitative research model with a descriptive approach. Data collection using observation techniques, interviews, literature studies and documentation studies. Several theories such as Aesthetic Theory, Structural Functionalism Theory, and Semiotics Theory are used to analyze data about the form, function and meaning of dance. The results showed that Baris Pendet dance in Pura Dalem Tanjung Sari is a group dance consisting of eight boys who have not yet entered puberty. The function of this Baris Pendet dance is the function of ritual, spectacle, and cultural preservation. Denotatively, this dance symbolizes respect for the value of spirituality in periodic rituals at Tanjung Sari Temple. While connotatively, this dance symbolizes the welcoming of humanity to the descent of the gods during the ceremony held at Tanjung Sari Temple.
Co-Authors Gst.Ayu Ketut Suandewi I Ketut Sariada, I Ketut Ni Nyoman Kasih Santika, Sang Nyoman Gede Adhi Sulistyani Sulistyani