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All Journal Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Argopuro: Jurnal Multidisiplin Ilmu Bahasa Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Sintaksis: Publikasi Para Ahli Bahasa dan Sastra Inggris Ardhi: Jurnal Pengabdian dalam Negri Argopuro : Jurnal Multidisiplin Ilmu Bahasa
Nurholis Nurholis
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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Collection of Short Stories Lukisan Untuk Papa: Reflective Sociological Analysis Class and Social Affairs Through Short Stories Focusing on Titled Stories Aku Ingin Pulang Viki Savira Nasyarin; Nurholis Nurholis
Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Vol. 2 No. 3 (2024): September: Fonologi : Jurnal Ilmuan Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/fonologi.v2i3.881

Abstract

This article tries to analyze the class or social conflict reflected through one of the short story titles, especially the one entitled Aku Ingin Pulang from the short story collection Lukisan Untuk Papa by Nanan Ginanjar. Through descriptive qualitative analysis by critically reading literary works which will then be identified. The depiction contained in the literary work is not only a narrative plot, but also a reflection of the social, cultural and political conditions prevailing in Indonesian society through a series of words that the author tries to describe through his writing. There are sixteen short story titles contained in this short story collection book which of course contains various types of social life including conflicts that generally occur in the surrounding community such as conflicts between families, economic conflicts, and cross-generational conflicts. However, this discussion only focuses on the short story entitled “Aku Ingin Pulang”. The results of the study: (1) Ari as the main character who misses his life in the village. (2) Ari's father's efforts to improve the family's economy by betting his fate in the capital have reached a deadlock. (3) The existence of several lower middle class families living under the flyover is a real picture that occurs around the village.
Exploring Dehumanization In The Maus Comics By Art Spiegelman Tegar Tri Surya Kencana; Nurholis Nurholis
Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Vol. 2 No. 3 (2024): September: Fonologi : Jurnal Ilmuan Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/fonologi.v2i3.883

Abstract

This study limits the problem its problem to the issue of social dehumanization depicted in the comic Maus, which as a reflection of the Jewish community’s condition in Germany during the Nazi regime. This research is qualitative research that uses Ian Watt's sociology of literature as a basis for theorizing. By regarding literature as a reflection of society, this research aims to elucidate how the comic Maus reflects the issue of dehumanization, based on the social realities of the World War II era. The data used in this study are quotations from the comic Maus, supplemented by supporting literature such as books and scholarly articles. The data collection techniques employed in this research include: 1) identifying social issues within the comic, 2) analyzing and interpreting these social issues, 3) examining the data as a reflection of society depicting the social problem of dehumanization among the Jewish community in Germany during the Nazi regime, and 4) formulating conclusions based on the analysis conducted. The conclusion drawn from this research is that the comic Maus serves as a reflection of the dehumanization in Germany according to the author's perspective or ideology, influenced by the author's social background. As a reflection of social realities, Maus cannot fully represent the entirety of society. Through the author, who represents a segment of society that experienced the Holocaust, Spiegelman presents his social viewpoint on the dehumanization that occurred in Germany, drawing from his family's experiences as survivors of the horrific events perpetrated by the Nazis.
The Human Condition and Nature’s Reflection in 'The Minister's Black Veil' Taufan Saputra; Nurholis Nurholis
Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Vol. 2 No. 3 (2024): September: Fonologi : Jurnal Ilmuan Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/fonologi.v2i3.884

Abstract

This research delves into the intricate connection that exists between the human condition and the reflection of nature. Through a nearby investigation of the text, this examination intends to reveal how Hawthorne complicatedly winds around together components of imagery and story to depict hidden presences - a figurative investigation of the intricacies of human life and its collaboration with the regular world. The narrative delves into the depths of individual consciousness while simultaneously reflecting the sublime beauty and mystery of nature, drawing on themes of isolation, morality, and societal norms. This study sheds light on the larger cultural and philosophical implications of the narrative by contrasting Hawthorne's portrayal with Wordsworth's philosophical perspectives on human existence and nature."
Prophecy And Reality: Hegemony In “1984” George Orwell And “Entrok” By Okky Mandasari Tasya Putri Redina; Nurholis Nurholis
Sintaksis : Publikasi Para ahli Bahasa dan Sastra Inggris Vol. 2 No. 5 (2024): September : Publikasi Para ahli Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/sintaksis.v2i5.1054

