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All Journal Syntax Literate: Jurnal Ilmiah Indonesia JISAE (Journal of Indonesian Student Assesment and Evaluation) Jurnal Sastra Indonesia Jurnal Seni Nasional Cikini Abdi Masyarakat Jurnal Locus Penelitian dan Pengabdian Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Jurnal Pendidikan Tari
B. Kristiono Soewardjo
Universitas Negeri Jakarta
Aerospace Engineering Arts Humanities Automotive Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Empat Wajah Topeng Indonesia: Karakteristik Tradisi Pada Budaya Jakarta, Cirebon, Malang, dan Bali Wiradharma, Gunawan; Soewardjo, B. Kristiono; Sediyaningsih, Sri; Rachman, Ace Sriati; Sopandi, Agus Tatang
Jurnal Sastra Indonesia Vol 10 No 3 (2021): November
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v10i3.51652

Abstract

Indonesian as a country rich in cultural values has a myriad of unique and distinctive traditional cultural arts relics in each region. Art, whatever form it takes, can be a place to accommodate all the aspirations of its people. So that art itself is not only considered a form of “beauty”, but also a representation of the characteristics of a society in question. With the variety of arts in Indonesian, this research focuses on mask arts, especially in performing arts and mask carving art. The interesting thing about the art of this mask is only seen when there is a connection between the masks on the island of Java, especially the Malang, Cirebon, and Jakarta areas with masks in Bali. Therefore, through research with a qualitative descriptive approach has identified the characteristics of tradition in mask art in Bali, Cirebon, Jakarta, and Malang. It is called mask art because there are characters and stories in these masks. This study received a discussion about the position of the four mask-producing areas as an effort to document the oral traditions that developed in the area concerned. This research ultimately resulted in the result that there is homologism and coherence of structures between the masks in Bali, Malang, Cirebon, and Jakarta, both in term of the historical spread of the mask itself, the color symbols used, musical instruments played, the stories of the shows raised, to the characteristics of the mask carving itself.
Visualisasi Karakteristik Topeng Tunggal Melalui Penciptaan Film Tari Berbasis Topeng Gegot Betawi Berjudul Nindak Jirumklan B Kristiono Soewardjo; Didin Supriadi; Rizki Taufik Rakhman; Eko Hadi Prayitno
Jurnal Seni Nasional Cikini Vol 8 No 2 (2022): Jurnal Seni Nasional Cikini Vol. 8 No. 2
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsnc.v8i2.197

Abstract

Tujuannya untuk menciptakan karya tari yang berbentuk film tari dengan merekonstruksi tradisi Betawi berupa tari Topeng Gegot agar budaya Betawi tidak punah dan tetap berkembang di masyarakat dan mengingatkan kita akan sejarah kota Jakarta. Metode kualitatif yang digunakan dengan pendekatan penelitian seni melalui beberapa tahapan, yaitu (1) Menetapkan Fokus Kajian, (2) Pengumpulan Data dan Informasi, (3) Metode Observasi, (4) Teknik Pengumpulan Data Dokumen, (5) Wawancara, (6) Matriks Pengumpulan Data. Teori yang digunakan yaitu teori penciptaan Alma M Hawkins Moving from Within: A New Method for Dance Making terjemahan I Wayan Dibia Bergerak Menurut Kata Hati: Metode Baru dalam Mencipta Tari yang terdiri dari mengalami atau mengungkapkan, melihat, merasakan, menghayalkan, mengejawantahkan, dan pembentukan. Rekomendasi hasil penciptaan film tari ini dapat memberikan pengalaman dalam berimajinatif, menumbuh-kembangkan ingatan kita akan penciptaan seni, mengolah dimensi ruang melalui perkembangan teknologi serta dapat memperluas keilmuan koreografi.
Promosi Budaya Betawi Tionghoa Melalui Youtube Wardhani, Rizky; Soewardjo, B. Kristiono; Utami, Heryanti
Syntax Literate Jurnal Ilmiah Indonesia
Publisher : CV. Ridwan Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (345.689 KB) | DOI: 10.36418/syntax-literate.v6i2.4880

