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Bentuk dan Fungsi Tari Telek Melampahan di Nusa Lembongan Ni Nyoman Kasih; Luh Risa Melliani; Dyah Kustiyanti
Journal on Education Vol 5 No 3 (2023): Journal on Education: Volume 5 Nomor 3 Tahun 2023
Publisher : Departement of Mathematics Education

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Telek Melampahan Dance is one of the sacred dances originating from Lembongan Village. This dance was created by Alm. I Wayan Rawit because of a pawesik from relatives in Nusa Lembongan. This dance is danced every 6 months during Kuningan Day. This research that focuses on the Telek Melampahan Dance in Lembongan Village has 2 problems with the main study, namely (1) How does the Telek Melampahan Dance form in Nusa Lembongan, (2) How does the Telek Melampahan Dance function in Nusa Lembongan. The theory used to dissect the two problems is the aesthetic theory by Djelantik and the functional theory by Soedarsono and Sumandiyo Hadi. This research is a qualitative descriptive study in terms of performing arts studies using interview data collection techniques, observation, documentation and literature study. The results of this study indicate that this dance is different from the Telek Dance in general. The Telek Melampahan Dance is inspired by the Telek Jumpai Dance in Klungkung. The performance takes the story from the Lontar Nandha tattwa with an even number of Telek dancers, 2 jauk dancers and 5 dancers of Pura Dalem figures (Barong, Rarung, Baka, and Sang Hyang Baerawi). Judging from the variety of movements and clothing used, it is still very simple. The place where it is performed is also different from the Telek Dance in general which is danced in temples, but this dance is danced at Catus Pata in Lembongan Village. This dance was created with a function as a ritual means of repelling reinforcements. Before this dance is performed, stakeholders will offer offerings in the form of segehan, pejati and pemmbleh at Catus Pata, Lembongan Village. In addition, this dance can also be said as a means of communication to build solidarity for the people of Lembongan Village.

Strategi Pembelajaran Gerak Dasar Tari Bali Untuk Anak-Anak di Sanggar Tari Warini Komang Ojas Govardhana; Ni Made Ruastiti; Ni Nyoman Kasih
Jurnal IGEL : Journal Of Dance Vol 2 No 2 (2022): Terbitan Kedua Bulan November tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v2i2.1885

Tujuan Penelitian ini dilakukan adalah untuk dapat memahami dan menjelaskan Strategi Pembelajaran Gerak Dasar Tari Bali untuk Anak-anak di Sanggar Tari Warini. Penelitian ini dilakukan karena dilatari oleh seringnya Sanggar Tari Warini menyabet juara dalam lomba-lomba tari Bali, padahal di Bali banyak terdapat kursus-kursus tari serupa yang tersebar di Bali. Pertanyaannya adalah: (1) bagaimanakah strategi pembelajaran gerak dasar tari Bali yang dilakukan di Sanggar Tari Warini sehingga anak didiknya terus mendapatkan juara?; (2) metode apa yang digunakan oleh Ibu Arini?; (3) apa dampak dari proses pembelajaran gerak dasar tari Bali bagi anak-anak yang bersangkutan. Penelitian ini dilakukan dengan menggunakan metode kualitatif dan kuantitatif. Metode Kualitatif digunakan untuk mengkaji strategi pembelajaran. Dampaknya dikaji dengan menggunakan metode kuantitatif. Hasil penelitian menunjukan bahwa: (1) Sanggar Tari Warini suskes mendidik anak-anaknya menjadi penari andal karena sanggar tersebut menggunakan strategi pembelajaran pedagogi, heutagogi dan imitasi; (2) Untuk menghasilkan lulusan yang handal, Sanggar Tari Warini mengimplementasikan gerak-gerak dasar tari Bali dengan menggunakan tahapan pembelajaran Gerak Dasar Tari Bali I, Gerak Dasar Tari Bali II dan Gerak Dasar Tari Bali Putra; (3) penerapan Gerak Dasar Tari Bali yang dilakukan secara bertahap tersebut berdampak pada mantapnya penguasaan gerak dasar tari Bali dan tingginya rasa percaya diri anak-anak yang belajar di Sanggar Tari Warini untuk menari. Kata Kunci :Strategi, Pembelajaran, Gerak Dasar Tari Bali, Anak-Anak, Sanggar Tari Warini

