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All Journal Syntax Literate: Jurnal Ilmiah Indonesia JISAE (Journal of Indonesian Student Assesment and Evaluation) Jurnal Sastra Indonesia Jurnal Seni Nasional Cikini Abdi Masyarakat Jurnal Locus Penelitian dan Pengabdian Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Jurnal Pendidikan Tari
B. Kristiono Soewardjo
Universitas Negeri Jakarta
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Empat Wajah Topeng Indonesia: Karakteristik Tradisi Pada Budaya Jakarta, Cirebon, Malang, dan Bali Wiradharma, Gunawan; Soewardjo, B. Kristiono; Sediyaningsih, Sri; Rachman, Ace Sriati; Sopandi, Agus Tatang
Jurnal Sastra Indonesia Vol 10 No 3 (2021): November
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v10i3.51652

Abstract

Indonesian as a country rich in cultural values has a myriad of unique and distinctive traditional cultural arts relics in each region. Art, whatever form it takes, can be a place to accommodate all the aspirations of its people. So that art itself is not only considered a form of “beauty”, but also a representation of the characteristics of a society in question. With the variety of arts in Indonesian, this research focuses on mask arts, especially in performing arts and mask carving art. The interesting thing about the art of this mask is only seen when there is a connection between the masks on the island of Java, especially the Malang, Cirebon, and Jakarta areas with masks in Bali. Therefore, through research with a qualitative descriptive approach has identified the characteristics of tradition in mask art in Bali, Cirebon, Jakarta, and Malang. It is called mask art because there are characters and stories in these masks. This study received a discussion about the position of the four mask-producing areas as an effort to document the oral traditions that developed in the area concerned. This research ultimately resulted in the result that there is homologism and coherence of structures between the masks in Bali, Malang, Cirebon, and Jakarta, both in term of the historical spread of the mask itself, the color symbols used, musical instruments played, the stories of the shows raised, to the characteristics of the mask carving itself.
Visualisasi Karakteristik Topeng Tunggal Melalui Penciptaan Film Tari Berbasis Topeng Gegot Betawi Berjudul Nindak Jirumklan B Kristiono Soewardjo; Didin Supriadi; Rizki Taufik Rakhman; Eko Hadi Prayitno
Jurnal Seni Nasional Cikini Vol 8 No 2 (2022): Jurnal Seni Nasional Cikini Vol. 8 No. 2
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsnc.v8i2.197

Abstract

Tujuannya untuk menciptakan karya tari yang berbentuk film tari dengan merekonstruksi tradisi Betawi berupa tari Topeng Gegot agar budaya Betawi tidak punah dan tetap berkembang di masyarakat dan mengingatkan kita akan sejarah kota Jakarta. Metode kualitatif yang digunakan dengan pendekatan penelitian seni melalui beberapa tahapan, yaitu (1) Menetapkan Fokus Kajian, (2) Pengumpulan Data dan Informasi, (3) Metode Observasi, (4) Teknik Pengumpulan Data Dokumen, (5) Wawancara, (6) Matriks Pengumpulan Data. Teori yang digunakan yaitu teori penciptaan Alma M Hawkins Moving from Within: A New Method for Dance Making terjemahan I Wayan Dibia Bergerak Menurut Kata Hati: Metode Baru dalam Mencipta Tari yang terdiri dari mengalami atau mengungkapkan, melihat, merasakan, menghayalkan, mengejawantahkan, dan pembentukan. Rekomendasi hasil penciptaan film tari ini dapat memberikan pengalaman dalam berimajinatif, menumbuh-kembangkan ingatan kita akan penciptaan seni, mengolah dimensi ruang melalui perkembangan teknologi serta dapat memperluas keilmuan koreografi.
Promosi Budaya Betawi Tionghoa Melalui Youtube Wardhani, Rizky; Soewardjo, B. Kristiono; Utami, Heryanti
Syntax Literate Jurnal Ilmiah Indonesia
Publisher : CV. Ridwan Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (345.689 KB) | DOI: 10.36418/syntax-literate.v6i2.4880

