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All Journal Coram Mundo: Jurnal Teologi dan Pendidikan Agama Kristen Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Testi Bazarni Zebua
Institut Agama Kristen Negeri (IAKN) Tarutung
Religion Arts Humanities

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Teknik Permainan Mangenet pada Instrumen Tradisional Sulim Batak Toba dalam Mengiringi Lagu BE.683 di AdopanMu Jesus di Gereja HKBP Bahalbatu I. G. A. Ebenezer L. Toruan; Eben Haezarni Telaumbanua; Testi Bazarni Zebua; Roy J. M. Hutagalung; Aprinaldi P Simorangkir
Coram Mundo: Jurnal Teologi dan Pendidikan Agama Kristen Vol. 6 No. 2 (2024): Coram Mundo : Jurnal Teologi dan Pendidikan Agama Kristen
Publisher : Sekolah Tinggi Teologi Injili Arastamar (SETIA) Ngabang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/corammundo.v6i2.394

Abstract

The purpose of this research is to find out game techniques mangenet on the traditional Sulim Batak Toba instrument to accompany the song BE.683 "Di AdopanMu Jesus" at HKBP Bahalbatu I. Sulim is a traditional Batak Toba musical instrument, Sulim is made from bamboo, the Sulim instrument is blown from the side or is called a side blown flute. The Sulim instrument has been widely used in church services, especially in the HKBP Bahalbati I church. The Sulim instrument has been used to accompany worship services. especially in accompanying the song from BE .683 "In Your Adopan Jesus. This song is played at a larghetto tempo with a tempo of 65 BPM. This song was created by Hugo Nyberg in 1873 with the title "For jesus milda ogon" which was later translated into Toba Batak language by Rev. J.A.U. Doloksaribu and Rev. MV. Simajuntak. Meanwhile, the technique used in performing this song is the mangenet technique with the Sulim Batak Toba instrument. In this technique, the researcher combines the trial, slur, crescendo, descrecendo techniques to produce the mangenet playing technique on the sulim instrument and then the author combines this technique with the ambush or blowing technique, breathing technique, fingering technique and holding the sulim instrument.
Aransemen Lagu pada Buku Ende No. 212 Haholongan Na Badia dalam Kuartet Saxophone pada Ibadah Minggu di HKBP Pardomuan Silangkitang Tapanuli Utara Jeverwandi Sitohang; Boho Parulian Pardede; Testi Bazarni Zebua; Monang Asi Sianturi; Roy JM. Hutagalung
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 3 (2024): Mei : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.338

Abstract

The purpose of this study is to develop the song "Haholongan Na Badia" in the Saxophone Quartet. The motif in this song still uses the original melody of the song but there is a slight change in tempo and. It aims to be more wise and pleasant to listen to and adjust to the conditions of worship. This study uses qualitative research, namely by describing the Song Arrangement in the Ende Book No. 212 "Haholongan Na Badia" in the Saxophone Quartet at Sunday Worship at HKBP Pardomuan This research was carried out in July - August 2024. By observing, literature and with several sources related to saxophone instruments and the HKBP Pardomuan Church in writing and unwritten. The result of this research is that the Song in the Ende Book No.212 "Haholongan Na Badia" is a very wise song and has a meaning and message in its verses This form of arrangement is a new concept and presentation of the song Tu Jolom O Debatang Ku in the form of a saxophone quartet arrangement. This thesis discusses the presentation, arrangement process of the Saxophone Quartet in the song of the book Ende No. 212 "Haholongan na badia" in accompanying Sunday worship at HKBP Pardomuan. For the rhythm sign, the author uses the 3/4 rhythm which is in the original score of the 4/4 song and the basic note Bb = do and with the tempo of Adagio MM 70.
Co-Authors Aprinaldi P Simorangkir Boho Pardede Eben Haezarni Telaumbanua G. A. Ebenezer L. Toruan Jeverwandi Sitohang Monang Asi Sianturi Roy J. M. Hutagalung Roy JM. Hutagalung