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The Mood, Atmosphere And Tone In The Novel; Socio-Economic Issues In The Novel Amara Putri Pertiwi; Nur Abqori Salma; Wildan Muttaqiin Sandah; Nurholis Nurholis
Sintaksis : Publikasi Para ahli Bahasa dan Sastra Inggris Vol. 3 No. 1 (2025): Januari : Publikasi Para ahli Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/sintaksis.v3i1.1292

Abstract

This article investigates the use of mood, atmosphere, and tone in F. Scott Fitzgerald's novel The Great Gatsby, as well as the socio-economic issues discussed therein, including gender, race, and social class. This research also investigates how Fitzgerald uses these narrative elements to criticize the American Dream and emphasize social inequality in the United States during the Jazz era. This novel tells of the sadness, emptiness, and dissatisfaction hidden behind the outer luxury and glamour. The results of the analysis show that The Great Gatsby shows a sharp criticism of socio-economic injustice and unrealistic expectations in society at that time. These things are still relevant for today's society
Nilai Ikhlas sebagai Pembentuk Pengendalian Emosi dalam Film Inside Out Salwa Rismilillah Akmalia; Wildan Muttaqiin Sandah; Sara Samrotul Atkia; Fazar Sidik; Dadan Firdaus
Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat Vol. 3 No. 3 (2026): Juli: Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat
Publisher : Asosiasi Riset Ilmu Pendidikan Agama dan Filsafat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/akhlak.v3i3.2314

Abstract

This study analyzes the representation of emotions in the animated film Inside Out (2015) through the lens of Islamic Ethics and Mysticism (Akhlak Tasawuf), focusing on the value of sincerity (al-ridha) as a shaping force in the emotional regulation of the main character, Riley. Employing a descriptive qualitative method through documentation technique, the study examines scenes, dialogues, and character expressions reflecting processes of emotional acceptance and management. Data were analyzed using a combined framework drawing from the concept of rida in Sufi ethics and the Process Model of Emotion Regulation, particularly cognitive change and response modulation strategies. Findings indicate that al-ridha functions as an inner stabilizer guiding Riley toward nafs muthmainnah (a tranquil soul), evidenced in key scenes such as Riley's emotional disclosure to her parents and the transformation of her core memories. The concept of itsar (empathy) also emerges as a social dimension of emotional regulation that conventional psychological models tend to overlook. This study contributes an interdisciplinary framework bridging the psychological and spiritual dimensions of film analysis, while addressing a gap in research on animated films from an Islamic perspective.