Tari Lila Mahayu Ni Wayan Mirah Mayra Mentari; A.A Ayu Mayun Artati; Ni Nyoman Kasih
Jurnal IGEL : Journal Of Dance Vol 3 No 2 (2023)
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

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Abstrak Karya tari Lila Mahayu merupakan garapan tari baru yang terinspirasi dari tradisi yang berada di Desa Bantiran yaitu Rejang Ayunan. Dalam garapan ini tradisi Rejang Ayunan dikaitkan dengan proses kehidupan manusia dalam suatu pencapaian sehingga mencapai suatu kegembiraan. Kata Lila berasal dari bahasa Bali yang berarti senang sedangkan Mahayu berasal dari bahasa jawa kuno yang berarti gembira. Karya ini memiliki tema kegembiraan sesuai dengan makna dari rejang ayunan. Tari Lila Mahayu berbentuk tari kelompok dengan enam orang penari putri. Dalam penciptaan tari Lila Mahayu,metode yang digunakan adalah metode Anggripta Sesolahan. Karya tari Lila Mahayu berdurasi 10 menit dengan iringan tari Gong kebyar. adapun strukturnya terdiri dari Pepeson, Pengawak, Pengecet, Pekaad. Estetika dalam karya tari Lila Mahayu mengacu pada teori Estetika oleh A.A.M. Djelantik. Nilai yang terkandung dalam garapan tari Lila Mahayu adalah nilai perjuangan. Kata kunci : Lila Mahayu, Rejang Ayunan, perjuangan

Karya Tari Same Plin I Wayan Tisna Dana; I Kt Suteja; Ni Nyoman Kasih
Jurnal IGEL : Journal Of Dance Vol 3 No 2 (2023)
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

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Abstrak Charlie Chaplin adalah seorang tokoh dunia yang inspiratif dikenal sebagai pemain film, sutradara, dan komposer pada tahun 1889-1977. Dalam film-film yang diciptakan dan diperankan Chaplin, selalu menampilkan kelucuan, kebahagiaan, dan kekonyolan. Walaupun dikenal dengan karakter yang demikian, ternyata Chaplin mengalami keterpurukan dalam hidupnya, sejak Ia kecil hingga dewasa. Melalui fenomena tersebut, pencipta tertarik untuk menciptakan karya tari yang berjudul Same Plin. Proses penciptaan karya tari Same Plin menggunakan metode Bergerak Menurut Kata Hati Metoda Baru dalam Mencipta Tari oleh I Wayan Dibia. Metode Penciptaan tersebut didalamnya meliputi lima tahapan penting, yaitu merasakan, menghayati, mengkhayalkan, mengejawantahkan, dan memberi bentuk, serta menggunakan teori imaji dan imajinasi oleh Tedjoworo. Karya tari Same Plin adalah karya tari yang mengisahkan kebahagiaan dan kelucuan Charlie Chaplin di depan orang banyak atau di atas panggung, namun sebenarnya memiliki kehidupan yang sulit dan terpuruk. Karya ini bertemakan kehidupan sosial yang ditarikan oleh 8 (delapan) orang penari dengan menggunakan iringan musical instrument digital interface (MIDI) yang berisikan instrument dari plugin orkestra. Kata kunci: same plin, kebahagiaan, keterpurukan, kontemporer

Karya Tari Sky Maps Swarsana, I Putu; Suandewi, Gusti Ayu Ketut; Kasih, Ni Nyoman
Jurnal IGEL : Journal Of Dance Vol 4 No 2 (2024): Jurnal IGEL Vol 4 No 2 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i2.3170