Abstract

This study investigates the hegemonic practices depicted in George Orwell’s “1984” and Okky Mandasari’s “Entrok,” comparing the methods of state control and indoctrination in both novels. Hegemony, as conceptualized by Gramsci, involves not just physical dominance but also ideological influence and societal consensus. This research employs a qualitative inductive method to explore how these novels represent state hegemony through their narratives and characters “1984” portrays a dystopian society where The Party exerts total control, influencing citizens from childhood through public spectacles and constant surveillance, leading to pervasive fear and compliance. Similarly, “Entrok” depicts the New Order era in Indonesia, where the state employs indoctrination intimidation to maintain power, affecting individuals and their communities. Through comparative literature theory, this study highlights the similarities and differences in the portrayal of state dominance in these two novels. The findings reveal that both novels illustrate the pervasive and multifaceted nature of hegemony, emphasizing the role of ideological control and the subtle mechanisms of power that shape societal behavior and beliefs.
Bank Sampah Sebagai Alternatif Penyelesaian Sampah Yang Berkelanjutan Dan Peningkatan Ekonomi Di Desa Jatiwangsan Kecamatan Kemiri Kabupaten Purworejo Yuli Widiyono; Arif Susanto; Ari Fajar Isbakhi; Nurholis Nurholis; Citra Maharani Ivoniya
ARDHI : Jurnal Pengabdian Dalam Negri Vol. 2 No. 3 (2024): ARDHI : Jurnal Pengabdian Dalam Negri
Publisher : Asosiasi Riset Pendidikan Agama dan Filsafat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/ardhi.v2i3.467

Abstract

The Garbage Bank program carried out in Jatwansan village, Kemiri sub-district, Purworejo district, Central Java is in the form of workshop activities attended by the local Jatiwangsan Village community. This activity workshop "(Creative Economy) Implementation of Community Economic Improvement Through Garbage Bank Activities". 28 members of the PKK participated in this activity. The PKM activity was divided into three stages, namely the Socialization, Monitoring and Evaluation stages. The material provided was related to "Community-Based Waste Management". In carrying out this activity the Jatiwangsan PKK member community group was very enthusiastic when participating in this activity, this can be seen from the desire of the community members to provide further assistance in implementing the waste bank program. The results of the workshop activities showed that the percentage of understanding of the PKM participants, as much as more than 80% of the participants really understood the material related to "Community-Based Waste Management". In this case PKK members already understood how to manage and sort waste. As for the Garbage Bank materials, more than 75% of the participants understood the forms of waste management and sorting. The method used in the implementation of this workshop activity is a quantitative approach. The purpose of implementing this activity is waste management and economic improvement.
The Mood, Atmosphere And Tone In The Novel; Socio-Economic Issues In The Novel Amara Putri Pertiwi; Nur Abqori Salma; Wildan Muttaqiin Sandah; Nurholis Nurholis
Sintaksis : Publikasi Para ahli Bahasa dan Sastra Inggris Vol. 3 No. 1 (2025): Januari : Publikasi Para ahli Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/sintaksis.v3i1.1292

