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صورة المرأة العاملة في يوتيوب عمل المرأة لأمجد النور (تحليل الخطاب النقدي): The Image of Working Women in Amjad Alnour’s YouTube Amal al-Mar’ah: a Critical Discourse Analysis Farah, Zulfa Khuriyatul; Wahyudi, Jarot; Amin, Nurul
Diwan : Jurnal Bahasa dan Sastra Arab Vol 10 No 2 (2024): KAJIAN BAHASA DAN SASTRA ARAB
Publisher : Jurusan Bahasa dan Sastra Arab Universitas Islam Negeri Alauddin Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/diwan.v10i2.45218

Abstract

صُوّرت المرأة كتابعة للرجل في سوق العمل في فيديو اليوتيوب عمل المرأة لأمجد النور. وكانت قضية المرأة العاملة في العالم العربي تشوق الباحثين إلى القيام بهذا البحث. فيهدف هذا البحث إلى تحليل صورة المرأة العاملة في فيديو عمل المرأة نقديا. وكان منهج البحث المستخدم في دراسة مكانة المرأة تحليل الخطاب النقدي لسارة ميلز حيث إنه حصل على بعض النتائج منها أن المرأة منذ القدم توضع في نفس المكانة إذ تعتبر أنها تابعة للرجل في سوق العمل. وخلال التطورات في أواخر هذا العقد، كانت المرأة في العالم العربي خاصة في قطر حصلت على مكانة أفضل مما كان في العصر الماضي. Abstract Women are depicted as subordinate to men in the workplace on the YouTube channel Amal al-Mar'ah. The topic of working women is an intriguing subject to explore in the Arab world. This research is aims to critically analyze the depiction of the position of working women in Amjad Alnour's YouTube Amal Al-marah. The methodology used to examine the position of women is Sara Mills' critical discourse analysis. The results of this study reveal that from the past until now, the position of women has remained the same, and they are considered subordinate to men in the world of work. The most recent development over the past decade is that women in the Arab world, particularly in Qatar, have attained a better status than in previous eras. Women can now pursue careers or work, provided that their guardians permit it.
Voicing Palestinian resistance through literary work: Analysis of metaphor in manshūrāt fidā’iyyah 'alā judrān isrāīl by Nizar Qabbani Farah, Zulfa Khuriyatul; Halim, Mustabir; Shbair, Ahmed; Syahidin, Amal
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 17 No. 1 (2025)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v17i1.1861

Abstract

Manshūrāt Fidā'iyyah 'alā Judrān Isrāīl is one of the iconic Palestinian resistance literature pieces composed by Nizar Qabbani. Although several scholars have analysed the poem, none have focused on the meaning and value of resistance. For this reason, this study aims to identify metaphors to emphasise the spirit of resistance in the poem. The descriptive qualitative method is used to achieve this goal. Data collected through documentation, reading, and note-taking techniques were then analysed through the stages of reduction, presentation, and conclusion drawing. The research findings show the types of metaphors consisting of objective (36.5%), human (22.2%), metaphysical (17.4%), actual (8.7%), living (6.3%), animate (4.7%), and inertia (3.9%). The metaphorical expression employed in the poetry carries profound and impactful meanings, serving as a powerful call for resistance against the occupiers. Through his verses, Qabbani underscores the enduring presence of Palestine and its people, asserting that no matter the efforts of Israel and its allies to obliterate them, Palestine will persevere and remain steadfast. Therefore, the metaphors in this poem are not just symbols, but are expected to form a cognitive awareness. On the other hand, Qabbani uses metaphors that are close to the perception of the Palestinian people to encourage resistance. Theoretically, this research has implications for strengthening semantic theory, especially human perception space, which has proven effective in revealing poetry's more profound and comprehensive meanings. While practically, this research has implications for amplifying the voicing of resistance through poetry and literary studies to defend humanity in Palestine.