Sky Maps is a contemporary dance work inspired by constellations. A constellation is a collection of stars connected into a pattern in the sky. In addition to predicting luck, the uses of constellations include, among others, as a sign for planting time, and also used as navigation or directions for fishermen at sea. Constellations can also be used to determine the cardinal directions in each direction east, south, west, north have their own constellations. The constellations consist of the Scorpio constellation, the Kite constellation, the hunter constellation, and the thunder constellation. This work focuses on the shape of each constellation transformed into dance movements according to the imagination of the stylist with his creativity. The process of creating Sky Maps uses the method of Alma M. Hawkins in her book Creating Through Dance translated by Y. Sumandiyo Hadi into the book Creating Through Dance, which mentions three important stages in the formation of dance works, namely, the exploration stage, the experimental stage (improvisation), and the forming stage. The Sky Maps dance work is danced by eight male dancers who are packaged into a contemporary dance form with a duration of approximately 14 minutes. The Sky Maps dance work uses MIDI (Musical Instrument Digital Interface) music in which there are several electronic music instruments to support the atmosphere in this dance work. This work uses fantasy makeup with clothing that uses a white jumpsuit (strait full body) with a combination of navy blue and uses reflective strips (scothlite) which are arranged in such a way in one dancer's outfit. The effect of the reflector strip (scothlite) itself reflects light when illuminated and will emit light when in the dark. Besides having a uniqueness that lies in the idea and concept, another uniqueness also lies in the movement called Nyiku Lintang.

Tari RESULT Pratama, I Putu Oka Surya; Kasih, Ni Nyoman; Saputra, I Putu Bagus Bang Sada Graha
Jurnal IGEL : Journal Of Dance Vol 4 No 1 (2024): Jurnal IGEL Vol 4 No 1 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i1.4202

Result is a contemporary dance work whose idea comes from dice. The creator has an interest in the form of a number game and the clash of dice which results in an uncertain number value, and is poured into the dance work Result. In the method of creating this dance work, the creator found a gambling game method that was applied spontaneously by both dancers and musicians with dice media, the creator wanted to visualize it in a dance work to try or experiment on dice media. Do not forget that the creators also used Jacqueline Smith's dance creation method, called the construction method. The construction method consists of five stages, namely I to V, each of which has a stage in the process of creating a dance work.

Karya Tari Sky Maps Swarsana, I Putu; Suandewi, Gusti Ayu Ketut; Kasih, Ni Nyoman
Jurnal IGEL : Journal Of Dance Vol 4 No 2 (2024): Jurnal IGEL Vol 4 No 2 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i2.3170

Sky Maps is a contemporary dance work inspired by constellations. A constellation is a collection of stars connected into a pattern in the sky. In addition to predicting luck, the uses of constellations include, among others, as a sign for planting time, and also used as navigation or directions for fishermen at sea. Constellations can also be used to determine the cardinal directions in each direction east, south, west, north have their own constellations. The constellations consist of the Scorpio constellation, the Kite constellation, the hunter constellation, and the thunder constellation. This work focuses on the shape of each constellation transformed into dance movements according to the imagination of the stylist with his creativity. The process of creating Sky Maps uses the method of Alma M. Hawkins in her book Creating Through Dance translated by Y. Sumandiyo Hadi into the book Creating Through Dance, which mentions three important stages in the formation of dance works, namely, the exploration stage, the experimental stage (improvisation), and the forming stage. The Sky Maps dance work is danced by eight male dancers who are packaged into a contemporary dance form with a duration of approximately 14 minutes. The Sky Maps dance work uses MIDI (Musical Instrument Digital Interface) music in which there are several electronic music instruments to support the atmosphere in this dance work. This work uses fantasy makeup with clothing that uses a white jumpsuit (strait full body) with a combination of navy blue and uses reflective strips (scothlite) which are arranged in such a way in one dancer's outfit. The effect of the reflector strip (scothlite) itself reflects light when illuminated and will emit light when in the dark. Besides having a uniqueness that lies in the idea and concept, another uniqueness also lies in the movement called Nyiku Lintang.

