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All Journal Jurnal Filsafat Jurnal Filsafat Indonesia Jurnal Penyuuhan dan Pemberdayaan Masyarakat (JPPM) Jurnal Reinha Wissen: Jurnal Ilmu Sosial dan Humaniora
Bernard Subang Hayong
Institut Filsafat Dan Teknologi Kreatif
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Narrative Connectedness: A Chain for Understanding Others in The Philosophy of Eleonore Stump Bernard Subang Hayong
Jurnal Filsafat "WISDOM" Vol 32, No 2 (2022)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.71276

Abstract

This essay aims to explore Eleonore Stump’s insights on narrative as a means of knowing others and to defend narrative cognitivism. Central to this defense is an examination of the narrative analysis in mediating second-person experience as a tool to gain both self-understanding and understanding others. This study is a combination of the expository, the analytical, and the critical methods. It is expository because it aims to understand how Stump explores the variant variable in seeking the meaning and explanation of human interaction. It is analytical because it examines how second-person experience can be communicated in narrative. And it is critical because it introduces a methodological concept in dealing with her thoughts and demonstrates in which sense her approach is tenable or not. In developing this approach, I introduce the second-person perspective and the nature of knowledge that is acquired through narrative. I conclude with a discussion of the contribution of narrative connectedness to the understanding of the other as a person. This article will show that narrative connectedness is a significant form of reasoning, a medium for understanding, and an instrument for self-expression.
Telaah Metafisik Ritual Dolop Dalam Masyarakat Dayak Agabag Satria Satria; Viktorius Siga; Bernardus Subang Hayong; Laurensius Anselmus Wae Woda
WISSEN : Jurnal Ilmu Sosial dan Humaniora Vol. 3 No. 1 (2025): Februari : WISSEN : Jurnal Ilmu Sosial dan Humaniora
Publisher : Asosiasi Peneliti Dan Pengajar Ilmu Sosial Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/wissen.v3i1.502

Abstract

In the effort to explore the true dimensions of life, humans should not focus solely on the empirical and a priori levels. To achieve a deeper understanding, one must free oneself from all forms of attachment to things that are empirical and a priori. Deep reflection is necessary so that the fundamental principles can be discovered, leading to a more essential understanding of reality. This paper aims to analyze the metaphysical dimension contained within the dolop ritual. The findings of this study show that metaphysical reflection can overcome the limited view of reality that is apparent on the surface, which often feels "real" but is actually deceptive. Unknowingly, such views fall into the ideological realm that restricts and binds, causing humans to become trapped in the sacralization of space, time, and place that color the Kasada ritual ceremony. Based on these findings, the study of the metaphysical dimension continues by delving deeper into the existence and meaning of the symbols present. This exploration ultimately concludes that the metaphysical dimension in the dolop ritual of the Dayak Agabag community is, in fact, a representation or miniature of life itself. This ritual is not merely a ceremony, but a broader representation of life that must be understood in a deeper context.
EKSISTENSI MORI KRAENG PADA MASYARAKAT MANGGARAI DALAM PERSPEKTIF TRANSENDENSI KARL JASPERS Fransiskus Bala Kleden; Silfanus Jemadin; Yohanes Baptista Angelino Galus; Bernardus Subang Hayong
Jurnal Reinha Vol 15 No 2 (2024)
Publisher : STP Reinha Larantuka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56358/ejr.v15i2.376

Abstract

Artikel ini bertujuan membahas eksistensi Mori Kraeng dalam perspektif filsafat Karl Jaspers.  Dalam tradisi dan kepercayaan masyarakat Manggarai, Mori Kraeng dianggap sebagai entitas transenden, wujud tertinggi dan pengatur kehidupan. Tujuan dari penulisan artikel ini ialah menjelaskan eksistensi Mori Kraeng dengan mengacu pada pemikiran Jasppers tentang Transendensi. Untuk mencapai tujuan ini, penelitian kualitatif dengan metode studi kepustakaan digunakan untuk menelusuri buku-buku dan artikel-artikel jurnal sebagai sumber primer dan sumber sekunder. Hasil yang ditemukan dalam penulisan artikel ini ialah pemikiran Jaspers tentang Transendensi, yang menyatakan bahwa pengalaman Transendensi terjadi dalam situasi batas dan tidak dapat dijelaskan sepenuhnya oleh akal, sejalan dengan cara masyarakat Manggarai berhubungan dengan Mori Kraeng. Dalam pandangan ini, kepercayaan terhadap Mori Kraeng bukan hanya menyentuh aspek budaya, melainkan juga berkenaan dengan sebuah pencarian eksistensial yang memberi makna dan arah hidup, terutama dalam menghadapi keterbatasan hidup, seperti penderitaan dan kematian. Simbolisme adat, seperti ritual syukur dan persembahan, menjadi jembatan untuk menghubungkan manusia dengan Mori Kraeng, yang merupakan realitas yang melampaui dunia imanen.
UMAUTA: Upaya Melestarikan Warisan Budaya di Tengah Perubahan Zaman Subang Hayong, Bernardus; Reyaan, Moricius Owen; Nona Ervin, Maria Suwasti; Paulus Gagu, Yohanes
Jurnal Penyuluhan dan Pemberdayaan Masyarakat Vol. 4 No. 3 (2025): Jurnal Penyuluhan dan Pemberdayaan Masyarakat (September)
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/jppm.v4i3.1423