Abstract

Budaya Betawi Tionghoa sebagai bentuk upaya promosi budaya di DKI Jakarta. Keunikan budaya Betawi Tionghoa ini menjadi salah satu daya tarik pariwisata untuk terus digali. Percampuran etnis Betawi dan Tionghoa ini memiliki turunan budaya yang unik dan menarik untuk dilestarikan. Di beberapa daerah dengan perkampungan etnis budaya Betawi Tionghoa ini masih melestarikan budaya leluhur dari tanah kelahiran, seperti adat istiadat, pernikahan, dan juga kuliner percampuran masakan Betawi dan Cina. Sesuai dengan perkembangan teknologi kta dapat mengenal promosi budaya melalui Youtube sebagai wadah teknologi yang ada. Studi pustaka dan penelusuran melalui video yang diunggah melalui Youtube menjadi salah satu metode yang dilakukan. Semua data diperoleh dari hasil pendataan dari kanal Youtube menggunakan kata kunci serta dilakukan observasi. Temuan analisis dalam penelusuran video ini terdapat beberapa video budaya Betawi Tionghoa masih dapat dikembangkan dan hanya sedikit yang ada di tayangan kanal Youtube. Video budaya Betawi Tionghoa yang ada di Youtube ternyata masih didominasi dengan pencarian tradisi lisan Pantun pada budaya Palang Pintu, tetapi hanya sedikit yang membahas budaya Betawi Tionghoa
Penciptaan Tari "Ngies" pada Prosesi Adat Buang Jong Suku Sawang dengan Pijakan Gerak Tari Kedidi Menggunakan Metode Moving from Within Alma M. Hawkins. Robi Maulana bujang; Ida Bagus Ketut Sudiasa; Bambang Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 2 No 2 (2022): Ekspresi Seni melalui Pembelajaran dan Karya Tari
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.222

Abstract

The Creation of Ngies Dance in the Buang Jong Traditional Procession of the Sawang Tribe with the Footing of the Kedidi Dance Using the Form Within Alma M Hawkins Method, Thesis (Final Choreograph), Dance Education Study Program, Faculty of Language and Arts, State University of Jakarta.This dance work raises the story of a traditional ritual that exists in one of the villages in Bangka Belitung, precisely in the Kumbung Village of South Bangka Regency, namely the Buang Jong Ritual, where throwing garbage means the boat can be interpreted as throwing jong the same as throwing the boat. The method used in this dance work Alma M Hawkins’s method from her book Moving from Within through the stages of experiencing, expressing, seeing, feeling, imagining, manifesting, forming, and evaluating. This dance work reveals how the ritual of throwing Jong was carried out through a new dance work with the footing of the Kedidi Dance movement. This work is the result of a personal observer packaged in a video with new dance moves and music.
Pengembangan Gerak Uncul sebagai Dasar Penciptaan Karya Tari “Aer Sengketa” Mega Suryanti; Deden Haerudin; B. Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 3 No 2 (2023): Karya Tari dalam Pengembangan Pendidikan Tari
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.327

Abstract

The dance piece entitled Aer Sengketa comes from the Ujungan Arts tradition. Where Ujungan art is interpreted as a form of legitimacy of gratitude for the successful rice harvest and strengthens friendship between fighters from various directions. Accompanied by sampyong music as an accompaniment to the Uncul dance during the Ujungan game, combined with mask music, the atmosphere is more dramatic. This dance style has a number of dancers that will be used, namely 8 dancers, 10 silat players, 8 uncul dancers and 2 bobotoh. The purpose of creating the dance is to represent the culture of the Betawi people in the form of gratitude for the success of the rice harvest and to strengthen ties between fighters in various directions. The dance creation method uses Moving From Within from Alma M. Hawkins' book entitled “Moving From Within: A Method For Dance Making” which was translated by I Wayan Dibia into “Moving According to Your Heart”. The results of the creation of the Aer Sengketa dance enriched the motion motifs of the Betawi dance styles, as follows Gibang, Kewer, Goyang Plastik, Goyang Cendol, Slancar, and also silo tiger and mincit silat movements.
ASSESSMENT OF BETAWI DANCE PRACTICE LEARNING E-ASSESSMENT BASED Triana, Dinny Devi Triana; Soewardjo, B. Kristiono; Adhi, Bambang P; Budiman, Agus; Taryana, Tatang
JISAE: Journal of Indonesian Student Assessment and Evaluation Vol. 9 No. 2 (2023): JISAE (Journal of Indonesian Student Assessment and Evaluation)
Publisher : LPPM Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/jisae.v9i2.40285

Abstract

“Merdeka Belajar Kampus Merdeka” (MBKM) is a policy that prepares students ready for use in various joints of life, thus demanding the competence of students and educators in using and utilizing technology in learning. One of MBKM's policies is a student exchange that is converted to 20 credits. Students are given the authority to take courses at various colleges relevant to the field of science and graduate access. Under this policy, a number of courses that have been converted to the MBKM requirement are of concern, especially in the process of learning and assessment. E-assessment used in assessing the learning process of dance practice courses can be a solution, so that students are monitored and evaluated in their learning progress. E-assessment is applied in Betawi dance courses taught at UNJ and UPI Bandung. Research methods use R&D at the system development stage to obtain input so that the evaluation system on e-assessment can be used easily and measurably. The use of e-assessment is expected to make it easier for lecturers to monitor learning outcomes and convert the values acquired by students.
Gending Sriwijaya Dance Training For Bipa Students At Thammasat University Thailand Triana, Dinny Devi; Oktarini, Selly; Soewardjo, Kristiono; Nisa, Putri Faridatun
Abdi Masyarakat Vol 5, No 2 (2023): Abdi Masyarakat
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/abdi.v5i2.5944

