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ANALISIS MELODI SYAIR GENERASI PENERUS MUSIK IRINGAN LANGKAH JEPIN GERSIK PANTAI KOTA PONTIANAK Nabilla Syafani; Agus Syahrani; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 1 (2020): Januari 2020
Publisher : Universitas Tanjungpura

AbstractThe Background of this research was to archieve the poem of Generasi Penerus Musik Iringan Langkah Jepin Gersik Pantai Kota Pontianak. The common problemsfound in this research were: How is the description of music in the Generasi Penerus poem. Then, the purpose of this research were: 1) Descriptions of vocal melodies in Generasi Penerus poem, 2) Descriptions of accompaniment music in Generasi Penerus poem. The method used in this research was descriptive qualitative method with a musicology approach. The data contained in this research were the result of direct observation and interviews with informants in the form of a violin, selodang, marwas, tambourine and poetry melody pattern. The data were analyzed qualitatively with data sources, namely Yusuf Dahyani, Anwar Djafar and Reza Zulianda, S.Pd who had played and active role and learned about the poem of Generasi Penerus Musik iringan Langkah Jepin Gersik Pantai Kota Pontianak. Keywords: Analysis, Generasi Penerus Poem, Langkah Gersik Pantai, Jepin, Kota Pontianak.

MAKNA POLA IKAT PADA TARI JEPIN TALI BINTANG DI DESA KALIMAS KECAMATAN SUNGAI KAKAP KABUPATEN KUBURAYA Rulli Yandi; Regaria Tindarika; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 2 (2021): Februari 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i2.43841

AbstractThis research is motivated to describe a complete data and information about the Tari Jepin Tali Bintang. The reason the researchers studied the Jepin Tali Bintang dance was because of the uniqueness of this dance. The uniqueness lies in the process of weaving the rope, in which the weaving process produces several patterns and forms a binding bond, and the process of opening the rope is used a faster tempo than when weaving the rope. In this study, the method used is descriptive analysis, the form used is a qualitative form, the approach used is a semiotic approach. The the respondent in this research were artist knew about the Jepin dance The meaning of “Tari Jepin Tali Bintang” the tie pattern the village of Kalimas Kakap river district Kuburaya district. The data in this research collected by the several techniques such as observations, interviews and documentation studies. The data validity testing technique used was the extension of the observation and triangulation. Based on the analysis of the data it was concluded that there are three bond patterns, tie knot pattern, cross tie pattern, earth loop tie pattern. The movements in this dance are hanging steps and intermittent steps.Keywords: Meaning of the tie patterns, Tari Jepin Tali Bintang

EKSISTENSI TARI RADDAT SUNGAI KUNYIT DALAM PADA KOMUNITAS SENI AMANTUBILLAH DI KABUPATEN MEMPAWAH Vrinka Vizura; Ismunandar Ismunandar; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 3 (2019): Maret 2019
Publisher : Universitas Tanjungpura

AbstractThis research aimed to determine the objective clarity about the existence or presence of Raddat Dance Sungai Kunyit Dalam in the Amantubillah art community at Mempawah district, West Kalimantan. The research method was a descriptive method in a qualitative form, through an ethnographic approach. The research data were obtained through several techniques, including observation technique, interview technique, and documentation technique. The research subjects were statements from the actors in Amantubillah art community. The research instrument was the researcher. In testing the validity of the data, the researcher did an extension of observations technique and also source triangulation technique that combines statements from sources. The result of this research was within the existence of Raddat Dance Sungai Kunyit Dalam in the Amantubillah art community at Mempawah District, West Kalimantan there were supporting factors such as the existence of Amantubillah art community, society needs and also the government support. Meanwhile factors that can obstruct the existence include the dancer of Raddat Dance Sungai Kunyit Dalam, the lack of government support and also in science and technology. It is hoped that the results of this research can be implemented in the lesson of Arts and Culture at grade X in odd semester. Keywords: Amantubillah Art Community. Existence, Raddat Dance Sungai Kunyit Dalam

SIMBOL DAN MAKNA TARI JEPIN PESAWAT TERBANG DI KOTA PONTIANAK KALIMANTAN BARAT Ciprilia Dian Trismidita; Imma Fretisari; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 11 (2020): November : 2020
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v9i11.43219

Abstract This research was motivated to learn about symbols and meanings of dance jepin Aircraft. The purpose of this study was. To describe the symbol and meaning of dance jepin Pesawat Terbang In Kota Pontianak Kalimantan Barat. Descriptions of the contribution of research results in junior high school level learning unit. The method used was descriptive method with qualitative terms and use etnokoreologi approach, with the data source Juhermi Tahir Anwar Djafar who knows about symbols and meanings of dance jepin Pesawat Terbang. The data that was colleceted using observation, interview and documentation. validity of data in the form of triangulation sumber. Tari jepin Pesawat Terbang there is some movement, which has meaning and symbols. Step bekayuh bekayuh presents symbols and meanings that the dancers began to enter on the left and right of the stage. Motion stunted step Delivers fast symbols and motion stunted step Delivers fast symbol. Motion unusual step of walking and presenting symbols have meaning that life must have humility in the mix and behave. The sliding motion sewing needle presents symbols and meaning of human life should be lived with a view not to be affected straight bad things. Motion hanging step presents symbols and meanings that hang in life must be dependent to the one God and fellow human beings. Keywords: Dancing jepin Pesawat Terbang, meanings, symbols