Abstract

This article investigates the use of mood, atmosphere, and tone in F. Scott Fitzgerald's novel The Great Gatsby, as well as the socio-economic issues discussed therein, including gender, race, and social class. This research also investigates how Fitzgerald uses these narrative elements to criticize the American Dream and emphasize social inequality in the United States during the Jazz era. This novel tells of the sadness, emptiness, and dissatisfaction hidden behind the outer luxury and glamour. The results of the analysis show that The Great Gatsby shows a sharp criticism of socio-economic injustice and unrealistic expectations in society at that time. These things are still relevant for today's society
Gender, Ras, Dan Kelas Dalam Novel The Adventures Of Huckleberry Finn Karya Mark Twain Salman Hasyim A; Salwa Khuzaimatu S; Tsulis Khoerunnisa; Nurholis Nurholis
Sintaksis : Publikasi Para ahli Bahasa dan Sastra Inggris Vol. 3 No. 1 (2025): Januari : Publikasi Para ahli Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/sintaksis.v3i1.1295

Abstract

This study applies a qualitative research method with an intersectionality approach to analyze Mark Twain's The Adventures of Huckleberry Finn, which explores issues related to race, gender, and class in the context of post-civil war America. The main focus of this research is how racial, gender, and class identities interact with each other in shaping the experiences of the characters, specifically Huck, a white boy from the lower class, and Jim, an escaped African-American slave. Through the analysis of their cross-racial relationship, this study highlights the complex power dynamics, where Jim is trapped in a racial and class hierarchy, while Huck struggles against social pressure from female authority figures representing patriarchy. The findings of this study suggest that character identities are shaped by the intersection of multiple factors, providing a deeper understanding of the challenges faced in maintaining or resisting oppressive systems of power. The Adventures of Huckleberry Finn, a classic novel by Mark Twain, is a clear example of how literary works that criticize racial injustice can be misinterpreted and censored. Twain presents a scathing satire of American society, exposing its hypocrisy and failure to realize the promised values of equality. As such, the deep meanings contained within are buried under layers of superficial and biased interpretations.
EKSOTISME DAN IDENTITAS ISLAM DALAM SASTRA KONTEMPORER INDIA DAN PAKISTAN Risma Fadilla; Silva Saputri; Nurholis Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 4 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i4.8884

Abstract

Abstract Exoticism is an important concept in literature, especially in works that depict cultures foreign to their readers. This article explores exoticism in three literary works set in India and Pakistan: The Holy Woman and Typhoon by Qaisra Shahraz, as well as Taj Mahal by John Shors and Taj by Timeri N. Murari. Through a comparative approach, this article analyzes how exoticism functions not only as an aesthetic appeal, but also as a tool to critique social norms. Qaisra Shahraz utilizes exoticism to highlight the injustice of patriarchy in Pakistan, while John Shors and Timeri N. Murari use the historical and architectural exoticism of the Taj Mahal to present a romantic and intriguing narrative. The results of this study show that exoticism in literature can enrich the understanding of other cultures, as well as being an effective medium for social criticism. Keywords: exoticism, literature, India, Pakistan, patriarchy, Taj Mahal. Abstrak Eksotisme adalah konsep penting dalam sastra, terutama dalam karya yang menggambarkan budaya asing bagi pembacanya. Artikel ini mengeksplorasi eksotisme dalam tiga karya sastra yang berlatar India dan Pakistan: The Holy Woman dan Typhoon oleh Qaisra Shahraz, serta Taj Mahal oleh John Shors dan Taj oleh Timeri N. Murari. Melalui pendekatan komparatif, artikel ini menganalisis bagaimana eksotisme tidak hanya berfungsi sebagai daya tarik estetis, tetapi juga sebagai alat untuk mengkritik norma sosial. Qaisra Shahraz memanfaatkan eksotisme untuk menyoroti ketidakadilan patriarki di Pakistan, sementara John Shors dan Timeri N. Murari menggunakan eksotisme sejarah dan arsitektur Taj Mahal untuk menyajikan narasi romantis dan penuh intrik. Hasil kajian ini menunjukkan bahwa eksotisme dalam karya sastra dapat memperkaya pemahaman tentang budaya lain, sekaligus menjadi media kritik sosial yang efektif. Kata kunci: eksotisme, sastra, India, Pakistan, patriarki, Taj Mahal.
BENTUK DAN STRUKTUR NOVEL 1984 KARYA ORWELL, G. Dhivia Purnama Arsiladeva; Syahla Fatia Zahra; Nurholis Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 4 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i4.8887

