Regaria Tindarika
Program Studi Pendidikan Seni Pertunjukan FKIP Untan Pontianak

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MAKNA POLA IKAT PADA TARI JEPIN TALI BINTANG DI DESA KALIMAS KECAMATAN SUNGAI KAKAP KABUPATEN KUBURAYA Rulli Yandi; Regaria Tindarika; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 2 (2021): Februari 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i2.43841

Abstract

AbstractThis research is motivated to describe a complete data and information about the Tari Jepin Tali Bintang. The reason the researchers studied the Jepin Tali Bintang dance was because of the uniqueness of this dance. The uniqueness lies in the process of weaving the rope, in which the weaving process produces several patterns and forms a binding bond, and the process of opening the rope is used a faster tempo than when weaving the rope. In this study, the method used is descriptive analysis, the form used is a qualitative form, the approach used is a semiotic approach. The the respondent in this research were artist knew about the Jepin dance The meaning of “Tari Jepin Tali Bintang” the tie pattern the village of Kalimas Kakap river district Kuburaya district. The data in this research collected by the several techniques such as observations, interviews and documentation studies. The data validity testing technique used was the extension of the observation and triangulation. Based on the analysis of the data it was concluded that there are three bond patterns, tie knot pattern, cross tie pattern, earth loop tie pattern. The movements in this dance are hanging steps and intermittent steps.Keywords: Meaning of the tie patterns, Tari Jepin Tali Bintang
MAKNA SIMBOL PROPERTI TARI JEPIN RAJUT SEMPURONG DALAM MASYARAKAT DESA SERIMBU KECAMATAN AIR BESAR Yamas Yamas; Regaria Tindarika; Yudhistira Oscar Olendo
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 2 (2021): Februari 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i2.44726

Abstract

AbstractThis study aims to describe the meaning of the symbol for the property ofthe Jepin Rajut Sempurong dance in the Serimbu Village community, AirBesar sub-district, Landak district. The property of Jepin Sempurongdance consists of three materials, that is rattan, cloth dan rope, the threematerials are formed into one unit. Rattan is interpreted as symbol of thecircle of brotherhood in the life of the serimbu village community, clothis interpreted as an intermediary or protector in a community life, ropeis interpreted as a binder in community life. So it can be concluded thatthe meaning of the symbol of the property of the jepin rajut sempurongdance in the serimbu village community is a circle of brotherhood insociety that must always be protected and tied so that it is not easilydivided.Keyword: Meaning Symbol, Property, Jepin Rajut Sempurong Dance
EKSISTENSI TARI JEPIN LANGKAH SERONG DI KOTA PONTIANAK KALIMANTAN BARAT Hermansyah Hermansyah; Ismunandar Ismunandar; Regaria Tindarika
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 12 (2021): Desember 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i12.51328

Abstract

Abstract This study aims to describe the Exixtence of the Jepin Langkah Serong dance in the city of Pontianak. The problem of this research is related to the ekxistence of the Jepin Langkah Serong dance in the city of Pontianak and the factors that influence the existence of the dance. The research uses descriptive methods in the form qualitative and historical approaches. The sources of data in this study are Mr. Juhermi Tahir, Mrs. Kusmindari Triwati and Mr. Yuni Syahroni who know the Jepin Langkah Serong Dance. Data collection techniques in the fprm of observation, interviews and documentation studies. The technique of testing the validity of the data used is source triangulation. The result of this research is the Jepin Langkah Serong Dance is lifted and preserved by the Andari Studio and the Gita Natia Studio. Factors supporting the existence of the dance are art organizations, government agencies, community support and the FKIP UNTAN arts campus. The inhibiting factors for the existence of this dance are the impact of blobalization, the economic crisis and the COVID-19 Pandemi. Efforts to preserve it are to foster public interest, government appreciation and social media. Keywords: Existence, Jepin Langkah Serong Dance
STRUKTUR PENYAJIAN TARI JEPIN RAJUT SEMPURONG DI DESA SERIMBU KECAMATAN AIR BESAR KABUPATEN LANDAK Kiki Andriani; Regaria Tindarika; Yudhistira Oscar Olendo
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 6 (2021): Juni 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i6.47097