BENTUK PENYAJIAN TARI ZAPIN ELANG TETAK KELURAHAN SEDANAU KECAMATAN BUNGURAN BARAT KABUPATEN NATUNA Ogi Nursauri; Imma Fretisari; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 5 (2021): MEI 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i5.46926

AbstractThis research is motivated so that complete data and information are documented about the Zapin Elang Tetak Dance both in the form of writing and images and videos of the Zapin Elang Tetak Dance in Sedanau Village, Bunguran Barat Subdistrict, Natuna Regency, because the Zapin Elang Tetak Dance is the first dance in the area. This study uses a descriptive method in a qualitative form and uses a choreographic approach. Sources of data in this research are Mr. Edi Yusuf, Mrs. Fatmawati, and Mr. Nurdin. Data collection techniques in the form of observation, interviews, and documentation. The data validity testing technique used was the extension of the observation and triangulation of sources. Based on data analysis, it is concluded that the form of presentation of Zapin Eagle Tetak Dance in Sedanau Village, Bunguran Barat District, Natuna Regency is as follows. 1. Zapin Elang Tetak Dance tells the story of two eagles who are mating (mating). 2.The Zapin Elang Tetak dance was created to develop the Zapin steps taught by Mr. Ahmad (late) and this dance was created to entertain the local community. 3. The Zapin Elang Tetak dance is danced by the young people as time goes on, this dance is mostly danced by young people. 4. The musical instruments used in the Zapin Elang Tetak Dance are marwas / segmented, tambourine / bebano, gambus / selodang. 5. The clothes used by dancers are in the form of brackets, scarves, buns and flowers, while the musicians wear a telok pot equipped with a skullcap. 6. The stage used by proscenium dancers. 7. The positions used in the Zapin Elang Tetak Dance are not complicated because this dance is a pair dance.Keywords: Presentation Form, Zapin Elang Tetak Dance.

KAJIAN MUSIKOLOGI MUSIK IRINGAN TARI JEPIN KERIS KARYA YUZA YANIS CHANIAGO Ega Elpasa; Ismunandar Ismunandar; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 7, No 5 (2018): Mei 2018
Publisher : Universitas Tanjungpura

AbstractThe background of this research is to documenting the companion music of jepin dance, especially jepin keris dance. The general problem in this research are : How is the description of music accompanion of Jepin Keris dance by Yuza Yanis Chaniago?. The purpose of this research are : 1) Describe the music accompanion of Jepin Keris dance by Yuza Yanis Chaniago, 2) Describe the selodang melody on music accompanion of Jepin Keris by Yuza Yanis Chaniago, 3) Describe the beruas rythm pattern on music accompanion of Jepin Keris dance by Yuza Yanis Chaniago, 4) Describe the rebana rythm pattern on music accompanion of Jepin Keris dance by Yuza Yanis Chaniago, 5) Describe the implementation that will used in study process in School. The method that used in this research is explorative descriptive method and musicology approach. The data that contained in this research is the result from observation and interviews with the interviewer which were selodang melody pattern, beruas rythm pattern, and lyrics. The result of this research is music notation of Jepin Keris dance by Yuza Yanis Chaniago. This music accompanion of Jepin Keris dance by Yuza Yanis Chaniago has beruas notation, selodang notation, and also rebana notation and how to play it, that can be used as a guide to learn music of Jepin Keris by Yuza Yanis Chaniago. Keywords : Musicology Music Computation Dance of Jepin Keris By Yuza Yanis chaniago

ANALISIS POLA TABUHAN BERUAS PADA MUSIK IRINGAN JEPIN TEMBUNG PANJANG DI KOTA PONTIANAK Octaviandri Octaviandri; Ismunandar Ismunandar; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 3 (2019): Maret 2019
Publisher : Universitas Tanjungpura

AbstractThis research based on lack of interest in the young generation of art was inherited from ancestors hereditary and it was necessary that there were attempts to learn and preserve the tradition. One of artistic tradition almost extinct and start unknown by communities are musical accompaniment Tari Jepin Tembung Panjang in Pontianak. (The purpose of this research is: 1 ) the descriptive analysis of ‘Tabuhan Beruas’ on music of Jepin Tembung Panjang accompaniment. The methods used in this research was descriptive method analysis.The data analysis used in this research was the result of direct observation and an interview to informants of the music of Jepin Tembung Panjang. Data analyzed qualitatively, with speakers Mohammad Joseph Dahyani and Anwar Djafar who actively involved as well as knowing about the music, tradition especially the music of Jepin Tembung Panjang in Pontianak. Based on the analysis of the data, it can be inferred that the pattern of Jepin Tembung Panjang was the result of repeated of literal hornets from one pattern.Keywords: Analysis, Jepin, Pola Tabuhan, Pontianak, Tembung Panjang