Abstract

This Community Service activity aims to introduce Indonesian culture, especially those that have similarities to traditional Thai dances. The dance that was introduced and taught in this activity was the Gending Sriwijaya dance which originates from Palembang. Dance material is given in the BIPA class at the Faculty of Liberal Arts, University of Thailand. The training method is carried out in two ways, the first is online with additional video tutorials, for 5x meetings, then it is carried out offline for 2x face-to-face. Methods the training method uses modifications developed by Louis Genci (1966), Otto and Glaser (1970), namely 1) analyzing the initial abilities of the trainees, 2) formulating objectives, 3) determining methods and media that suit the characteristics of the trainees, 4) demonstrating and practicing skills, 5) evaluating training results. This method is very relevant to use as a long-distance dance training strategy involving foreign students. The success of this activity can be seen from the results of the questionnaire, where 90% of students were happy and wanted to learn other Indonesian dances. At the end of the training, there was a performance featuring 8 Thai students who focused on learning the Sriwijawa Gending Dance. 
OPTIMALISASI PROSES PEMBELAJARAN TARI MELALUI PENDISIPLINAN TUBUH PENARI DI SWARGALOKA SCHOOL OF DANCE Silviana Indah Fihartanti; Romi Nursyam; B. Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 5 No 1 (2024): Pendidikan Tari untuk Mengembangkan Kreativitas, Kepekaan Estetika, dan Etika
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.512