Abstract

Abstract This research explains the forms and structures in the novel 1984 by George Orwell. The novel presents a dystopian tale set against the backdrop of a totalitarian regime, where the Communist Party, led by Big Brother, exercises strict control over every aspect of society. The story centers on Winston Smith, a low-ranking Party member who works at the Ministry of Truth, where he is tasked with altering historical records to support the Party's narrative. Feeling oppressed by pervasive surveillance and relentless propaganda, Winston secretly rebels by seeking truth and individual freedom. In his quest, he forms a forbidden relationship with Julia, a fellow Party member, and together they savor moments of intimacy and resistance. However, their rebellion is ultimately crushed by the Party's machinery of control. Winston is captured, tortured, and reprogrammed to fully align with the Party's ideology. The novel explores themes of power, identity, and the malleability of truth while highlighting the dangers of surveillance, language manipulation, and the loss of personal autonomy. Through its grim portrayal of a world devoid of individuality and freedom, 1984 serves as a profound warning against totalitarianism and the consequences of unchecked power. Keywords: form, structure, 1984, George Orwell, dystopia, totalitarianism, Big Brother, strict control, Winston Smith, Ministry of Truth. Abstract Penelitian ini berisi tentang penjelasan bentuk dan struktur dalam novel 1984 karya George Orwell. Novel ini berisi tentang sebuah kisah distopia yang berlatar belakang rezim totaliter, dimana Partai Komunis yang dipimpin oleh Big Brother melakukan kontrol ketat terhadap setiap aspek kehidupan masyarakat. Cerita ini berfokus pada Winston Smith, seorang anggota Partai dengan pangkat rendah yang bekerja di Kementerian Kebenaran, di mana dia bertugas mengubah catatan sejarah untuk mendukung narasi Partai. Merasa tertekan oleh pengawasan yang mengikat dan propaganda yang tiada henti, Winston secara diam-diam memberontak dengan mencari kebenaran dan kebebasan individu. Dalam upayanya, dia menjalin hubungan terlarang dengan Julia, sesama anggota Partai, dan mereka menikmati momen-momen keintiman dan perlawanan. Namun, pemberontakan mereka pada akhirnya dihancurkan oleh mesin kontrol Partai. Winston ditangkap, disiksa, dan diprogram ulang agar sepenuhnya sesuai dengan ideologi Partai. Novel ini menyelidiki tema kekuasaan, identitas, dan fleksibilitas kebenaran, serta menyoroti bahaya pengawasan, manipulasi bahasa, dan hilangnya otonomi pribadi. Melalui gambaran suram tentang dunia yang kehilangan individualitas dan kebebasan, 1984 menjadi peringatan yang mendalam terhadap totalitarianisme dan konsekuensi dari kekuasaan yang tidak terkendali. Keywords: bentuk, struktur, 1984, George Orwell, distopia, totalitarianisme, Big Brother, kontrol ketat, Winston Smith, kementerian kebenaran.
IRONI DALAM NOVEL ANIMAL FARM KARYA GEORGE ORWELL Ainan Salsabila; Gibran Hidayaturahman; Laila Qadera Fitria; Salwa Rismilillah Akmalia; Nurholis Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 4 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i4.8916

