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BENTUK PENYAJIAN TARI JEPIN LANGKAH BUJUR SERONG DI KOTA PONTIANAK KALIMANTAN BARAT Lissa Maharani; Imma Fretisari; Regaria Tindarika
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 6 (2021): Juni 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i6.47039

Abstract

AbstractThis study aims to describe the presentation form of the Jepin Langkah Bujur Serong dance of Pontianak, West Kalimantan, as well as to complete the research data. The focused problem is related to the elements of presentation form of the dance. Qualitative descriptive method was applied in the study, with qualitative form and the use of choreography approach. The data was collected by observation, interview and documentation of the Jepin Langkah Bujur Serong as an entertainment dance. The dance is performed by 4 to 10 dancers of both men and women. It has 3 variation of movement: the beginning, the middle and the end, which are known as ragam 1, ragam 2 and ragam 3. Tahto movement is used in every change of the ragam. The floor patterns of the dance can also be adjusted creatively. Musical instruments played to perform the dance are selodang, gambus, beruas, accordion and violin. Realist makeup and the Malay’s traditional clothes of Pontianak are used in performing this dance.Keyword: Form of presentation of the Jepin Langkah Bujur Serong dance
STRUKTUR GERAK TARI JEPIN LANGKAH BISMILLAH DI KELURAHAN SIANTAN HILIR KECAMATAN PONTIANAK UTARA Fifilia Sarianti; Ismunandar Ismunandar; Regaria Tindarika
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 3 (2021): Maret 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i3.46009

Abstract

AbstractThis research was influenced by the occurrence of changes in the movement of the Jepin Langkah Bsimillah dance so that the researcher wants to maintain the authenticity of the Jepin Langkah Bismillah dance. This research uses the descriptive method in the qualitative form and uses the choreography approach. The interviewees in this research are Suhaili, Syamsul Watan and Alkhanul Khairat who know about the Jepin Langkah Bismillah dance in Siantan Hilir Village, North Pontianak District. The techniques of data collection used are observation, interviews, and documentation. The data validity testing techniques used are the extension of observation and sources triangulation. Based on the analysis of the data, it can be concluded that the structures of the Jepin Langkah Bismillah dance movements at Siantan Hilir Village, North Pontianak District are as follows: There are 3 types of motion which are described based on the smallest part first, namely the motion motives, motion phrases, sentences of motion and groups of movement that become a unified whole of motions in the Jepin Langkah Bismillah dance. Jepin Langkah Bismillah consists of 108 motion motives, 97 motion phrases, 35 motion sentences and 4 motion groups with tahto as a liaison.Keywords: Motion Structure, Jepin Langkah Bismillah Dance.
BENTUK PENYAJIAN TARI JEPIN KEMBANG MANGGAR DI KELURAHAN BATU LAYANG KOTA PONTIANAK Christiani Resha Pageans; Ismunandar Ismunandar; Regaria Tindarika
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 3 (2020): Maret 2020
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (159.003 KB) | DOI: 10.26418/jppk.v9i3.39892

Abstract

AbstractThe background of this research is to find out and understand more deeply the form of Jepin Kembang Manggar dance presentation in Batu Layang Subdistrict, North Pontianak District, which includes: dance movements, top design, floor design, dramatic design, dynamics, group composition, themes, musical accompaniment, cosmetology and fashion, property and venue.  This study uses descriptive methods in a qualitative form and uses a choreographic approach.  The results of this study are the dance name Jepin Kembang Manggar taken from the property name, manggar.  Jepin Kembang Manggar dance has an initial, middle and final motion.  Jepin Kembang Manggar dance is a group dance and can be danced en masse.  The musical instruments used to elevate the Jepin flower dance of Manggar are Gambus, Gendang Panjang, Tawak / Gong, Tar, Violin and Accordion.  Jepin Kembang Manggar dance, using realist makeup.  Clothing worn by female dancers, brackets, trousers, gills, obi, and flower accessories and earrings.  The clothing worn by male dancers uses a telok pot, gill cloths, and the slopes worn on the head.  The property used is the flower shaped Manggar. Keywords: Dance, Jepin Kembang Manggar, Presentation
BENTUK PENYAJIAN TARI JEPIN TEMBUNG PANJANG DI KOTA PONTIANAK Firsti Irda Kurnia Asih; Ismunandar Ismunandar; Regaria Tindarika
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 12 (2020): Desember 2020
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v9i12.43593

Abstract

Abstract The present research was conducted in order to describe the data and the information completely about the Jepin Tembung Panjang dance. The purpose of this research is to describe and record the Jepin Tembung Panjang dance in written form, pictures, and video. The method that used in this research is descriptive analysis in form of descriptive qualitative research and use the ethnochoreology approach with choreography discipline. The sources of this research are Muhammad Yusuf Dahyani and Anwar Dja’far that knowing about the form of presenting the Jepin Tembung Panjang in Pontianak city, Kalimantan Barat. The data collection of this research are observation, interview and documentation study. Technique of testing the validity data that used are extension of observations and triangulation technique. Jeping Tembung Panjang dance can be danced en masse with a multiple of four dancers. The instruments to company this are Beruas, Gambus, Akordion dan Biola. The Jeping Tembung Panjang dance will use realist makeup. This dance will be danced by two dancer those are male and female. Keywords: form of presentation, Jepin Tembung Panjang dance.
Co-Authors Christiani Resha Pageans Fifilia Sarianti Firsti Irda Kurnia Asih Imma Fretisari Ismunandar Ismunandar Lissa Maharani