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All Journal JURNAL PUBLISITAS Jurnal IMAJI
Jaya, Eko Pebryan
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Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Kritik Feminisme Pada Web Series “Gadis Kretek” Jaya, Eko Pebryan; Yogsunandar, Harry
Jurnal Publisitas Vol 11 No 1 (2024): Oktober
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM), Sekolah Tinggi Ilmu Sosial dan Ilmu Politik (STISIPOL) Candradimuka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37858/publisitas.v11i1.470

Abstract

Technological developments and transformations in the entertainment industry have brought about major changes in the way we access and consume films. Currently, films are not only available in cinemas, but have also spread through online streaming services. Various series with various story themes appeared, one of which was "Gadis Kretek". This series not only shows a romantic drama set in the development of the kretek industry in two different time periods, but also deals with issues surrounding women. Basically, media products have meaning through the signs in their messages. This research uses a descriptive qualitative approach, using John Fiske's semiotic analysis method, feminist criticism focuses on portraits of women in the context constructed by web series creators, where female characters are depicted as empowered subjects or simply as objects trapped in patriarchal stereotypes. The research results show that the "Gadis Kretek" series is a complex medium for understanding the dynamics of women in society, as well as providing space for feminist criticism of gender norms constructed by the director.
Media Baru dan Film Dokumenter sebagai Kritik terhadap Electoral Authoritarianism: Studi atas Film Dokumenter Dirty Vote Karya Watchdoc Ilham, Muhamad Hidayatul; Jaya, Eko Pebryan
IMAJI Vol. 16 No. 2 (2025): Film, Masyarakat, Teknologi, dan Identitas Budaya
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/i.v16i2.340

Abstract

Tahun 2024 lalu publik dihebohkan dengan film dokumenter yang diberi judul Dirty Vote. Film ini menampilkan tiga narasumber yang secara terbuka menjelaskan bentuk dugaan kecurangan yang mewarnai Pemilihan Umum 2024. Tulisan ini menganalisis film Dirty Vote sebagai alat kritik terhadap praktik otoritarianisme elektoral di Indonesia. Tulisan ini menggunakan pendekatan deskriptif kualitatif yang berpadu dengan semiotika John Fiske yang menggunakan tiga level makna yakni realitas, representasi dan ideologi yang dibalut dalam setiap dimensi otoritarianisme elektoral yakni pemilu sebagai hiasan, alat dan arena kontestasi. Hasil dari analisis menunjukkan jika film ini berhasil mengangkat fakta manipulasi struktural serta menampilkan visual dan naratif yang membongkar legitimasi semu pemilu. Sebagai produk media baru, Youtube menjadi medium efektif yang tidak hanya mendistribusikan kritik secara luas, tetapi juga membuka ruang partisipasi dan mobilisasi publik. Dengan demikian, eksistensi film dokumenter yang dipublikasikan melalui platform media baru seperti Youtube menjadi fasilitator signifikan bagi pembentukan kesadaran politik bagi masyarakat umum
Film Film Artistik Sebagai Ideologi Hiburan Baru: Studi Pada Jatuh Cinta Seperti di Film-Film karya Imajinari: : Studi Pada Jatuh Cinta Seperti di Film-Film karya Imajinari Jaya, Eko Pebryan
IMAJI Vol. 17 No. 1 (2026): Film Artistik dan Film Komersial: Estetika, Industri dan Ideologi Hiburan
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/imaji.v17i1.434

Abstract

The debate between artistic and commercial films has tended to be understood as a binaryopposition between artistic autonomy and market logic. This article analyzes how Imajinari'sfilm "Jatuh Cinta Seperti di Film-Film" repositions artistic aesthetics as a form ofentertainment in the contemporary Indonesian cinematic landscape. Through PierreBourdieu's theory of the cultural production arena, this study reads the film as a culturalpractice that negotiates within the national film production field. The method used is JohnFiske's semiotic analysis at the levels of reality, representation, and ideology to identify theaesthetic codes that construct the meaning of entertainment. The results show that the filmarticulates entertainment not as a spectacle, but as a reflective experience legitimized throughblack-and-white visual strategies, contemplative narrative rhythms, and metacinematicdialogue. These strategies place the film in an ambivalent position between autonomous andheteronomous poles, thus blurring the artistic-commercial dichotomy. These findingsemphasize that the film does not simply combine two production logics, but produces a newideological configuration of quality entertainment in the Indonesian cinematic arena.Keywords: Cultural Production Arena, Artistic Film, Entertainment Ideology, John Fiske'sSemiotics, Contemporary Indonesian Cinema
Co-Authors Muhamad Hidayatul Ilham Yogsunandar, Harry