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All Journal Coram Mundo: Jurnal Teologi dan Pendidikan Agama Kristen Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Eben Haezarni Telaumbanua
Institut Agama Kristen Negeri (IAKN) Tarutung
Religion Arts Humanities

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Teknik Permainan Mangenet pada Instrumen Tradisional Sulim Batak Toba dalam Mengiringi Lagu BE.683 di AdopanMu Jesus di Gereja HKBP Bahalbatu I. G. A. Ebenezer L. Toruan; Eben Haezarni Telaumbanua; Testi Bazarni Zebua; Roy J. M. Hutagalung; Aprinaldi P Simorangkir
Coram Mundo: Jurnal Teologi dan Pendidikan Agama Kristen Vol. 6 No. 2 (2024): Coram Mundo : Jurnal Teologi dan Pendidikan Agama Kristen
Publisher : Sekolah Tinggi Teologi Injili Arastamar (SETIA) Ngabang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/corammundo.v6i2.394

Abstract

The purpose of this research is to find out game techniques mangenet on the traditional Sulim Batak Toba instrument to accompany the song BE.683 "Di AdopanMu Jesus" at HKBP Bahalbatu I. Sulim is a traditional Batak Toba musical instrument, Sulim is made from bamboo, the Sulim instrument is blown from the side or is called a side blown flute. The Sulim instrument has been widely used in church services, especially in the HKBP Bahalbati I church. The Sulim instrument has been used to accompany worship services. especially in accompanying the song from BE .683 "In Your Adopan Jesus. This song is played at a larghetto tempo with a tempo of 65 BPM. This song was created by Hugo Nyberg in 1873 with the title "For jesus milda ogon" which was later translated into Toba Batak language by Rev. J.A.U. Doloksaribu and Rev. MV. Simajuntak. Meanwhile, the technique used in performing this song is the mangenet technique with the Sulim Batak Toba instrument. In this technique, the researcher combines the trial, slur, crescendo, descrecendo techniques to produce the mangenet playing technique on the sulim instrument and then the author combines this technique with the ambush or blowing technique, breathing technique, fingering technique and holding the sulim instrument.
Penerapan Teknik Vokal Artikulasi pada Lagu Indahnya Saat Teduh oleh Pemimpin Pujian di Gereja Methodist Indonesia Sukarame Baru Resort Sukasari Labuhan Batu Utara Tahun Pembelajaran 2023/2024 Helmalia Diwani Lumban Tobing; Eben Haezarni Telaumbanua; Monang Asi Sianturi
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 3 (2024): Mei : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.336

Abstract

This research aims to find out good vocal training techniques for singing for worship leaders by applying articulatory vocal techniques. Articulated vocal technique is the pronunciation of the words in the song lyrics clearly and correctly so that the message and meaning of the song being sung can be heard clearly to the listener. The method used in this research stage is descriptive qualitative method. The stages of research on the application of vocal articulation techniques carried out include observation, interviews and documentation. The objects of this research were five worship leaders at GMI Sukarame Baru Resort Sukasari Labuhan Batu Utara. In the implementation process, researchers held six meetings providing material and singing practice according to correct vocal technique. In this research process, the worship leader practiced articulation repeatedly singing the song "The Beauty of Teduh Time" with examples and practice provided by the researcher during the research, so that in the end the worship leader could understand the material presented by the researcher. The results of this research show that the application of articulatory vocal techniques can improve the singing ability of praise leaders at GMI Sukarame Baru Resort Sukasari Labuhan Batu Utara so that the pronunciation of the words in the song lyrics can be heard clearly when leading praise. Based on this research, the author suggests that GMI Sukarame Resort Sukasari Labuhan Batu Utara Baru continue to develop vocal technique training for worship leaders so that the quality and ability of singing increases.
Makna Lagu Buku Ende No. 17 "Raja Natumimbul" Di GKLI Amborgang Resort Parlilitan Kabupaten Humbang Hasundutan Amri Tumanggor; Monang Asi Sianturi; Tezti Bazarni Zebua; Eben Haezarni Telaumbanua; Rowilson Nadeak
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 3 (2024): Mei : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.341

Abstract

This study focuses on the study to find out the meaning of the Ende Book Song No. 17 "Raja Natumimbul" and the way the congregation sings the Ende Book song at GKLI Amborgang Resort Parlilitan. This research uses a qualitative method with a research procedure that produces descriptive data in the form of written or spoken words from people and observable behaviors and data collection techniques through the results of interviews, observations, and documentation, The location of the research was conducted at the GKLI Amborgang Ressort Parliltan Church, Sihashabinsaran Village, Parlilitan District, Humbang Hasundutan The object of the research was 6 people, namely to Pastors, Church Teachers, Musicians and to. Thus, it can be concluded that the meaning of the song King Natumimbul has a very deep meaning, which means that here there is a confession of the Lord God, the creator of all things, so that all that he creates praises God because he is the most exalted king of all. The song of King Natumimbul when sung is also full of enthusiasm because this song means that only God is the supreme King, only He is the king who should be worshipped. The hope is that the people of the GKLI Amborgang congregation will receive blessings from God and invite sinners to worship him.
Co-Authors Amri Tumanggor Aprinaldi P Simorangkir G. A. Ebenezer L. Toruan Helmalia Diwani Lumban Tobing Monang Asi Sianturi Rowilson Nadeak Roy J. M. Hutagalung Testi Bazarni Zebua Tezti Bazarni Zebua