Abstract

Budaya Betawi Tionghoa sebagai bentuk upaya promosi budaya di DKI Jakarta. Keunikan budaya Betawi Tionghoa ini menjadi salah satu daya tarik pariwisata untuk terus digali. Percampuran etnis Betawi dan Tionghoa ini memiliki turunan budaya yang unik dan menarik untuk dilestarikan. Di beberapa daerah dengan perkampungan etnis budaya Betawi Tionghoa ini masih melestarikan budaya leluhur dari tanah kelahiran, seperti adat istiadat, pernikahan, dan juga kuliner percampuran masakan Betawi dan Cina. Sesuai dengan perkembangan teknologi kta dapat mengenal promosi budaya melalui Youtube sebagai wadah teknologi yang ada. Studi pustaka dan penelusuran melalui video yang diunggah melalui Youtube menjadi salah satu metode yang dilakukan. Semua data diperoleh dari hasil pendataan dari kanal Youtube menggunakan kata kunci serta dilakukan observasi. Temuan analisis dalam penelusuran video ini terdapat beberapa video budaya Betawi Tionghoa masih dapat dikembangkan dan hanya sedikit yang ada di tayangan kanal Youtube. Video budaya Betawi Tionghoa yang ada di Youtube ternyata masih didominasi dengan pencarian tradisi lisan Pantun pada budaya Palang Pintu, tetapi hanya sedikit yang membahas budaya Betawi Tionghoa
Penciptaan Tari "Ngies" pada Prosesi Adat Buang Jong Suku Sawang dengan Pijakan Gerak Tari Kedidi Menggunakan Metode Moving from Within Alma M. Hawkins. Robi Maulana bujang; Ida Bagus Ketut Sudiasa; Bambang Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 2 No 2 (2022): Ekspresi Seni melalui Pembelajaran dan Karya Tari
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.222

Abstract

The Creation of Ngies Dance in the Buang Jong Traditional Procession of the Sawang Tribe with the Footing of the Kedidi Dance Using the Form Within Alma M Hawkins Method, Thesis (Final Choreograph), Dance Education Study Program, Faculty of Language and Arts, State University of Jakarta.This dance work raises the story of a traditional ritual that exists in one of the villages in Bangka Belitung, precisely in the Kumbung Village of South Bangka Regency, namely the Buang Jong Ritual, where throwing garbage means the boat can be interpreted as throwing jong the same as throwing the boat. The method used in this dance work Alma M Hawkins’s method from her book Moving from Within through the stages of experiencing, expressing, seeing, feeling, imagining, manifesting, forming, and evaluating. This dance work reveals how the ritual of throwing Jong was carried out through a new dance work with the footing of the Kedidi Dance movement. This work is the result of a personal observer packaged in a video with new dance moves and music.
Pengembangan Perempuan dalam Budaya Peranakan melalui Penciptaan Karya Tari Cokek Berjudul Nyai Cukin Era Jakarta Tempo Doeloe B. Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 2 No 2 (2022): Ekspresi Seni melalui Pembelajaran dan Karya Tari
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.223

Abstract

Cokek is a Betawi art that has been influenced by Chinese leaders’ culture and that was born in the 18th century. Cokek dance in those days was fostered and developed by wealthy Chinese owners. The term Peranakan is defined as a result of mixed cultures; Chinese culture originating from Hokkien migrants in the southern provinces of China and the local culture. The purpose of the research is to develop insight and knowledge about the Chinese Peranakan culture as one of the influencing elements on the Betawi culture, as well as the development of various disciplines such as dance, music, theater and scenography as a source of inspiration for dance creations based on the Cokek dance. The analysis method uses a qualitative method with a Research and Development approach with 10 stages, but in this second phase of the research only uses 7 stages, namely: (1) Potential and Problems, (2) Literature Study and Information Gathering, (3) Product Design, (4) Design Validation, (5) Design Revision, (6) Initial Trial (7) Product Revision. The theory used is the theory of creation of Alma M Hawkins Moving from Within: A New Method for Dance Making in the translation of I Wayan Dibia Moving According to the Heart: A New Method of Creating Dance which consists of experiencing or expressing, seeing, feeling, imagining, manifesting, and forming. Nyai Cukin Era Jakarta Tempo Doeloe was created in the form of a contemporary dance theater and uses 7 female dancers and 6 male dancers. It depicts women as Cokek dancers who can express their weary thoughts through joking while waiting for their partner in Kalijodo.
Pengembangan Gerak Uncul sebagai Dasar Penciptaan Karya Tari “Aer Sengketa” Mega Suryanti; Deden Haerudin; B. Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 3 No 2 (2023): Karya Tari dalam Pengembangan Pendidikan Tari
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.327