Abstract

The purpose of this study: (1) to find out how important the body discipline method is in Swargaloka School of Dance through Delsarte's Theory. (2) to find out the process of implementing Delsarte's Theory in order to discipline the body in Swargaloka School of Dance. (3) to find out the results of the process of implementing Delsarte's Theory regarding dancing in Swargaloka School of Dance. This study uses descriptive qualitative research because this study cannot be measured numerically. Learning analysis is easier to understand through descriptions with data collected through learning observations, documentation, and interviews. This thesis discusses the optimization of the body discipline process in dance learning in Swargaloka School of Dance. The results of the study show that Swargaloka School of Dance emphasizes good dance techniques, with clear movement flows when dancing. In addition to learning to dance, students at Swargaloka School of Dance also study various other fields of art, such as theater, music, visual arts, make-up and fashion. Dancing is not only about movement, but also related to character, so that speed, tempo, character, flexibility, and body strength become a unity in dance.
PELATIHAN TARI DASAR BETAWI UNTUK MAHASISWA HEBEI INTERNATIONAL STUDIES UNIVERSITY Selly Oktarini; B Kristiono Soewardjo; Eko Hadi Prayitno; Vanya Zelia
Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Vol. 5 No. 1 (2024): PROSIDING SEMINAR NASIONAL PENGABDIAN KEPADA MASYARAKAT - SNPPM2024
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract Hebei International Studies University, is one of UNJ's partners which is located in China, precisely on Hongqi road no. 1218, Yuanshi County, Shijiazhuang city, Hebei Province. Hebei International Studies University has several faculties in it, one of which is International Finance. Various study programs at the faculty require students to take Indonesian language courses. This course is held continuously from semester 1 to semester 7. Studying Indonesian makes them interested in the arts and culture of Indonesia, especially since there are several arts in Indonesia that have cultural acculturation with China, such as Betawi Basic Dance. Basic Betawi Dance training will be held at the International Finance Faculty located in Shijiazhuang city, Hebei Province. The object is 79 International Finance Department students. The method used in conducting this dance training is Demonstration and example, namely a training method carried out by direct demonstration and explanation of Basic Betawi Dance. Students will do work through demonstrated examples or experiments, where this method will be very effective because the participants see firsthand the dance techniques used by the instructor. Keywords: Dance Training, Betawi Dance, Basic Betawi Dance Abstrak Hebei International Studies University, merupakan salah satu mitra UNJ yang terletak di negera China, tepatnya di Hongqi road no. 1218, Yuanshi County, Shijiazhuang city, Hebei Province. Hebei International Studies University memiliki beberapa fakultas di dalamnya, salah satunya adalah International Finance. berbagai program studi yang ada di fakultas tersebut mewajibkan mahasiswa untuk mengambil mata kuliah Bahasa Indonesia. Mata kuliah tersebut diselenggarakan secara berkelanjutan dari semester 1 hingga semester 7. Mempelajari Bahasa Indonesia membuat mereka tertarik dengan Seni dan Budaya yang dimiliki Indonesia, terlebih ada beberapa kesenian di Indonesia yang memiliki akulturasi budaya dengan China seperti Tari Dasar Betawi. Pelatihan Tari Dasar Betawi akan dilaksanakan di Fakultas International Finance yang terletak di Shijiazhuang city, Hebei Province. Objeknya adalah Mahasiswa International Finance Department sebanyak 79 orang. Metode yang digunakan dalam melakukan pelatihan tari ini adalah Demonstration and exampel yaitu metode latihan yang dilakukan dengan cara peragaan dan penjelasan secara langsung tentang Tari Dasar Betawi. Mahasiswa akan mengerjakan sesuatu pekerjaan melalui contoh atau percobaan yang didemonstrasikan, dimana metode ini akan sangat efektif karena para peserta melihat langsung Teknik dalam menari yang dilakukan instruktur. Kata kunci: Pelatihan Tari, Tari Betawi, Tari Dasar Betawi
PELATIHAN TARI NYAI CUKIN BERBASIS AKULTURASI BUDAYA PERANAKAN TIONGHOA BAGI MAHASISWA CINA DI HEBEI INTERNASIONAL STUDIES UNIVERSITY B Kristiono Soewardjo
Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Vol. 5 No. 1 (2024): PROSIDING SEMINAR NASIONAL PENGABDIAN KEPADA MASYARAKAT - SNPPM2024
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract This Community Service Program aims to introduce Betawi arts and culture, rooted in the acculturation of Chinese Peranakan culture, through the Nyai Cukin dance training. In addition, the program seeks to promote cultural collaboration between Hebei International Studies University (HISU) and Universitas Negeri Jakarta (UNJ). HISU, as a partner of UNJ located in Shijiazhuang, Hebei Province, has more than 21,000 students and 1,358 faculty members and staff, including foreign academics and experts. HISU has grown into a comprehensive and internationally oriented university, and is the only independent international language university at the undergraduate level in Hebei Province. HISU students are required to take Indonesian as a Foreign Language (BIPA) courses from the first to the final semester, with an emphasis on introducing Indonesian culture as part of the curriculum. The Nyai Cukin dance training, which reflects the cultural fusion of Chinese Peranakan influence, employs demonstration and imitation teaching methods. These methods are designed to facilitate students' understanding of the dance movements. The training is conducted both online and in person, covering the history of the dance, performance videos, and instructional videos. This approach greatly assists HISU students in learning and mastering the Nyai Cukin dance, enabling them to successfully perform it in front of new students. Keywords: Dance Training, Nyai Cukin Dance, Peranakan Chinese Culture Abstrak Program Pengabdian kepada Masyarakat ini bertujuan memperkenalkan seni budaya Betawi yang berlandaskan akulturasi budaya peranakan Tionghoa melalui pelatihan tari Nyai Cukin. Selain itu, program ini juga bertujuan mendorong kolaborasi budaya antara Hebei International Studies University (HISU) dan Universitas Negeri Jakarta (UNJ). HISU, sebagai mitra UNJ yang berlokasi di Shijiazhuang, Provinsi Hebei, memiliki lebih dari 21.000 mahasiswa dan 1.358 dosen serta staf, termasuk akademisi dan ahli asing. HISU telah tumbuh menjadi universitas yang komprehensif dan berskala internasional, serta merupakan satu-satunya universitas bahasa internasional mandiri di Provinsi Hebei. Mahasiswa HISU diwajibkan mengambil mata kuliah Bahasa Indonesia Penutur Asing (BIPA) dari semester awal hingga semester akhir, dengan fokus juga pada pengenalan budaya Indonesia dalam kurikulumnya. Pelatihan tari Nyai Cukin, yang mencerminkan akulturasi budaya peranakan Tionghoa, menggunakan metode pembelajaran demonstrasi dan imitasi. Metode ini dirancang untuk memudahkan mahasiswa dalam memahami gerakan tari. Pelatihan dilakukan baik secara daring maupun tatap muka, dengan menyajikan sejarah tari, video pertunjukan, serta video pembelajaran. Pendekatan ini sangat membantu mahasiswa HISU dalam mempelajari dan menguasai tari Nyai Cukin, sehingga mereka berhasil menampilkan tarian tersebut di depan mahasiswa baru dengan baik. Kata Kunci: Pelatihan Tari, Tari Nyai Cukin, Budaya Peranakan Tionghoa
Co-Authors Ace Sriati Rachman Adhi, Bambang P Aditya Prasetyo, Mario Agus Budiman Deden Haerudin Didin Supriadi Dinny Devi Triana Elindra Yetti Ida Bagus Ketut Sudiasa Mega Suryanti Nisa, Putri Faridatun Oktarini, Selly Rizki Taufik Rakhman Rizky Wardhani Robi Maulana bujang Romi Nursyam Sediyaningsih, Sri Selly Oktarini Silviana Indah Fihartanti Sopandi, Agus Tatang Taryana, Tatang Triana, Dinny Devi Triana Utami, Heryanti Vanya Zelia Wiradharma, Gunawan