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Women’s Language of Male Characters in Elemental Movie Astari, Tjokorda Istri Agung Dyah; Aryawibawa, I Nyoman; Putra, Galuh Febri
Management Studies and Entrepreneurship Journal (MSEJ) Vol. 5 No. 2 (2024): Management Studies and Entrepreneurship Journal (MSEJ)
Publisher : Yayasan Pendidikan Riset dan Pengembangan Intelektual (YRPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37385/msej.v5i2.5694

Abstract

This undergraduate thesis is entitled "Women's Language of Male Characters in Elemental Movie". The study examines the features and functions of women's language used in the Elemental movie, which features a male lead character. The research is based on the framework proposed by Lakoff (2004) for understanding women's language features and the language function framework developed by Pearson (1985). The primary data for this study was collected through documentation and the note-taking method was used to analyze the data. Informal methods were used to present the analysis of the data, providing information on the frequency of women's language features used by male characters. This study is expected to contribute to the understanding of how women's language is used by male characters in movies, specifically in Elemental, and how it can be analyzed using different frameworks and methodologies. The result of this study found that there were four functions of women's language features used in this movie. In this thesis, the data from the Elemental movie has been analyzed to identify the features and functions of women's language. There are seven features found in the data including lexical hedges or fillers, empty adjectives, intensifiers, hypercorrect grammar, super polite forms of language, avoiding strong swear words, and emphatic stress. The characters in the movie use these features. The functions of these features are to express uncertainty, start a discussion, express feelings, and soften an utterance.
Hibriditas Makanan Tradisional Masyarakat Solo sebagai Identitas Pascakolonial Putra, Galuh Febri; Darmawan, Diaz Restu
Balale' : Jurnal Antropologi Vol 6, No 1 (2025): Mei 2025
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/balale.v6i1.92915

Abstract

Artikel ini membahas tentang budaya gastronomi tradisional di Indonesia, khususnya di kota Solo, sebagai refleksi dari identitas pascakolonial yang kompleks. Gastronomi di Indonesia tidak hanya mencakup makanan, tetapi juga sistem pengetahuan yang mencerminkan sejarah dan kearifan lokal. Pengaruh kolonialisme, terutama dari Belanda, telah membentuk cara masyarakat Solo dalam mengolah dan menyajikan makanan, menciptakan hidangan-hidangan yang menunjukkan hibriditas antara tradisi lokal dan pengaruh asing. Melalui pendekatan deskriptif kualitatif, artikel ini ingin mengeksplorasi bagaimana kuliner-kuliner yang ada di Solo berfungsi sebagai alat perlawanan terhadap kolonialisme dan sebagai ekspresi identitas budaya. Hidangan seperti Selat Solo dan Tengkleng mencerminkan adaptasi dan inovasi kuliner yang muncul dari kondisi sosial dan ekonomi yang sulit. Selain itu, artikel ini juga ingin menyoroti pentingnya kuliner sebagai simbol ketahanan budaya dan alat pemberdayaan ekonomi di era pascakolonial. Dengan melestarikan makanan tradisional, masyarakat Solo tidak hanya melestarikan warisan budaya mereka tetapi juga membangun masa depan yang lebih inklusif dan berkelanjutan.