MAKNA SIMBOL BUSANA TARI SIGAL DALAM UPACARA GAWIA SOWA’K DI KECAMATAN JAGOI BABANG KABUPATEN BENGKAYANG PROVINSI KALIMANTAN BARAT Mega Diah Rosanti; Imma Fretisari; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 3 (2020): Maret 2020
Publisher : Universitas Tanjungpura

AbstractThis study aimed to describe the meaning of the Sigal dance clothing symbol in the Sowa'k Gawia Ceremony in Jagoi Babang, Bengkayang Regency, West Kalimantan. The researched problem was about the meaning of color symbols, shape motifs and the use of Sigal dance attire in the Gawia Sowa'k Ceremony Jagoi Babang district, Bengkayang regency West Kalimantan.The research method was the descriptive method with a qualitative form using the semiotic approach. The sources of the data were the results of interviews, field notes and documentation of the informants namely Ginop, Mihek, and Gabriel Armando. The techniques of data validity used triangulation and the techniques of data analysis were systematically collected and analyzed. The findings showed that there were fern motifs that symbolically meant humans need to bond with another. They must work unitedly and need social connectedness to protect each other. A symbol of shoot bamboo meant a guide to the path of truth. The lower line motif with an upward taper shape and the upper line with a downward taper indicated the symbol of men who dares to respectfully carry the responsibility and obligations as Dayak Jagoi tribesmen. The symbol of color in this dress meant a cycle of human life. Keywords : Symbolic meaning, Clothing dance, Sigal dance, Gawai Sowa’k Ceremony

ANALISIS POLA TABUHAN BERUAS PADA MUSIK IRINGAN TARI JEPIN LANGKAH BISMILLAH DI KELURAHAN SIANTAN HILIR KECAMATAN PONTIANAK UTARA Rahayu Rahayu; Yudhistira Oscar Olendo; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 4 (2021): APRIL 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i4.46329

AbstractThe background of this research is to analyze the beruas wasp pattern of the jepin dance accompaniment of bismillah steps. There is a peculiarity in the wasp pattern. The problems in this research are how is Beruas playing technique, and how the analysis of the Beruas beating patterns on the accompaniment of Jepin Langkah Bismillah dance. The method in this research is the descriptive method in the form of qualitative research. The approach used is the musicology approach. The source of data in the study were sources. The data in this research are the results of interview, observations, documentation results and a diary book regarding the Analysis of Beruas Beating Patterns on the accompaniment of Jepin Langkah Dance. Techniques of data collection in this research are observation, interview, and documentation. The validity test of the data in this research is through the extension of observations and triangulation. The technique of data analysis in this research is done qualitatifvely. The result of this research is there are four Beruas beating patterns on the accompaniment of jepin langkah bismillah dance, which consist of the opening beating pattern, the lampas beating pattern, the sitting takhto beating pattern, and the standing takhto beating pattern.Keywords: Beating Pattern, Beruas, The Accompaniment of Jepin Langkah Bismillah.

RAGAM POLA TABUHAN KESENIAN ZIKIR SALAI DI DESA TRIMANDAYAN KECAMATAN TELUK KERAMAT KABUPATEN SAMBAS Welli Aprian; Imam Ghozali; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 6 (2021): Juni 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i6.47404

AbstractThe background of this research is to study the technique of playing a membrane musical instrument and the variation of the beat patterns of Zikir Salai in Trimandayan Village, Teluk Keramat District, Sambas Regency. The purpose of this study was to describe the technique of playing membrane musical instruments and to concern the various rhythmic patterns of Zikir Salai in Trimandayan Village. The method used was descriptive analytic with a musicological approach. The data in this research were in the form of rebana and gedomba 'musical instrument playing techniques, and the beat pattern of the Zikir Salai in Trimandayan Village. The participants in this study were the artist figures who knew about this art. Data collection was done by observing, interviewing, and documenting, checking the validity of the data by extending observations and triangulating sources. The data analysis technique used was the analisys content technique of Moleong's (1991) model. Based on the data analysis Rebana and Gedomba’ had two kinds of sound “dung” and “cang”, there were five beat patterns one basict beat, two basic beat, tandak beat, keroncong beat, and dangdut beat, there are also rhythmic development of every basic beats and also techniques expansion and tone color “dung” on dangdut beat. Finally researcher hopes this research can stimulate the interest to learn traditional art especially Zikir Salai in Trimandayan Vilage Teluk Keramat District on Sambas Regency.Keywords: Pattern of beat, Traditional Art, Zikir Salai.

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