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History of Family: Denpasar’s 1950s generation in Cultural Transition Wijaya, Nyoman; Lestari, Sri; Tuan, Nguyen Thanh
Paramita: Historical Studies Journal Vol 34, No 2 (2024): Disaster and Disease in History
Publisher : History Department, Semarang State University and Historian Society of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/paramita.v34i2.44865

Abstract

Abstract: This study aims to find and discover the conditions that allow the 1950s generation in Pemecutan Kaja Village, North Denpasar District, Denpasar City, Bali-Indonesia, not to be involved in the tourism business sector, either in the middle or upper class. Newcomers mostly control the sector. Even though their place of residence is only 6 to 12 kilometers from the Sanur and Kuta tourist attractions. Why can this phenomenon happen? This question will be answered using a combination of family history and memory history methodology, while the data excavation (heuristic) stage uses Bourdieu's concepts of generative structural theory. The research results show that the defeat of local residents in the tourism business can be found in the factor of family management in carrying out their obligations as members of the Banjar. Many parents force or are forced to assign their sons to represent the family in carrying out customary obligations, so they must always stay home and work not far from home. Rarely are there those who dare to look for work in Sanur and Kuta, which are the main tourist destinations in Bali. Therefore, they do not have the basics of the tourism business. The unstoppable negative excesses of modernization have further narrowed the business opportunities in the tourism sector. This mental condition is influenced by their habitus, which is formed from the practice of fear and obedience to parents and the strong domination of the banjar. Abstrak: Studi ini bertujuan untuk mencari dan menemukan kondisi-kondisi yang memungkinkan generasi tahun 1950-an di Desa Pemecutan Kaja, Kecamatan Denpasar Utara,  Kota Denpasar Bali-Indonesia  tidak terlibat di sektor bisnis pariwisata, baik di kelas menengah maupun  atas.  Sektor tersebut kebanyakan dikuasai oleh para pendatang. Padahal tempat tinggal mereka berjarak hanya 6 hingga 12 kilometer dari objek wisata Sanur dan Kuta. Mengapa fenomena tersebut bisa terjadi? Persoalan itu akan dijawab dengan memakai perpaduan metodologi sejarah keluarga dan sejarah memori, sedangkan tahap penggalian data (heuristik) menggunakan konsep-konsep  teori strukrural generatif Bourdieu. Hasil penelitian menunjukkan kekalahan penduduk lokal dalam bisnis kepariwisataan dapat dicari pada faktor manajemen keluarga dalam menjalani kewajiban sebagai anggota banjar.  Banyak orang orang tua yang memaksa atau terpaksa menugaskan anak laki-lakinya mewakili keluarga dalam melaksanakan kewajiban adat, sehingga mereka harus selalu tinggal di rumah dan bekerja pun tidak jauh-jauh dari rumah. Jarang ada yang sampai berani mencari pekerjaaan ke Sanur dan Kuta, yang merupakan destinasi wisata utama di bali. Oleh karena itu mereka tidak memiliki dasar-dasar bisnis pariwisata. Ekses negatif modernisasi yang tidak terbendung semakin mempersempit peluang berbisnis di sektor pariwisata. Kondisi kejiwaan itu dipengaruhi oleh habitusnya yang terbentuk dari praktik rasa takut dan kepatuhan kepada orang tua dan dominasi banjar yang begitu kuat.
Voicing heartbreak: The sociopragmatics of ‘Cidra’ and Javanese masculinity in Didi Kempot’s lyrics Iswatinginsih, Daroe; Tuan, Nguyen Thanh; Diana, Purwati Zisca; Rahmawati, Ida Yeni; Firmansyah, Ridho Covinda Wahyu
BAHASTRA Vol. 45 No. 2 (2025): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v45i2.1604

Abstract

This study investigates the representation of cidra (heartbreak or betrayal of promise) and the construction of Javanese masculinity in Didi Kempot’s song lyrics through a sociopragmatic approach. Drawing on seven songs from four albums, the analysis proceeds in three steps: (1) segmenting the lyrics into expressive speech acts, (2) interpreting them through affective cultural scripts, and (3) situating the findings within masculinity discourses. The results reveal a tripartite model of male emotionality: (1) loyalty and patience that affirm Javanese cultural values, (2) emotional fragility expressed through crying and complaint, which challenges the script of stoic masculinity, and (3) resignation (lilo) as a culturally sanctioned coping mechanism. These dimensions converge into the concept of hybrid masculinity, which reconciles normative ideals with emotional expressions previously deemed inappropriate for Javanese men. Theoretically, this study contributes a sociopragmatic framework for analyzing emotional speech acts in non-Western contexts and positions popular music not only as a reflection but also as a site for reshaping gender norms. Practically, it demonstrates how Didi Kempot’s songs function as a form of collective cultural therapy, offering insights for culturally sensitive approaches to men’s mental health.