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All Journal BRIGHT J-Lalite: Journal of English Studies
Beresaby, Rheinatus A
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Arts Education Languange, Linguistic, Communication & Media

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Toxic Masculinity in the Jane Campion’s The Power of the Dog Nurfitriah, Anissa; Hidayat, Syarif; Sulaeman, Karina A; Hariyana, Agustinus; Beresaby, Rheinatus A
BRIGHT : A Journal of English Language Teaching, Linguistics and Literature Vol 8, No 1 (2025)
Publisher : STKIP PGRI Tulungagung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29100/bright.v8i1.7178

Abstract

This study aims to analyze The Power of the Dog (2021) movie script. This research uses a qualitative method using theory of toxic masculinity from Terry A. Kupers to analyze the characters in this movie script by Jane Campion. The aim of this research is to answer two problems of the studies: 1) How is toxic masculinity reflected in The Power of the Dog movie script? 2) How are the impacts of toxic masculinity reflected in The Power of the Dog movie script? The results of this study found four traits of Toxic Masculinity in the characters, there are: 1) Domination; dominate and control over others, 2) Misogyny; hatred and disdain a woman, 3) Homophobia; insult a feminine guy and reject anything feminine, 4) Violence; slap animals, threaten, and even murder. Furthermore, it is also found the impacts of toxic masculinity in the character in The Power of the Dog (2021) movie script, including ;1) Depression, loneliness and isolation, 2) Denial, displacement, reaction formation as defense mechanisms. Based on this research, the movie script of The Power of the Dog represents toxic masculinity through the characters and represents its impacts of toxic masculinity.
Adaptation of Twilight Novel to Film: from Feminism to the Idea of Masculinity Hidayat, Syarif; Sulaeman, Karina A; Hariyana, Agustinus; Beresaby, Rheinatus A; Suranto, Suranto
J-Lalite: Journal of English Studies Vol 6 No 1 (2025): June 2025
Publisher : Program Studi Sastra Inggris Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jes.2025.6.1.13903

Abstract

Adaptation studies are interesting in discussing literary works and films. It is because adapting a scholarly work, like a novel or play, for the big screen is extremely difficult and requires a high level of ability. One of the literary works adapted into a film is the novel Twilight, by Stephanie Meyer. In the adaptation of the novel to the Twilight film, there are many reductions of the story, and additional scenes that are not in the novel. By using the theories of adaptation, feminism, and masculinity, this study analyzes the changes in the theme of feminism in the novel to masculinity in the film, caused by differences in ideas between the novelist and the filmmaker. By applying the comparative method, this study aims to compare the changes in the notion of ​​feminism in the Twilight novel with the idea of ​​masculinity in its film adaptation, and to reveal the motives behind it. The analysis shows that the Twilight film adaptation strategically shifts the feminist themes in the novel version by centering on traditional masculinity, a deliberate choice to appeal to its target audience, particularly teenage girls.
Co-Authors Hariyana, Agustinus Nurfitriah, Anissa Sulaeman, Karina A Suranto Suranto Syarif Hidayat Syarif Hidayat