Abstract

The dance piece entitled Aer Sengketa comes from the Ujungan Arts tradition. Where Ujungan art is interpreted as a form of legitimacy of gratitude for the successful rice harvest and strengthens friendship between fighters from various directions. Accompanied by sampyong music as an accompaniment to the Uncul dance during the Ujungan game, combined with mask music, the atmosphere is more dramatic. This dance style has a number of dancers that will be used, namely 8 dancers, 10 silat players, 8 uncul dancers and 2 bobotoh. The purpose of creating the dance is to represent the culture of the Betawi people in the form of gratitude for the success of the rice harvest and to strengthen ties between fighters in various directions. The dance creation method uses Moving From Within from Alma M. Hawkins' book entitled “Moving From Within: A Method For Dance Making” which was translated by I Wayan Dibia into “Moving According to Your Heart”. The results of the creation of the Aer Sengketa dance enriched the motion motifs of the Betawi dance styles, as follows Gibang, Kewer, Goyang Plastik, Goyang Cendol, Slancar, and also silo tiger and mincit silat movements.
ASSESSMENT OF BETAWI DANCE PRACTICE LEARNING E-ASSESSMENT BASED Triana, Dinny Devi Triana; Soewardjo, B. Kristiono; Adhi, Bambang P; Budiman, Agus; Taryana, Tatang
JISAE: Journal of Indonesian Student Assessment and Evaluation Vol 9 No 2 (2023): JISAE (Journal of Indonesian Student Assessment and Evaluation)
Publisher : LPPM Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/jisae.v9i2.40285

Abstract

“Merdeka Belajar Kampus Merdeka” (MBKM) is a policy that prepares students ready for use in various joints of life, thus demanding the competence of students and educators in using and utilizing technology in learning. One of MBKM's policies is a student exchange that is converted to 20 credits. Students are given the authority to take courses at various colleges relevant to the field of science and graduate access. Under this policy, a number of courses that have been converted to the MBKM requirement are of concern, especially in the process of learning and assessment. E-assessment used in assessing the learning process of dance practice courses can be a solution, so that students are monitored and evaluated in their learning progress. E-assessment is applied in Betawi dance courses taught at UNJ and UPI Bandung. Research methods use R&D at the system development stage to obtain input so that the evaluation system on e-assessment can be used easily and measurably. The use of e-assessment is expected to make it easier for lecturers to monitor learning outcomes and convert the values acquired by students.
Gending Sriwijaya Dance Training For Bipa Students At Thammasat University Thailand Triana, Dinny Devi; Oktarini, Selly; Soewardjo, Kristiono; Nisa, Putri Faridatun
Abdi Masyarakat Vol 5, No 2 (2023): Abdi Masyarakat
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/abdi.v5i2.5944

