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Rizki Ramadhani, Anjani Ayu
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Arts Humanities Education

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Model Penyajian Tari Ronggeng Beken dalam Festival Pesona Nusantara Bekasi Keren dalam Perspektif Performativity menurut Richard Schechner Rizki Ramadhani, Anjani Ayu; Nursilah; B. Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 5 No 1 (2024): Pendidikan Tari untuk Mengembangkan Kreativitas, Kepekaan Estetika, dan Etika
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.518

Abstract

Ronggeng Beken Dance is a cultural expression of the people of Bekasi, showcased in the Pesona Nusantara Bekasi Keren Festival. This article discusses the presentation model of the Ronggeng Beken Dance through the lens of performativity according to Richard Schechner, encompassing the elements of ritual, restored behavior, and performativity in the performance. Using a qualitative approach with ethnographic methods, this study analyzes how the Ronggeng Beken Dance reflects local cultural identity while adapting to the dynamics of the multicultural society in Bekasi. Composed by Gema Nusa Patriot, the Ronggeng Beken Dance combines Betawi and Sundanese cultural elements in its movements and musical accompaniment, symbolizing the unique culture of Bekasi. The dance presentation also integrates modern props such as sunglasses, adding a "cool" or modern dimension to local tradition. The results of the study show that this performance serves not only as entertainment but also as a medium to strengthen the cultural identity of the Bekasi community in a large-scale festival. Schechner's performativity perspective helps to understand the dynamics of the Ronggeng Beken Dance presentation, which creates space for social and cultural transformation within the multicultural community.
Co-Authors B. Kristiono Soewardjo Nursilah