Abstract

Abstract This study discusses the use of irony in George Orwell's novel Animal Farm as a tool for social and political criticism of totalitarianism. In this work, irony appears in various forms, including verbal, situational, and dramatic irony, reflecting the betrayal of revolutionary ideals and the corruption of power. Orwell uses irony to expose the injustice and manipulation carried out by the ruling elite, while also demonstrating how the equality promised at the start of the revolution turns into even harsher oppression. Through in-depth analysis, this study highlights the function of irony as a means of delivering criticism of authoritarian political systems. The findings show that irony in Animal Farm not only creates layers of complex meaning, but also serves as a mirror of the social and political realities of society. Thus, this study affirms the relevance of irony as an effective literary tool in critiquing oppressive forms of power and showing their impact on the social order. Additionally, the irony in Animal Farm helps readers understand how propaganda is used to strengthen absolute power. Keywords: Irony, Social Criticism, Totalitarianism, Animal Farm, George Orwell Abstrak Penelitian ini membahas penggunaan ironi dalam novel Animal Farm karya George Orwell sebagai alat kritik sosial dan politik terhadap totalitarianisme. Dalam karya ini, ironi muncul dalam berbagai bentuk, termasuk ironi verbal, situasional, dan dramatis, yang mencerminkan pengkhianatan terhadap cita-cita revolusioner dan korupsi kekuasaan. Orwell memanfaatkan ironi untuk mengungkap ketidakadilan dan manipulasi yang dilakukan oleh elit penguasa, sekaligus menunjukkan bagaimana kesetaraan yang dijanjikan di awal revolusi berubah menjadi penindasan yang lebih kejam.​ ​​​​Melalui analisis mendalam, penelitian ini menyoroti fungsi ironi sebagai sarana menyampaikan kritik terhadap sistem politik otoriter. Hasil penelitian menunjukkan bahwa ironi dalam Animal Farm tidak hanya menciptakan lapisan makna yang kompleks, tetapi juga berfungsi sebagai cermin bagi realitas sosial dan politik di masyarakat. Dengan demikian, penelitian ini menegaskan relevansi ironi sebagai alat sastra yang efektif dalam mengkritisi bentuk-bentuk kekuasaan yang menindas dan menunjukkan dampaknya terhadap tatanan sosial. Selain itu, ironi dalam Animal Farm juga membantu pembaca memahami bagaimana propaganda digunakan untuk memperkuat kekuasaan absolut. Kata Kunci: Ironi, Kritik Sosial, Totalitarianisme Animal Farm, George Orwell
Co-Authors Achmad, Fariz Ainan Salsabila Alisha Mulya Wardhani Amara Putri Pertiwi Andhini Aulia Pratiwi Andini Khairunisa Sulaiman Aprilia Maulidina Arfia Diva Alzahra Ari Fajar Isbakhi Azzahra, Bunga Aulia Citra Maharani Ivoniya Dhivia Purnama Arsiladeva Dimas Fajar Dzulkhaffi Muhammad Arieful Husna Fathimah Az Zahro Fazar Sidik Gibran Hidayaturahman Laela Tusa’adah Laila Qadera Fitria Mawaddah, Luthfiyya Fariha Mhd. Al. Fadin Muhammad Fuad Ramadhan Nur Abqori Salma Ochy Caramoy Raga Riswanda Rahma Safira Rahmi Wulansari Ramadha Abuzar Pratama Reza Juliansa Rhaka Alfian. N Ridho Nurfadhilah Rifaa Ghassani Rahman Riffa Taufik Hidayatullah Rinda Revanita Risma Fadilla Rizal Nazarudin Firdaus Safira Aulia Salma Deria Putri Salma Fitriyani Salman Hasyim A Salwa Khuzaimatu S Salwa Rismilillah Akmalia Sara Samrotul Atkia Sarah Mudrika Zain Shabrina Nurul Fauziyah Shafirany Arafah Shifa Achmadah Syauqi Silva Saputri Sinsin Sintya Supriatin, D Allya Putri Syahla Fatia Zahra Tasya Putri Redina Taufan Saputra Tegar Tri Surya Kencana Tsulis Khoerunnisa Viki Savira Nasyarin Wildan Muttaqiin Sandah Yuli Widiyono