Abstract

This Community Service activity aims to introduce Indonesian culture, especially those that have similarities to traditional Thai dances. The dance that was introduced and taught in this activity was the Gending Sriwijaya dance which originates from Palembang. Dance material is given in the BIPA class at the Faculty of Liberal Arts, University of Thailand. The training method is carried out in two ways, the first is online with additional video tutorials, for 5x meetings, then it is carried out offline for 2x face-to-face. Methods the training method uses modifications developed by Louis Genci (1966), Otto and Glaser (1970), namely 1) analyzing the initial abilities of the trainees, 2) formulating objectives, 3) determining methods and media that suit the characteristics of the trainees, 4) demonstrating and practicing skills, 5) evaluating training results. This method is very relevant to use as a long-distance dance training strategy involving foreign students. The success of this activity can be seen from the results of the questionnaire, where 90% of students were happy and wanted to learn other Indonesian dances. At the end of the training, there was a performance featuring 8 Thai students who focused on learning the Sriwijawa Gending Dance. 
Meningkatkan Kemampuan Berpikir Kritis Siswa Pada Pembelajaran Tari Melalui Metode Team Games Tournament Kelas X Busana 2 SMK Negeri 27 Jakarta Fajria, Lailatul; Ojang Cahyadi; B Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 4 No 2 (2024): Pendidikan Tari untuk Mengembangkan Keterampilan Abad 21
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study raises the problem that exists in class X Clothing 2 SMK Negeri 27 Jakarta, namely the lack of ability in students' critical thinking in dance learning. This problem occurs because the learning method at school has not led to activities that make students able to think critically, monotonous learning makes students bored. This study aims to improve students' critical thinking skills in dance learning through the Team Games Tournament (TGT) method in dance criticism material. This study used the Classroom Action Research (PTK) method from Kurt Lewin which was carried out in two cycles. Each cycle consists of four stages, namely Planning, Action, Observation, and Reflection. The research took place from February to May 2023 at SMK Negeri 27 Jakarta. Data was collected through a learning process in dance criticism material in 8 meetings for 2 cycles. Data collection techniques using observation techniques, interviews, and tests. The results showed that based on the results of the pre-cycle value of 46.6%, then cycle I increased to 71%, and cycle II to 86%. This can be interpreted that the application of the TGT learning method can significantly improve students' critical thinking skills. The conclusion of this study is that the TGT learning method has experienced a significant increase as evidenced by the learning outcomes using dance criticism material.
Model Penyajian Tari Ronggeng Beken dalam Festival Pesona Nusantara Bekasi Keren dalam Perspektif Performativity menurut Richard Schechner Rizki Ramadhani, Anjani Ayu; Nursilah; B. Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 5 No 1 (2024): Pendidikan Tari untuk Mengembangkan Kreativitas, Kepekaan Estetika, dan Etika
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.518

Abstract

Ronggeng Beken Dance is a cultural expression of the people of Bekasi, showcased in the Pesona Nusantara Bekasi Keren Festival. This article discusses the presentation model of the Ronggeng Beken Dance through the lens of performativity according to Richard Schechner, encompassing the elements of ritual, restored behavior, and performativity in the performance. Using a qualitative approach with ethnographic methods, this study analyzes how the Ronggeng Beken Dance reflects local cultural identity while adapting to the dynamics of the multicultural society in Bekasi. Composed by Gema Nusa Patriot, the Ronggeng Beken Dance combines Betawi and Sundanese cultural elements in its movements and musical accompaniment, symbolizing the unique culture of Bekasi. The dance presentation also integrates modern props such as sunglasses, adding a "cool" or modern dimension to local tradition. The results of the study show that this performance serves not only as entertainment but also as a medium to strengthen the cultural identity of the Bekasi community in a large-scale festival. Schechner's performativity perspective helps to understand the dynamics of the Ronggeng Beken Dance presentation, which creates space for social and cultural transformation within the multicultural community.
Co-Authors Ace Sriati Rachman Adhi, Bambang P Aditya Prasetyo, Mario Agus Budiman Deden Haerudin Didin Supriadi Dinny Devi Triana Fajria, Lailatul Ida Bagus Ketut Sudiasa Mega Suryanti Nisa, Putri Faridatun Nursilah Ojang Cahyadi Oktarini, Selly Rizki Ramadhani, Anjani Ayu Rizki Taufik Rakhman Rizky Wardhani Robi Maulana bujang Romi Nursyam Sediyaningsih, Sri Selly Oktarini Silviana Indah Fihartanti Sopandi, Agus Tatang Taryana, Tatang Triana, Dinny Devi Triana Utami, Heryanti Vanya Zelia Wiradharma, Gunawan