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All Journal RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia
Antika Utami Putri
Universitas Muhammadiyah Bone
Languange, Linguistic, Communication & Media

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SYMBOLIC MEANING IN THE MOVIE DUA GARIS BIRU THE WORK OF GINATRI S. NOER AND THE INTERNALIZATION OF SEX EDUCATION Andi Tenri Sua; Daud Rodi Palimbong; Andi Nurhabibi Marwil; Antika Utami Putri; Elihami Elihami
RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 17, No 2 (2024)
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/retorika.v17i2.55954

Abstract

The research aims to find out the symbolic meaning of the film Dua Garis Biru by Ginatri S. Noer, the impact of early marriage and how to internalize sex education in the younger generation. This research uses a qualitative descriptive research design using Roland Barthes's Semiotic Analysis Method with connotation and denotation meanings. The subject of this study is the film Dua Garis Biru, with the object of the research is the symbolic meaning that is found in the film Dua Garis Biru Ginatri S.Noer's work (Bara and Bima) as the internalization of Sex Education in the younger generation. Data is collected through, observations, documentation and interviews using Rolland Barthes' semiotic analysis that emphasizes the observation of phenomena and requires strong instincts. Data analysis phases include data reduction, data presentation, and conclusion. As  for the scientific implications that can be concluded through this research that the film. The film Dua Garis Biru portrays the consequences faced by two young individuals after engaging in sexual intercourse, significantly impacting their lives. It underscores the critical role of parents in their children's lives, particularly in communicating sexual information. The findings suggest that films with relevant content can effectively address and promote an understanding of sexual health issues among young audiences. This study contributes to the understanding of sex education in movies, illustrating how cinematic narratives can serve as educational tools for sexual health.
PELANGGARAN MAKSIM KERJA SAMA DALAM FILM MIRACLE IN CELL NO. 7 VERSI INDONESIA KARYA HANUNG BRAMANTYO Andi Tenri Sua; Andi Paradilla Astifa; Suhardiman Suhardiman; Antika Utami Putri; Elihami Elihami
INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Volume 7 Number 2 June 2026
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/indonesia.v7i2.83033

Abstract

This study aims to describe the forms of violations of cooperative maxims in the Indonesian version of the film Miracle in Cell No. 7 by Hanung Bramantyo. This research employs a qualitative approach with a descriptive method. The data source for this study is the Indonesian version of the film Miracle in Cell No. 7, whereas the research data are utterances that contain violations of conversational maxims based on Grice's cooperative principle theory. Data were collected using observation and note-taking techniques, and data analysis employed reduction, classification, and interpretation techniques. The results of the study indicate violations of four maxims: the maxims of quantity, quality, relevance, and manner, with a dominant tendency toward violations of the maxims of relevance and quality. These violations serve to build conflict, strengthen character development, and create dramatic effects within the plot.
Co-Authors Andi Nurhabibi Marwil Andi Paradilla Astifa Andi Tenri Sua Daud Rodi Palimbong ELIHAMI, ELIHAMI Suhardiman Suhardiman