Aesthetic interpretation of waruna symbolism in the colossal dance performance waruna rakta samasta Kasih, Ni Nyoman; Yulianti, Ni Ketut Dewi
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1847

This research departs from the lack of scholarly exploration into how mythological figures like Waruna can function as aesthetic sources in contemporary Balinese performing arts. Waruna, known in Hindu-Balinese mythology as the god of water and the ocean, symbolizes cosmic harmony between nature and human life. This study aims to analyze how Waruna’s symbolism contributes to the aesthetic construction of the colossal dance performance Waruna Rakta Samasta, particularly in terms of form, meaning, and presentation. Employing a qualitative method, the research integrates Djelantik’s aesthetic theory focused on form, weight, and appearance, and a hermeneutic approach to interpret symbolic meaning. Data were collected through direct observation of the performance and literature studies. Findings reveal that Waruna's symbolism is not only embodied in visual elements like the Borobudur outrigger boat, lighting, and video mapping, but also in movement and music, producing an immersive maritime experience. The aesthetic is enriched with spiritual and philosophical messages that align with the Balinese Tri Hita Karana values. This study contributes to the development of colossal performing arts in Bali by offering a contemporary reinterpretation of traditional symbols and providing a model for integrating mythological aesthetics into modern performance practice.

Penuangan Isu Bipolar Disorder dalam Karya Tari In Between Annisa Shafa Dhiyaliza; Ni Nyoman Kasih; Anak Agung Ketut Oka Adnyana
Jurnal IGEL : Journal Of Dance Vol 5 No 1 (2025): Jurnal IGEL Vol 5 No 1 2025
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v5i1.5657

This written work discusses the creation of a choreography titled "In Between," inspired by the experiences ofindividuals with bipolar disorder, explored through emotional duality and social interactions. Emerging from the searchfor balance amidst surging emotions, this piece also delves into the relationship between social norms and emotions, aswell as the personal reflection of the choreographer on this phenomenon. The performance is designed as a site-specificwork at the Grand Room of ISI Denpasar, utilizing visual elements such as curtains as symbols of the boundarybetween two opposing norms. Furthermore, the movement concept is based on the exploration of dance inspired byeveryday life, accompanied by playback music. Collaboration with the Mulawali Institute partner facilitated theresearch and creation process, resulting in a piece that offers reflective space and addresses the issues and complexitiesof and awareness of mental health.Keywords: Bipolar Disorder, Mental Health, Emotional Duality, Social Norms.

PENGARUH MODAL, TENAGA KERJA DAN LAMA USAHA TERHADAP PENDAPATAN USAHA WARUNG SEMBAKO DI KECAMATAN PENEBEL KABUPATEN TABANAN Ida Ayu Sintha Agustina; I Nyoman Widhya Astawa; Ni Nyoman Kasih
Jurnal Ilmiah Satyagraha Vol. 6 No. 1 (2023): Jurnal Ilmiah Satyagraha
Publisher : Universitas Mahendradatta

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Limited job opportunities make people innovate to open their own businessopportunities to meet their daily needs and other needs. Trading/opening a shopis one of the business opportunities that can be undertaken in order to be able tomeet all needs, as is the case with groceries traders/stalls in Penebel District,Tabanan Regency. The purpose of this research is to find out how the influence ofcapital, labor, and length of business either partially or simultaneously on theincome of the Grocery Warung Business in Penebel District, Tabanan Regency.Based on the results of SPSS calculations, the results of capital, labor, and lengthof business have a partial and simultaneous positive and significant effect onRevenue from Grocery Stalls in Penebel District, Tabanan Regency Based on the conclusions from the research results, it can be suggested that theGrocery Warung Business can increase capital by utilizing financial institutions,increase knowledge about consumer tastes and behavior and continue tomaximize labor.

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