Abstract

Perkembangan zaman telah memengaruhi sikap dan minat kaum muda terhadap tradisi dan kebudayaan di lingkup di mana mereka hidup. Kebanyakan kaum muda suka menjalani gaya hidup modern yang dianggap trend ketimbang menekuni tradisi. Dalam hal seni tari, kebanyakan kaum muda di Kabupaten Sikka (termasuk di desa Umauta, Kecamatan Bola) lebih senang dan lebih mudah menari dengan gaya modern yang ditemukan di platform sosial media (facebook, tiktok, instagram) ketimbang menari hegong atau tua reta lo’u. Tarian tua reta lo’u adalah salah satu warisan budaya yang memiliki nilai historis dan filosofis bagi masyarakat Dokar di Kabupaten Sikka. Tarian ini menggambarkan teknik perang leluhur Suku Sikka Krowe sekaligus mengungkapkan kegembiraan atas kemenangan terhadap musuh.Kegiatan Pengabdian kepada Masyarakat (PkM) ini bertujuan untuk menggali nilai-nilai penting yang terkandung dalam tarian tua reta lo’u serta menganimasi kaum muda di desa Umauta untuk melestarikan tradisi lokal ini di tengah kemajuan zaman ini. Demi memperoleh hasil yang maksimal, penelitian ini menggunakan pendekatan kualitatif, dengan metode observasi partisipatif dan wawancara. Dari hasil penelitian ini ditemukan bahwa tarian tua reta lo’u memiliki kekayaan makna bagi masyarakat di desa Umauta seperti simbolisasi kerjasama, kerjakeras, dan sikap kebertahanan dalam melawan kejahatan. Makna ini terungkap dalam simbol-simbol seruan, gerakan, dan peralatan yang digunakan dalam tarian. Tarian ini juga turut membentuk sikap militansi masyarakat dalam menjalani hidup terutama pengaruh buruk dari luar, dan hal inilah yang hendak diwariskan kepada generasi muda zaman sekarang.
Analisis Kearifan Lokal Tradisi Sako Seng Pada Masyarakat Sikka Dalam Perspektif Filsafat Anti Kekerasan Mahatma : Analysis of the Local Wisdom of the Sako Seng Tradition in the Sikka Community from the Perspective of Mahatma's Philosophy of Anti-Violence Reu, Yosep Hendrikus; Hayong, Bernardus Subang
Jurnal Filsafat Indonesia Vol. 8 No. 3 (2025)
Publisher : Undiksha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jfi.v8i3.94597

Abstract

Sako seng tradition is one of the local wisdom and cultural heritage of the Sikka people, East Nusa Tenggara. The principles of mutual cooperation, solidarity and peace in jointly cultivating agricultural land are unique to this tradition. However, the development of modernity and advances in agricultural technology bring challenges and obstacles to the preservation of this tradition, especially with the emergence of individualistic work patterns and the declining participation of the younger generation. This study examines the relevance of Mahatma Gandhi's thoughts, especially the principle of non-violence (ahimsa), and collective work as a philosophical foundation for the revitalization of sako seng as a distinctive tradition of the Sikka people. Gandhi's thought has a close correlation to this tradition as it emphasizes the importance of social change through peaceful means and collective consciousness, which is in line with the spirit of sako seng which rejects violence and prioritizes mutual cooperation. This research uses interviews and literature study methods. The results of this study show that an attitude of adaptation to the development of modernity and technology is necessary to maintain the spirit of solidarity and mutual cooperation of the Sikka community. In addition, policy support and community awareness, especially for the younger generation, determine the sustainability of the sako seng tradition. The integration of Gandhian values and local traditions not only enriches local heritage, but also becomes a moral foundation in building a harmonious and sustainable society amidst the changing times. Revitalizing the sako seng tradition is not only a matter of cultural enrichment but also ethical renewal in the face of modernity.
Co-Authors Fransiskus Bala Kleden Laurensius Anselmus Wae Woda Nona Ervin, Maria Suwasti Paulus Gagu, Yohanes Reu, Yosep Hendrikus Reyaan, Moricius Owen Satria Satria Silfanus Jemadin Viktorius Siga Yohanes Baptista Angelino Galus