Abstract

AbstractThis research is motivated because of the uniqueness of the jepin rajut sempurong dance in terms of dance movements, accompaniment music, dance gender, property, floor patterns, as well as clothing and make-up. This research uses descriptive methods, qualitative research forms and a choreographic approach. Sources of research data in the form of observations, interviews, and documentation of sources, namely Rahmani Hassan, Muslimin and Dedi. The technique of testing the validity of the data uses triangulation of sources with data analysis techniques that are structured and analyzed systematically. Based on the data analysis, it is concluded that the structure of the presentation of the jepin rajut sempurong Dance is serimbu village. Jepin rajut sempurong is a spectacle dance in serimbu village, this dance is performed by 9 dancers, 1 male dancer as a perfect dance, the musical instruments used to accompany thisdance are lute and tambourine, kompang and rhyme rhyme, jepin rajut sempurong dance uses rope properties, this dance uses a vertical and circular floor pattern, this dance uses a vertical and circular floor pattern, this dance uses realist make-up,clothes worn by female dancers with a traditional bay shirt, black cloth pants, skullcap, and cloth, songket.Keywords: Presentation structure, Jepin Rajut Sempurong dance
REVITALISASI TARI MOCAH BUNGA PUKOL TUJOH KECAMATAN SIMPANG DUA KABUPATEN KETAPANG PROVINSI KALIMANTAN BARAT Yosefin Irinia Dita; Ismunandar Ismunandar; Regaria Tindarika
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 9 (2021): SEPTEMBER 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i9.49695

Abstract

The study was based on the disappearance of the Mocah Bunga Pukol Tujoh dance Subdistrict Simpang Dua District Ketapang West Borneo. The goal is to revitalize the Mocah Bunga Pukol Tujoh dance Kecamatan Simpang Dua Kabupaten Ketapang West Borneo. So that, it’s existence can return to society. Specifically in this reaserch, the problem ia described as reflecting the revitallization of the activities and activities of the revitallization of the Mocah Bunga Pukol Tujoh dance Subdistrict Simpang Dua Diatrict Ketapang Provinces West Borneo.The date-gathering technique in this study is observation, interview and documentation. Verifying data in this study is the use of extensions of observation and source triagulation. The data analysis during data collection. The action of this study was then met by sources known as Sudan, Mardani and Lukas. Then teach to dancer. The result of this reaserch was being able to reteach the Mocah Bunga Pukol Tujoh dance and make a video of dancing Mocah Bunga Pukol Tujoh Subdistrict Simpang Dua District Provices West Borneo.Keywords:Performance Form, Tari Mocah Bunga Pukol Tujoh
BENTUK PENYAJIAN TARI JEPIN SELENDANG DI KELURAHAN SIANTAN HILIR KECAMATAN PONTIANAK UTARA Andina Silvana; Ismunandar Ismunandar; Regaria Tindarika
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 11 (2020): November : 2020
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v9i11.43426

Abstract

AbstractThis research was motivated by the researcher's desire to examine the The Performance Form of Tari Jepin Selendang on Kelurahan Siantan Hilir Kecamatan Pontianak Utara and to document a complete data and information of Tari Jepin Selendang in the form of writing as well as pictures and videos, This study used a descriptive method in a qualitative form and uses a choreographic approach. Based on the results of research, The Performance Form of Tari Jepin Selendang, the dance movement consisted of a variety of opening movements, namely jepin empat-empat steps, the variety of content movements, namely gerak anyam masuk, gerak raddat and gerak buka anyam and the variety of closing movements was the jepin empat-empat. The floor designs were straight and curved. The musical instruments used were Accordions, Beruas, Tambourines, Gambus, Violins and Tawak. The group designs are unison, alternate and canon groups. Makeup used realistic makeup and the clothes used are baju kurung, Malay patterned fabric, lotus and the accessories used were lipat pandan bun, kembang goyang and earrings. The property was a colorful shawl. The theme is non-literary. Multiple cone dramatic design and the dynamics of motion, tempo and level. Keywords: Performance Form, Tari Jepin Selendang